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Stage Management & Technical Theatre

178 Lesson Plans to help you effectively plan your workshops and classes

Blisters and Burns

by Matt Webster

This lesson will focus on creating blisters and burns with stage makeup. Students will reflect on what causes a blister or burn and will then create a blister and/or burn on a partner using stage makeup.
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Building Stage Flats

by Karen Loftus

Lumber is expensive, so just letting the students have a go at building a stage flat could get pricey. Why not let them “try it out” by constructing the cheapest flat they’ll ever make. This lesson plan guides students through the identification and construction of the various elements of a stage flat (both Hollywood and Broadway) using paper, drinking straws, and glue.

Building Stage Flats

by Karen Loftus

Students will be able to identify the various elements of a stage flat and comprehend the skills, process, and math required to construct a stage flat.
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Building Stage Flats

by Karen Loftus

Students will be able to identify the various elements of a stage flat and comprehend the skills, process, and math required to construct a stage flat.

Calling a Show

by Karen Loftus

Calling cues requires the ability to analyze, strategize, and problem solve. Calling cues becomes easier each time, but every show is different and presents new challenges. In this lesson, students practice the act of calling a show. What are the types of cues that can be used? How are they notated in a script?
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Changes and Transitions

by Josh Hatt

Students discuss scene changes and transitions. How can a poorly rehearsed transition hinder a technically effective performance? They then apply this discussion to a Scene Assignment. Groups create a scene and must demonstrate a scene change within the scene.

Cheeks and Jaw

by Matt Webster

This lesson will focus on the cheeks and jawline. Students will work with a partner to examine the structures of the cheeks and jaw. Once students identify where the highlights and shadows are located in that portion of the face, they will use the appropriate makeup to enhance the highlights and shadows.
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Colour and Angles

by Josh Hatt

Students will explore how lighting can affect a scene through colour and angles. Questions include: What is mood? How do shadows affect a scene? Students are given a lighting assignment to apply colour and angles by drawing a simple light plot.

Common Types of Theatres & Stages

by Lindsay Price

Students review the three most common types of theatre stages used today: proscenium, thrust, and arena stages. Students create the audience for a specific type of stage in a warm-up, and then in groups, students work to stage a fairy tale using the three different theatre configurations.
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Company Positions and Tasks

by Karen Loftus

This document outlines all of the potential roles and tasks for students in The Production Classroom. It includes the tasks each student is to complete for their production binder, as well as their particular role during the performance of the show.

Complete Makeup Design on a Partner

by Matt Webster

This lesson will focus on completing an old age makeup design on a partner. Students will incorporate the previous lessons on the temple, forehead, cheeks, jaw, nose, lips, chin, nasolabial fold, and eyes as well as the one on wrinkles, stippling, and finishing into a complete, uniform old age makeup design on a partner.
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Complete Makeup Design on Self

by Matt Webster

This lesson will focus on students completing an old age makeup design on themselves. Students will incorporate the previous lessons on the temple, forehead, cheeks, jaw, nose, lips, chin, nasolabial fold, and eyes as well as the one on wrinkles, stippling, and finishing into a complete, uniform old age makeup design they apply to their own face.
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Costume and Scenic

by Karen Loftus

In this unit you’ll explore the elements created by scenic and costume designers as well as technical directors and costume shop managers to convey the designs and bring the final production to life.
Attachments

Costume Effectiveness

by Josh Hatt

Students give their research presentations from the previous class. They then discuss costume design and the impact of colour on costumes. How can colour communicate mood in a costume? Students complete a reflection on what they’ve learned so far.