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Displaying items 1-20 of 2440 in total

The Empathy Project

8 resources
This project takes a scaffolded approach to creating the Empathetic Classroom. It guides students through five “links” of empathy: first with themselves, then others, then characters, then the audience/world, and finally into a culminating theatrical presentation. Along the way, it provides resources like reflection prompts, team-building games, safe-space guidelines, and support for executing the project in a classroom context.

Inclusion Toolkit

2 resources
This toolkit is a guide to inclusion in the drama classroom, including strategies, activities, and tips for performance, along with classroom exercises to promote inclusion.

LGBTQ+: Inclusivity in the Drama Classroom Toolkit

6 resources
This resource provides a rich collection of lesson plans, activities, discussion prompts, and resources designed to visibly support LGBTQ+ students in the drama classroom. It includes modules on expectations and ensemble building, improvisation with inclusive character choices, design and production with LGBTQ+ professionals, acting and character development embracing diverse identities, and analysis activities centered around inclusivity and identity.

How to Create Assessments Toolkit

9 resources
This toolkit gives drama teachers structured guidance and materials for designing meaningful assessments tailored to theatrical learning contexts. It includes resources on foundational terms (e.g. formative vs. summative, Bloom’s Taxonomy), planning phases of assessment, rubric design, clear instructions, and examples of both formative and summative assessments.

Rehearsal Toolkit

9 resources
This resource offers a comprehensive collection of resources to support every stage of the rehearsal process, from initial planning to final run-throughs. It includes guides for launching rehearsals, warmups, strategies to keep actors engaged, character development exercises, approaches for classical and comedic texts, handling rehearsal challenges, and structuring final rehearsals.

SEL Monologue Project

6 resources
This project guides students to analyze and rehearse a monologue through the lens of social-emotional learning, fostering deeper emotional connection and authenticity in performance. It is structured into five parts: Self-Awareness, Self-Management, Social Awareness, Relationship Skills, and Responsible Decision Making. Each part has activities and prompts to help students explore their characters’ inner lives and emotional journeys.

Concept-Based Design Project

6 resources
This project introduces students to a structured design methodology by having them apply the MELT (Mood, Era, Location, Theme) framework and “What If” brainstorming games to reinterpret simple stories. Over five scaffolded parts, learners identify essential elements, generate conceptual statements, explore imaginative variations, and then present a cohesive design portfolio including scenery, costumes, and lighting. The resource emphasizes conceptual thinking and creative risk-taking while anchoring student work in a clear process.

Story Theatre Toolkit

14 resources
This toolkit offers a full, scaffolded framework for transforming stories into theatrical works. It includes 13 sections covering story selection, adaptation, narrator styles, staging techniques (like people-as-props), space adaptation, and sample scripts for performance.

Costuming Toolkit

8 resources
This toolkit offers a full suite of resources - articles, handouts, slide decks, videos, and posters - to guide drama teachers from pre-rehearsal planning through post-production strike, even if they lack costuming experience or sewing skills. It covers foundational design concepts, low-budget techniques, script analysis, costume measurement, dress rehearsal etiquette, emergency kits, and costume strike procedures.

Teaching Students to Direct Toolkit

8 resources
This toolkit breaks down the directing process into discrete “tools” - such as Tool of Self, Tool of the Script, Tool of Rehearsal, Tool of Space, Tool of Design, and Tool of Self-Evaluation - each accompanied by exercises, handouts, assignments, and reflection prompts. It guides student-directors through script analysis, rehearsal planning, staging, communication with actors and designers, and self-evaluation of their work.

Creativity Toolkit

13 resources
This toolkit offers a wide array of low-stakes experiences and resources designed to foster student creativity in a safe, pressure-free environment. It includes classroom norms and procedures for creativity, reflection prompts, group and individual creative exercises (e.g. movement, vocal, improv), and inspirational posters and quotes to support ongoing idea generation.

Classroom Management Toolkit

7 resources
This toolkit provides practical, ready-to-use resources to help drama educators establish structure, engagement, and consistent routines in their classrooms. It includes tools such as seating charts, procedures, incentive systems, assessment guides, discipline strategies, and etiquette guidelines explicitly tailored for drama instruction. With checklists, posters, worksheets, and reflection aids, the toolkit supports both preventing issues and responding thoughtfully when challenges arise.

