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Displaying items 1-20 of 2439 in total

Classroom Management Toolkit

This toolkit provides practical, ready-to-use resources to help drama educators establish structure, engagement, and consistent routines in their classrooms. It includes tools such as seating charts, procedures, incentive systems, assessment guides, discipline strategies, and etiquette guidelines explicitly tailored for drama instruction. With checklists, posters, worksheets, and reflection aids, the toolkit supports both preventing issues and responding thoughtfully when challenges arise.

Rehearsal Toolkit

This resource offers a comprehensive collection of resources to support every stage of the rehearsal process, from initial planning to final run-throughs. It includes guides for launching rehearsals, warmups, strategies to keep actors engaged, character development exercises, approaches for classical and comedic texts, handling rehearsal challenges, and structuring final rehearsals.

The Empathy Project

This project takes a scaffolded approach to creating the Empathetic Classroom. It guides students through five “links” of empathy: first with themselves, then others, then characters, then the audience/world, and finally into a culminating theatrical presentation. Along the way, it provides resources like reflection prompts, team-building games, safe-space guidelines, and support for executing the project in a classroom context.

How to Create Assessments Toolkit

This toolkit gives drama teachers structured guidance and materials for designing meaningful assessments tailored to theatrical learning contexts. It includes resources on foundational terms (e.g. formative vs. summative, Bloom’s Taxonomy), planning phases of assessment, rubric design, clear instructions, and examples of both formative and summative assessments.

Inclusion Toolkit

This toolkit is a guide to inclusion in the drama classroom, including strategies, activities, and tips for performance, along with classroom exercises to promote inclusion.

Costuming Toolkit

This toolkit offers a full suite of resources - articles, handouts, slide decks, videos, and posters - to guide drama teachers from pre-rehearsal planning through post-production strike, even if they lack costuming experience or sewing skills. It covers foundational design concepts, low-budget techniques, script analysis, costume measurement, dress rehearsal etiquette, emergency kits, and costume strike procedures.

LGBTQ+: Inclusivity in the Drama Classroom Toolkit

This resource provides a rich collection of lesson plans, activities, discussion prompts, and resources designed to visibly support LGBTQ+ students in the drama classroom. It includes modules on expectations and ensemble building, improvisation with inclusive character choices, design and production with LGBTQ+ professionals, acting and character development embracing diverse identities, and analysis activities centered around inclusivity and identity.

Story Theatre Toolkit

This toolkit offers a full, scaffolded framework for transforming stories into theatrical works. It includes 13 sections covering story selection, adaptation, narrator styles, staging techniques (like people-as-props), space adaptation, and sample scripts for performance.

The Organized Production Toolkit

This toolkit offers a complete suite of planning and execution resources to help drama teachers run productions smoothly from start to finish. It provides templates and guides across six categories - including pre-production (auditions, casting), stage management (schedules, contact sheets), props & costumes tracking, backstage running orders, ticket sales, and post-show wrap-up (strike checklists, cast party planning). With clear structure and editable documents, the toolkit helps ensure consistency, accountability, and efficiency in mounting any theatrical production.

Creativity Toolkit

This toolkit offers a wide array of low-stakes experiences and resources designed to foster student creativity in a safe, pressure-free environment. It includes classroom norms and procedures for creativity, reflection prompts, group and individual creative exercises (e.g. movement, vocal, improv), and inspirational posters and quotes to support ongoing idea generation.

Teaching Students to Direct Toolkit

This toolkit breaks down the directing process into discrete “tools” - such as Tool of Self, Tool of the Script, Tool of Rehearsal, Tool of Space, Tool of Design, and Tool of Self-Evaluation - each accompanied by exercises, handouts, assignments, and reflection prompts. It guides student-directors through script analysis, rehearsal planning, staging, communication with actors and designers, and self-evaluation of their work.

SEL Monologue Project

This project guides students to analyze and rehearse a monologue through the lens of social-emotional learning, fostering deeper emotional connection and authenticity in performance. It is structured into five parts: Self-Awareness, Self-Management, Social Awareness, Relationship Skills, and Responsible Decision Making. Each part has activities and prompts to help students explore their characters’ inner lives and emotional journeys.

