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Google Site: Elements of Costume Design and Team Portfolio

by Anna Porter

Students will work collaboratively to create a Google Site final portfolio to showcase the work they have done as a costume team. Students will also begin to prepare their costume team pitch presentation.
Attachments

Reflection in Role: Character Development Through Script Analysis

by Lindsay Price

Playwrights leave hints and tips in the text as signposts for character building. But how do you find those hints? How do you use them to develop a character? In this lesson plan, students will examine scenes from my plays, identify character development clues, and apply those clues. The included teaching script will show you those character clues so you know what students are looking for. The Scenes are included in the plan as well as a reflection rubric. The analysis areas are: facts and concrete assumptions, sentence structure, and strong forms need strong characters.

Who's Who in a Theatre Company

by Karen Loftus

Students will identify and understand the roles and responsibilities in a theatre company: artistic, production, and business.

Give My Regards to Broadway

by Annie Dragoo

By viewing this documentary, students explore Broadway’s history from the vaudeville shows and operettas of the 20th century to 21st-century extravaganzas such as Hairspray and Wicked. In this lesson, students will view, discuss, and reflect on Episode 1.

Putting it All Together

by Jenny Goodfellow

This final lesson is a culminating performance. Students practice their scene using their hand puppets, then perform. Those watching will fill out a feedback sheet, which is discussed after the performance. A Unit Reflection and a Performance Reflection are included.
Attachments

Contentless Scenes / Building Scenes

by Corinna Rezzelle

In this lesson, students will start their scene work first with a contentless scene, a one-minute scene, and then (for homework) write a one-page scene based on a real life experience.
Attachments

Copyright and the Theatre

by Craig Mason

Copyright and the Theatre go hand in hand, especially if you’re doing plays, but a topic about which many students (and even teachers) lack knowledge. Students will read about the aspects of Copyright and the Theatre, reflect on making changes to scripts, and complete a Copyright and the Theatre Quiz.

Session 2: Script Analysis - Close Reading

by Lindsay Price

When analyzing a script, you want students to do a close reading, multiple times, and mine the text for as much information as possible. It’s important to know who your character is, why they act the way they do, and, most importantly, how you can physicalize all your newfound knowledge. At the end of each read, students identify possible staging ideas for their character and for the plot.
Attachments

What is Theatre Etiquette

by Kerry Hishon

In this lesson, students will define etiquette, refine the definition for the theatre classroom, and work on a Creativity Contract that has goals and procedures. What do students want out of the class? What are the steps they need to take to achieve those goals? What procedures are needed to make the theatre classroom a safe place where they can achieve those goals?

Creating Musical Components

by Laramie Dean

In this series of lessons, students will use class time to work in groups to create as many musical components as they can given the time available.

The Speed Date

by Stephanie-Ann Cocking

Students create a character and maintain that character throughout an activity. Students create an original character by filling out a form. These characters participate in a speed date round. Female characters sit in an outer circle of chairs. Male characters rotate clockwise through an inner circle of chairs.The characters introduce themselves and talk for one minute before moving on to the next meeting. Teacher pairs students up and in their pairs student plans and present a short improv: The First Date.

Nasolabial Fold

by Matt Webster

This lesson will focus on the nasolabial fold. Students will work with a partner to examine the structures of the nasolabial fold. Once students identify where the highlights and shadows are located in that portion of the face, they will use the appropriate makeup to enhance the highlights and shadows.
Attachments

Blocking the Musical

by Annie Dragoo

Students will block/stage their original musicals by planning and rehearsing the movement for the dialogue.

Broadway Gives Hope

by Annie Dragoo

In this lesson, students will view, discuss, and reflect on Episode 3.

Broadway and the Global Economy

by Annie Dragoo

In this lesson, students will view, discuss, and reflect on Episode 6.

Broadway Reinvents Itself

by Annie Dragoo

In this lesson, students will view, discuss, and reflect on Episode 5.

Acting vs. Performing a Song

by Annie Dragoo

In musicals, it is important to remember that acting does not stop when the music begins. In this lesson, students will learn to find meaning behind the lyrics of a song so that they can convey the character’s feelings while performing.

Choreographing the Musical

by Annie Dragoo

Students will choreograph their original musicals by planning and rehearsing the movement for each song.

Expectations and Goals - Beginning of Year

by Lindsay Price

Students will use sentence starters to set goals and expectations for their time in class. What do they expect to learn? What do they expect from their classmates? What is the purpose of drama class? Have students fill out an expectations and goals form at the beginning of the year and you can use it to compare and contrast their work at the end of the year.

Looking Back and Looking Forward

by Kerry Hishon

The objective of this lesson is for your current students to reflect upon their experiences and new knowledge at the end of a school/class production. Then they will use that information to create a useful document for future drama students, such as a “drama transition manual” or a “what to expect during your production” document.