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Playwriting

139 Lesson Plans to help you effectively plan your workshops and classes

Rehearsal

by Corinna Rezzelle

In this lesson, students finalize casting, then start rehearsing. Focus the rehearsals on blocking. What is the necessary movement to communicate the content of the scene?
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Rehearsal / Character Development

by Corinna Rezzelle

Students continue to rehearse. In this lesson, character development exercises deepen the students’ experiences and final products.
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Rehearsal / Character Development

by Corinna Rezzelle

Students continue to rehearse. In this lesson, character development exercises deepen the students’ experiences and final products.
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Rehearsal / Designing the play

by Corinna Rezzelle

Students continue to rehearse. They also move on to the design phase of the project. The group will decide upon costuming and props for the performance. NOTE: Keep costumes and props simple. Black works well for costumes with colourful accents.
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Rehearsal / Designing the play

by Corinna Rezzelle

Students continue to rehearse. They also move on to the design phase of the project. The group will decide upon costuming and props for the performance. NOTE: Keep costumes and props simple. Black works well for costumes with colourful accents.
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Revision

by Corinna Rezzelle

In this lesson students watch the Ren Run then discuss the topic of revision. What is the message of the play? How do the scenes communicate the message? Note: Depending on the amount of revisions your students feel the play needs, revising might take longer than one lesson. Feel free to add time, if need be.
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Revision

by Corinna Rezzelle

In this lesson students watch the Ren Run then discuss the topic of revision. What is the message of the play? How do the scenes communicate the message? Note: Depending on the amount of revisions your students feel the play needs, revising might take longer than one lesson. Feel free to add time, if need be.
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Script Drafting

by Lindsay Johnson

In this lesson, students will create a script draft that includes the five required lines to establish character, setting, conflict, rising action, and resolution.
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Script Formatting

by Lindsay Johnson

In this lesson, students will create a script draft that includes scene setting, expression, and movement notes.
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Scripted Scene Performance Assessment

by Lindsay Johnson

In this lesson, students will perform their final partner scene for assessment in front of the class. They will also complete an audience feedback sheet where they give their peers feedback on rubric skills.
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Session 3: What is Theatricality?

by Lindsay Price

Students will discuss the question “What is theatricality?” in terms of what makes a play stageable. Students continue to work on their first draft.
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Session 4: How Do You Give/Receive Feedback?

by Lindsay Price

Students will discuss and examine how to give and receive feedback. Then students will read their first draft aloud and receive feedback on it.
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Session 6: Post-First Draft Questions

by Lindsay Price

Students are given time to work on their second draft. Students also review the Post-First Draft Questions to apply critical thinking skills to their draft.
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Session 7: In-Depth Character Profile

by Lindsay Price

Students are given time to work on their second draft. Students will receive an In-depth Character Profile sheet to help them apply critical thinking skills to their draft.
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Session 8: Feedback 2

by Lindsay Price

Students are given time to work on their second draft. Students also give and receive feedback on their draft.
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Sessions 10 & 11: Practice, Staged Reading, Reflection

by Lindsay Price

In these last two sessions, students will focus on the performance aspect of playwriting. Students will practice in groups, present an online staged reading, and reflect on their experience with the unit.
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