Concept-Based Design Project

This project introduces students to a structured design methodology by having them apply the MELT (Mood, Era, Location, Theme) framework and “What If” brainstorming games to reinterpret simple stories. Over five scaffolded parts, learners identify essential elements, generate conceptual statements, explore imaginative variations, and then present a cohesive design portfolio including scenery, costumes, and lighting. The resource emphasizes conceptual thinking and creative risk-taking while anchoring student work in a clear process.

Costuming

by Holly Beardsley

A costume designer and a costumer are two different things. A costume designer creates pieces from the drawing board to the stage, while a costumer pulls from already existing pieces to create fully realized characters. This means that the approach is different. In this six lesson unit students will learn the tools of a successful costumer. They will start by reflecting on their own personal style and the choices that go into that style. They’ll move on to look at versatility and adapting costume staples, creating a costuming vision, period clothing as the costumer, how to use the colour wheel as a costuming tool and everything culminates in a final project (two options).

Ancient Greek Theatre - It's All Greek to Me! *Hyperdoc

by Lea Marshall

The purpose of this unit is to give students an introduction to independent learning as well as an overview of Ancient Greek theatre. Students will apply their knowledge throughout, and the unit culminates in a group activity. This unit is delivered in hyperdoc format. What does that mean? A hyperdoc is an interactive tool that encourages digital learning. In this case, students are given a document on a subject, and there they can read articles, watch videos, do some independent research, and apply what they’ve learned. Because they’re working on their own, students are in charge of their own pacing. Before you start the unit, ensure you read the Teacher Guide first. It will give you clear instructions on how to distribute the hyperdoc format and make it easy for you and your students.

Part Two - Documents

by Karen Loftus

This section provides samples and worksheets for actor forms, costume department, general binder, lighting and sound, marketing samples, scenic and prop samples, and stage management and production manager samples and forms.

The Working Playwright *Hyperdoc

by Lindsay Price

In this unit, students will gain insight into the day to day responsibilities of a working artist. This unit aims to illuminate for students that creative expression is only one element in a sustainable arts career, and attempt to address the essential question: How does a playwright turn creative expression into a career? The culminating project for the unit is a playwright submissions packet for a theatre company. This unit is delivered in hyperdoc format. What does that mean? A hyperdoc is an interactive tool that encourages digital learning. In this case, students are given a document on a subject, and there they can read articles, watch videos, do some independent research, and apply what they’ve learned. Because they’re working on their own, students are in charge of their own pacing. Before you start the unit, ensure you read the Teacher Guide first. It will give you clear instructions on how to distribute the hyperdoc format and make it easy for you and your students.

Playwriting Unit: 10 to 15 Minute Play

by Lindsay Price

This playwriting unit offers lessons for students to complete a 10- to 15-minute play, instructed by professional playwright Lindsay Price. The unit includes class writing time as well as students writing on their own; in setting it up this way, the unit can be interspersed between other lessons. Students are challenged to apply themselves to write on their own - as all writers must do. Class time also focuses on giving and receiving feedback.

Introduction to Set Design *Hyperdoc

by Lea Marshall

The purpose of this unit is to give students an introduction to independent learning as well as an overview of Set Design. Students will apply their knowledge throughout, and the unit culminates in a group activity. This unit is delivered in hyperdoc format. What does that mean? A hyperdoc is an interactive tool that encourages digital learning. In this case, students are given a document on a subject, and there they can read articles, watch videos, do some independent research, and apply what they’ve learned. Because they’re working on their own, students are in charge of their own pacing. Before you start the unit, ensure you read the Teacher Guide first. It will give you clear instructions on how to distribute the hyperdoc format and make it easy for you and your students.

Improvisation in Musical Theatre

by Annie Dragoo

Understanding basic improvisation skills will help musical theatre performers understand that musical theatre is more than just singing and dancing. It’s about using all the tools (voice, body, and mind) an actor has at their disposal to create a character. This unit focuses more on the improv aspect rather than the musical theatre aspects - in fact students need no prior musical theatre knowledge. Annie Dragoo, creator of the unit, uses this material as her first unit in her musical theatre class. It’s a great introduction and will get your students in the right frame of mind to approach musical theatre. The lessons explore a variety of improv skills such as vocal responses, movement, character study, sensory awareness and culminate in an improv scene and unit essay.