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Displaying items 321-340 of 2517 in total
Lesson 1 of 4 in Playwriting Unit: 10 to 15 Minute Play Unit

Week One

by Lindsay Price

In Week One, students learn about the criteria for the culminating project, complete some exercises to give students strategies for warm-ups and fighting writer’s block, as well as complete a practice session for both a monologue and a scene.
Lesson 2 of 4 in Playwriting Unit: 10 to 15 Minute Play Unit

Week Two

by Lindsay Price

In Week Two, students work on their first draft. Each class period involves writing, reading aloud from the draft, and giving/receiving feedback. The draft is due at the end of the week.
Lesson 3 of 4 in Playwriting Unit: 10 to 15 Minute Play Unit

Week Three

by Lindsay Price

In Week Three, students continue to write read their work aloud and receive feedback. The feedback for this week will focus on character and conflict. They will also complete post-first draft questions and character profiles. The second draft is due at the end of the week.
Lesson 4 of 4 in Playwriting Unit: 10 to 15 Minute Play Unit

Week Four

by Lindsay Price

Week Four is about practice, performance, and unit reflection. It’s important to include performance in the unit because the ultimate goal of all plays is that they be performed (rather than read). Students have the opportunity to rehearse in groups, present to the class, and then reflect on their experience with the unit.

What Skills Do You Need to Work on a Show?

by Kerry Hishon

The objective of this lesson is to introduce the concept of “hard skills” (specific abilities or knowledge needed to do a specific job) versus “soft skills” (personal attributes and personality traits; transferable skills that can be used in any aspect of a student’s life).
Lesson 1 of 5 in Theatre Etiquette Unit

What is Theatre Etiquette

by Kerry Hishon

In this lesson, students will define etiquette, refine the definition for the theatre classroom, and work on a Creativity Contract that has goals and procedures. What do students want out of the class? What are the steps they need to take to achieve those goals? What procedures are needed to make the theatre classroom a safe place where they can achieve those goals?
Lesson 2 of 5 in Theatre Etiquette Unit

Real World vs. Theatre World

by Kerry Hishon

Students will learn about creating a safe and professional space in the classroom and in the theatre, and how these principles can be applied to the real world. What are the best practices for etiquette in the classroom, which can also be used in rehearsal, and which can also be used in the real world.
Lesson 3 of 5 in Theatre Etiquette Unit

Audience Etiquette

by Kerry Hishon

Theatre does not happen without an audience. It’s important for students to be aware of and apply audience etiquette. In this lesson, students will explore the different ways an audience behaves depending on the event, what is bad audience behaviour, establish the rules, practice critical thinking as an audience member, and complete an exit slip to demonstrate comprehension.
Lesson 4 of 5 in Theatre Etiquette Unit

Audition Etiquette

by Kerry Hishon

Students will explore the elements of the audition process, discuss the necessary guidelines of audition etiquette, and practice applying those guidelines.
Lesson 5 of 5 in Theatre Etiquette Unit

Pre-Show Performance Etiquette

by Kerry Hishon

Students receive the Pre-Show Etiquette Tips and Performance Etiquette Tips (handouts).They will brainstorm and develop a warm-up exercise designed to encourage pre-show etiquette, and design series of posters (either fully done or described with sketches) to encourage and highlight performance etiquette.
Lesson 1 of 9 in East Meets West: Theatre Traditions Unit

Western Theatre

by Marsha Walner

Students will define Western theatre based on what we know about our culture and its storytelling traditions.
Lesson 2 of 9 in East Meets West: Theatre Traditions Unit

Kabuki Theatre from Japan

by Marsha Walner

Students explore Kabuki from Japan and use the Mie technique to display character in this for-the-masses spectacle form of theatre.
Lesson 3 of 9 in East Meets West: Theatre Traditions Unit

Noh Theatre from Japan

by Marsha Walner

Exploring Noh from Japan and how masks and movement techniques communicate character in a unique style of storytelling.
Lesson 4 of 9 in East Meets West: Theatre Traditions Unit

Chinese Opera

by Marsha Walner

Students explore Chinese opera and how some of what culture values can be seen in an exaggerated way on stage.
Lesson 5 of 9 in East Meets West: Theatre Traditions Unit

Sanskrit Theatre from India

by Marsha Walner

Students explore Sanskrit theatre from India and how rituals and intentional actions give strength and unity to the creative process.
Lesson 6 of 9 in East Meets West: Theatre Traditions Unit

Scene Development

by Marsha Walner

Students will form small groups and delve into one style. They will use that style to retell a common folktale or story, conceptualizing how their story will unfold on stage.
Lesson 7 of 9 in East Meets West: Theatre Traditions Unit

Scene Building and Polish

by Marsha Walner

Groups will polish their piece, ensuring everyone is clear on their responsibilities as well as requesting any production elements necessary.
Lesson 8 of 9 in East Meets West: Theatre Traditions Unit

Final Preparations

by Marsha Walner

Final preparations for the performance during this class, including making and incorporating props or costumes and polishing the scenes.
Lesson 9 of 9 in East Meets West: Theatre Traditions Unit

Performance

by Marsha Walner

Final performances will occur on this day, with audience members offering observation-based feedback.

Acting vs. Performing a Song

by Annie Dragoo

In musicals, it is important to remember that acting does not stop when the music begins. In this lesson, students will learn to find meaning behind the lyrics of a song so that they can convey the character’s feelings while performing.
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