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Character Physicalization, Part 2

by Lindsay Price

Students will revisit character physicality choices and solidify that they are a part of their staging. Additionally, there is an exercise to further explore character physicality.
Attachments

Assessment

by Karen Loftus

The production binder is the final assessment. A checklist and rubric is included.

Blisters and Burns

by Matt Webster

This lesson will focus on creating blisters and burns with stage makeup. Students will reflect on what causes a blister or burn and will then create a blister and/or burn on a partner using stage makeup.
Attachments

Calling a Show

by Karen Loftus

Calling cues requires the ability to analyze, strategize, and problem solve. Calling cues becomes easier each time, but every show is different and presents new challenges. In this lesson, students practice the act of calling a show. What are the types of cues that can be used? How are they notated in a script?
Attachments

Cheeks and Jaw

by Matt Webster

This lesson will focus on the cheeks and jawline. Students will work with a partner to examine the structures of the cheeks and jaw. Once students identify where the highlights and shadows are located in that portion of the face, they will use the appropriate makeup to enhance the highlights and shadows.
Attachments

Final Project

by Lindsay Price

For this project, students will create a scene in groups in which everyone is given a specific perspective. Each student must present a character from their provided perspective.
Attachments

Common Types of Theatres & Stages

by Lindsay Price

Students review the three most common types of theatre stages used today: proscenium, thrust, and arena stages. Students participate in a types of stages warm-up and explore how to stage something on different types of stages.
Attachments

Costume Effectiveness

by Josh Hatt

Students give their research presentations from the previous class. They then discuss costume design and the impact of colour on costumes. How can colour communicate mood in a costume? Students complete a reflection on what they’ve learned so far.

Culminating Activity

by Lindsay Price

Students work together to come up with a solution for the famous “exit, pursued by a bear” stage direction from Shakespeare’s The Winter’s Tale through written response, drawing, and making a design element with materials found at home.
Attachments

Culminating Project

by Drama Teacher Academy

Students will identify skills of strong leadership in theatre management. They will employ leadership skills to create and accomplish project goals and objectives.
Attachments

Costume Sales Pitch Presentations

by Josh Hatt

Students are given time to prepare and then give their Costume Pitch Presentations. The emphasis is on the pairs demonstrating a knowledge of costume effectiveness.

Culminating Activity

by Lindsay Price

Students design, create, and implement a solution for the famous “exit, pursued by a bear” stage direction from Shakespeare’s The Winter’s Tale.

Costume Sales Pitch Assignment

by Josh Hatt

Students are given a Costume Sales Pitch Assignment. They will work in pairs to pitch costumes for a Blank Scene in which they must articulate mood, setting, the characters, and costume colours.

Culminating Project

by Karen Loftus

In this culminating project, students are put into groups to create the stage management elements for a new “production” of Jabberwocky, the poem by Lewis Carroll.
Attachments

Design - Line and Shape

by Karen Loftus

Design, it’s not just for Art class anymore! A way to help your drama students understand abstract concepts is to let them take them for a test drive. In this very basic exercise, students explore the design elements of line and shape using only a pencil and a sheet of paper.

Drafting - Part 1

by Karen Loftus

Students explore an element of scenic design and apply their knowledge in a drafting exercise. They will use this information when they create a ground plan as part of their scenic design.

Drafting - Part 2

by Karen Loftus

Students apply their knowledge by creating a ground plan.

Drafting: Part 1

by Karen Loftus

Students continue their exploration of scenic design by learning about and applying the concept of scale. Students will create a ground plan of their classroom.
Attachments

Drafting: Part 2

by Karen Loftus

Students continue their exploration of scenic design by taking the drawing they made for The Glass Menagerie and turning it into a ground plan.
Attachments

End of the Year Lesson: Low-Tech Design

by Drama Teacher Academy

In this lesson, students will analyze and stage a scene from a Victorian ghost story using only low-tech solutions. They must design lighting, sound, and costumes without traditional theatrical equipment or period-accurate attire. Instead, they will rely on atmosphere, found lighting, and live sound effects to bring the genre to life. Students will have two days to prepare and execute a one-minute memorized scene that showcases their design choices. Use this lesson at the end of the year, after a major assessment, or following a year-end/semester-end production.