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In this lesson, students will do a research project on the sociopolitical and cultural background of Spain and learn about the plays and playwrights of this era. They will also explore a monologue from the play Life Is a Dream.

Students will learn about the Alexander Technique and its six principles. Students will begin to explore how to make personal adjustments in their movements using the Alexander Technique.

In this lesson, students will be introduced to Elizabethan England. They will complete a research project on the sociopolitical and cultural background of the era to set the stage for Shakespeare and other playwrights of Elizabethan England.

In this lesson, students will be introduced to Elizabethan theatre from the thrust stage to the acting companies. They will also compare and contrast (in discussion and through scenes) the proscenium space with the thrust theatre space, and play with the Elizabethan language in an improv.

In this lesson, students will be introduced to late 17th century England. They will complete a research project on the sociopolitical and cultural background of the era to set the stage for Restoration comedy.

In this lesson, students will be introduced to Elizabethan playwrights and their plays: Christopher Marlowe, Ben Jonson, and William Shakespeare.

In this lesson, students will be introduced to Restoration comedy, specifically Comedy of Manners. Students will create scenes that “mock” a society group as comedy of manners does, explore wordplay, examine lines from comedy of manners plays, and reflect how the comedy of manners acts as a mirror to the audience.

Students will use a few of Boal’s group warm-ups and participate in Forum Theatre to help them work out issues of importance to them. Through this, they can also see new ways of using theatre to address group dynamics and social issues.

In this lesson, students will explore the impact of censorship on an era of theatre and create a theatrical moment using a specific censorship prompt.

This lesson defines symbolism and explores Indigenous art and its characteristics.

Students expand on the previous lesson, working in small groups to begin to create theatre from art.

Students will learn about two practitioners of avant-garde theatre. They will then reimagine a common fairy tale in the style of either Artaud or Grotowski, or a combination thereof. In doing so, they will acquaint themselves with non-realistic theatre production techniques.

In this lesson, students will be introduced to the 19th century and the Romantic period. They will complete a research project on the sociopolitical and cultural background of the era to set the stage for Romanticism.

In this lesson, students will be introduced to the characteristics of Romanticism in literature, painting, and music. For each category, students will analyze samples and discuss how these pieces illustrate the characteristics of Romanticism. Finally, students will create a theatrical moment that applies the characteristics of Romanticism.

This lesson marks the shift from working on exercises to working directly on the scenes. Students will revisit their scenes and do some preliminary analysis about the plot, style, and main ideas of the plays these scenes come from. They will learn about given circumstances and their importance. Students will complete a character analysis in order to give them information about the given circumstances of their character to use in scene work.

This lesson marks the shift from working on exercises to working directly on the scenes. Students will revisit their scenes and do some preliminary analysis about the plot, style, and main ideas of the plays these scenes come from. They will learn about given circumstances and their importance. Students will complete a character analysis in order to give them information about the given circumstances of their character to use in scene work.

Students will get more instruction in scoring their scene. They will first define a super objective for their character, then break down the scene into beats. They will learn about defining those beats with compelling active verbs which should translate into strong actions and interesting acting choices in rehearsal.

In this lesson, students will be introduced to the elements of Romantic theatre, examine what makes a “well-made” play, apply Goethe’s three questions of art criticism, practice a couple of Delsarte’s emotional gestures, and use those gestures to create their own modern melodrama.

In this first lesson at the start of a new year, students learn daily classroom routines, participate in a name game, and complete a successful journal entry reflecting on circle discussion. They will begin to interact with the Weekly Ensemble Rubric through the journal element.

Students will get more instruction in scoring their scene. They will first define a super objective for their character, then break down the scene into beats. They will learn about defining those beats with compelling active verbs which should translate into strong actions and interesting acting choices in rehearsal.