Facebook Pixel

Search the Drama Teacher Academy

Displaying items 761-780 of 2384 in total

Culminating Activity

by Drama Teacher Academy

Decide how students will demonstrate their knowledge of the unit. A variety of activities are provided. You can choose to have all your students do the same activity, or allow students to choose how they demonstrate their knowledge. Rubrics are provided for each activity.
Attachments

Set the Stage for Romanticism

by Drama Teacher Academy

In this lesson, students will be introduced to the 19th century and the Romantic period. They will complete a research project on the sociopolitical and cultural background of the era to set the stage for Romanticism.
Attachments

Romanticism

by Drama Teacher Academy

In this lesson, students will be introduced to the characteristics of Romanticism in literature, painting, and music. For each category, students will analyze samples and discuss how these pieces illustrate the characteristics of Romanticism. Finally, students will create a theatrical moment that applies the characteristics of Romanticism.
Attachments

Romantic Theatre

by Drama Teacher Academy

In this lesson, students will be introduced to the elements of Romantic theatre, examine what makes a “well-made” play, apply Goethe’s three questions of art criticism, practice a couple of Delsarte’s emotional gestures, and use those gestures to create their own modern melodrama.
Attachments

Culminating Activity

by Drama Teacher Academy

Decide how students will demonstrate their knowledge of the unit. A variety of activities are provided. You can choose to have all your students do the same activity, or allow students to choose how they demonstrate their knowledge. Rubrics are provided for each activity.
Attachments

Artaud and Grotowski

by Ruthie Tutterow

Students will learn about two practitioners of avant-garde theatre. They will then reimagine a common fairy tale in the style of either Artaud or Grotowski, or a combination thereof. In doing so, they will acquaint themselves with non-realistic theatre production techniques.
Attachments

Boal and Forum Theatre

by Ruthie Tutterow

Students will use a few of Boal’s group warm-ups and participate in Forum Theatre to help them work out issues of importance to them. Through this, they can also see new ways of using theatre to address group dynamics and social issues.
Attachments

Character Traits - Seven Grandfather Teachings

by Allison Green

These lessons move from the story into activity. Students will try interpreting, actively modelling, and practicing stepping into the character traits of Love, Wisdom, Respect, Bravery, Honesty, Humility, and Truth.

Symbolism and Animal Representation Using Viewpoints

by Allison Green

Now that students have spent time understanding the literal meaning of the character traits discussed as the seven Grandfather teachings, this lesson moves into a more metaphorical representation of animals and how they relate to the teachings. The technique of Viewpoints is introduced to play and interpret this knowledge.
Attachments

Open, Neutral Scenes

by Allison Green

A final step can be used as an evaluation of student understanding of the character traits presented in the Seven Grandfather Teachings by approaching an Open, Neutral Scene. Students are paired and given one of the open, neutral scenes included in this unit. Neutral scenes can have dictated conflict or character traits added to them by the teacher for students, but in the most “open” sense, allow students to develop the story and create strong focused characters.
Attachments

Close Reading Analysis of It's Always Loud in the Balcony

by Drama Teacher Academy

This close-reading lesson centers around students analyzing Chapter 15, “Who The Hell Are These Guys?” of the memoir It’s Always Loud In The Balcony: A Life in Black Theater, from Harlem to Hollywood and Back by Richard Wesley.

The Black Arts Movement

by Quincy Young

Students will read, annotate, and reflect on an article about the Black Arts Movement. By participating in the annotation exercise, students will obtain background knowledge which will lead to a mini research project and presentation.

The Magic If Exercise

by Claire Broome

This lesson introduces the project and begins character development exercises, including Stanislavski's Magic If.
Attachments

In Character and Group Set-Up

by Claire Broome

In this lesson, using the character they created in the previous lesson, students will show up to class “in character” and repeat the Magic If exercise, and choose their dilemma.
Attachments

Improv to Location

by Claire Broome

In this lesson, students will explore location options for their play and choose one.
Attachments