The Organized Production Toolkit

7 resources
This toolkit offers a complete suite of planning and execution resources to help drama teachers run productions smoothly from start to finish. It provides templates and guides across six categories - including pre-production (auditions, casting), stage management (schedules, contact sheets), props & costumes tracking, backstage running orders, ticket sales, and post-show wrap-up (strike checklists, cast party planning). With clear structure and editable documents, the toolkit helps ensure consistency, accountability, and efficiency in mounting any theatrical production.

Monologue Writing Made Easy

by Matthew Banaszynski

7 lessons
Join Matt Banaszynski in this dynamic unit designed to introduce students to the process of starting, drafting, polishing, and performing a self-created, stand-alone monologue. This unit introduces students to writing their own stand-alone monologues. Students will learn the steps involved in going from a simple idea to a written piece to performing that piece. They will also provide feedback to others and give themselves a self-assessment. This unit has been prepared for a middle school drama class but could be adapted for high school. It was designed as a way to get non-theatre students more involved in theatre.

Agatha Rex and Ancient Greek Theatre

by Angel Borths

10 lessons
Help…It’s all Greek to me! Join Angel Borths in this unit that uses a modern adaptation of the Ancient Greek play Antigone to introduce Middle School students to Ancient Greek Theatre. Have your students read Percy Jackson and want to find out more about Ancient Greece? Then, this unit is for you. This unit is designed for middle and high school students and will take you through the basics of classical Greek theatre and pairs it with a modern adaptation of the story of Antigone called Agatha Rex by Lindsay Price. Students will learn vocabulary, design, and basic theory surrounding classical Greek theatre. Students will also enjoy the mask building component of this unit, as they learn to disappear into the character of a mask, like the first actors did on a Greek stage thousands of years ago. The unit culminates in a scene performance with masks.

Drama Two Overview

by Matt Webster

The Drama Two Curriculum was created as a model that empowers teachers to utilize the full content of the DTA Lesson Plan Library as either a foundation or a supplement to their entire classroom curriculum. With that in mind, the units are a combination of existing DTA material and new material. Lesson plans have been adapted to fit the needs of the curriculum (eg. The Colour Wheel Lesson Plan has been adapted from an existing costuming lesson plan in the Lesson Plan Library). The Drama Two Curriculum is performance based. It has been developed to expand and deepen the students’ skills as artists. They will do so by building on material covered in the Drama One Curriculum, with units in: Character Analysis, Monologue Analysis and Writing, Shakespeare Performance, and Design. The curriculum will culminate in a Devised Class Play. As you use this curriculum, think about how you can create your own units and adapt lesson plans based on the needs of your program.
Unit 1 of 7 in Drama Two Curriculum

Character Analysis - Part 1

by Matt Webster

5 lessons
The Drama Two Curriculum has been developed to expand and deepen students’ skills as artists. In this unit, students will explore character analysis, which is key to developing three-dimensional characters in monologues, scenes, and plays. In Part 1, they will start with Uta Hagen’s nine questions for character analysis.
Unit 4 of 7 in Drama Two Curriculum

Monologues - Part 2

by Matt Webster

5 lessons
In Part 2 of the Monologue Unit (Monologue Project: Analysis, Writing, and Performance), students analyze an existing monologue to determine the criteria for a “good” monologue. They will then apply what they learned in Part 1 (Monologue Writing Made Easy), adding in the criteria for a “good” monologue, to write and perform an original monologue.
Unit 5 of 7 in Drama Two Curriculum

Performing Shakespeare

by Matt Webster

5 lessons
In this unit, students are introduced to a series of lesson plans that explore non-traditional approaches to performing the works of William Shakespeare. By the end of the unit students will be exposed to a unique set of tools they can utilize as the foundations for analyzing, staging and performing a scene from Shakespeare’s canon. Students will then rehearse and perform a two-person Shakespearean scene.
Unit 6 of 7 in Drama Two Curriculum

Design

by Matt Webster

6 lessons
In this unit, students will explore and experiment with the basic building blocks of design: Line, Shape, and Color. Once students have a solid foundation of those concepts, they will move on to stage properties and scenic flats as additional building blocks of design. They will then apply their knowledge and skills to a series of assignments, so they can demonstrate their design knowledge and creativity.