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Displaying items 261-280 of 756 in total

The Fourth Wall

by Elisabeth Oppelt

The fourth wall is an imaginary wall that stands between the actors and the audience. As actors we tend not to speak to, look at or acknowledge the audience when we are performing. We want the audience to be observers but not necessarily involved in the scene. There are times however when we want to speak directly to the audience. When we do, that is called breaking the fourth wall. It is a technique that can be useful in specific instances but should not be abused by actors.
Lesson 2 of 6 in Design Unit

The Color Wheel

by Holly Beardsley

Students will apply the color wheel to an understanding of theme and mood in scenic design.
Lesson 4 of 5 in Sound Unit

Tech Rehearsal and Performance

by Josh Hatt

Students are given time for a tech rehearsal and then perform their scenes. The emphasis is on the groups demonstrating a knowledge of sound effectiveness.

Scenes for Classroom Study: The Last Dance

PDF
Use this scene in your classroom for character study, scene work, substitute teachers, performance, Individual Event competitions, and however else you can imagine. Characters: Chelsey, Kai (both 17) Genre: Drama

Stagecraft: Onstage

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Use these trivia questions as part of unit review, or as an introduction to material.

Active Listening

by Anna Porter

Students will understand the importance of actively listening and using active listening to inform their character choices in performance. They will participate in listening exercises and apply active listening to their scene work.
Lesson 5 of 13 in Devising Unit

Beginning to Write

by Corinna Rezzelle

In this lesson, students begin putting the pieces together for their devised work. Students brainstorm on their topic, then participate in a movement piece and a forum theatre activity to explore their topic.
Lesson 2 of 17 in Creating Your Own Musical Unit

Practicing with Devised Theatre

by Laramie Dean

In this lesson, we try a different devised theatre technique using a photograph to inspire students to create their own performance.
Lesson 6 of 7 in Monologue Writing Made Easy Unit

More Minds Are Better Than One

by Matthew Banaszynski

Students will work in groups to turn their previous drafts into completed monologues.
Lesson 6 of 7 in Playwriting: Part 1 Unit

Conflict

by Lindsay Price

Along with character, conflict is one of the backbone elements of a good play. In this lesson, students will work on a conflict profile.

Running List Exercise

by Kerry Hishon

To learn the importance of an organized backstage – through discussion, solving issues through performance, and applying knowledge.
Lesson 10 of 17 in Creating Your Own Musical Unit

Practicing with Devised Theatre; Dreamgirls

by Laramie Dean

In this lesson, students will present their devising pieces and prepare to watch the next musical, Dreamgirls.
Lesson 3 of 3 in Front of House Unit

Marketing and Audience Experience

by Karen Loftus

Students continue their exploration by learning about the press release and creating a marketing plan for an original play.
Lesson 1 of 7 in Unit Five: Intro to Script Writing Unit

Partner Scene Brainstorming

by Lindsay Johnson

In this lesson, students will create a scene outline by brainstorming and selecting the key foundations of their scene (setting, relationships, and conflicting objectives).

Ensemble Experiences: Small Group

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Each experience includes the title, a list of objectives you can choose from, the goal, guidelines, and instructions.

The Environment of Sound

by Lindsay Price

Certain sounds are always connected to certain objects - the slam of a door, cowbell, a ringing phone. How does the environment change if the sounds are changed? Does the change of sound change the scene? Includes a list of websites to use for free sound effects.
Lesson 5 of 5 in Monologues - Part 2 Unit

Project: Performing Monologues

by Matt Webster

For this culminating project, students will perform their original monologue from the previous lesson.

What Do We “Do” on Stage?

by Karen Loftus

This Lesson Plan introduces one of the important tools of an actor: the body. Student actors often have difficulty getting out of their own body, especially if they suffer from any kind of stage fright. How do we move on stage? What happens when we’re afraid to move? How can we get beyond nerves to become comfortable with our bodies? What do we “do” on stage?
Lesson 4 of 4 in Pantomime Unit

Unit Project

by Karen Loftus

The final project for this unit is a simple two-person pantomime of up to one minute in length. The objective is for students to utilize mime, body language, and facial expression to tell a basic story: an activity that has an obstacle that they overcome or get past.

Masterclass with Julie Hartley: Arts Camp Director

Video 2 resources
Masterclass is a series of one-on-one interviews with experts, creators and innovators in the world of Theatre that you can study in-depth, or share with your classes. Think of this series as 'Inside the Actor's Studio' for Drama Teachers. This Masterclass is with Julie Hartley, Arts Camp Director, and is hosted by Matt Webster.