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Displaying items 1121-1140 of 2383 in total

Failure

by Jennine Profeta

This lesson encourages students to embrace failure as a positive aspect rather than negative.

Confidence

by Jennine Profeta

This lesson allows students to practice and apply attributes of confidence.

Positive and Negative Speak

by Jennine Profeta

This lesson has students identify and have self-awareness of positive and negative speak.

Capturing the Way People Speak

by Nicholas Pappas

Students will learn to break free of academia’s stringent MLA formatting and “proper” speech patterns, while recognizing their own code-switching, to capture authentic and natural rhythms to match the speech patterns of their friends, families, and community.

What is a Monologue?

by Nicholas Pappas

Students will build upon the Overheard Dialogue lesson to write a first draft of an authentic, decolonized monologue that speaks to their interests and voice.

Workshopping and the Second Draft

by Nicholas Pappas

Students will use a workshop process to build upon the first draft of their monologue and write a second, stronger draft of their monologue.
Attachments

Introduction to Perspective Taking

by Lindsay Price

The best way to introduce a concept is through activities. Students will participate in activities that ask them to make choices and observe the choices of others. They will be introduced to the definition of perspective taking and apply that definition through discussion and a theatrical moment group work activity.
Attachments

Nonverbal Communication

by Lindsay Price

In this lesson, students will explore nonverbal communication. How do students determine what others are thinking and feeling? Can they read body language and other forms of nonverbal communication? When they look at a photo can they identify what someone is thinking?
Attachments

Focusing on Others

by Lindsay Price

In this lesson, students will practice identifying the perspective of others. They will think about all the elements that go into someone’s perspective (e.g., background, experience, traditions, preferences, circumstances).
Attachments

Perspective Taking and Characters

by Lindsay Price

In this lesson, students will analyze characters, identify their perspectives, and demonstrate perspective taking by understanding their points of view.
Attachments

Final Project

by Lindsay Price

For this project, students will create a scene in groups in which everyone is given a specific perspective. Each student must present a character from their provided perspective.
Attachments

The Actor and the Stage

by Annie Dragoo

In this lesson, students have an opportunity to explore all the different areas of the stage and the positions which an actor uses to command attention.

The Actor's Voice

by Annie Dragoo

In this lesson, students have an opportunity to practice vocal expression by reciting nursery rhymes with three different vocal varieties. They will receive instant feedback from their peers and teacher.

Using Emotional Recall

by Annie Dragoo

During this lesson, students will explore how the five senses can be used by actors as a technique to create a character.

Objectives and Tactics

by Annie Dragoo

During this lesson, the student will perform open scenes to practice using multiple tactics to achieve the character’s objectives in a scene.

Character History

by Annie Dragoo

During this lesson, students are challenged to devise interesting characters by creating a character history and then using that information in a character improv. This exercise will allow students to practice a portion of the necessary work to build a multi-dimensional character.

Enriching Your Choices

by Annie Dragoo

In this lesson, students will use the act of entering and exiting a scene in character to demonstrate character choice.

The Scene

by Annie Dragoo

In this culminating exercise, students will prepare a scene using what they have learned throughout the unit.
Attachments

What is Abstract Theatre?

by Annie Dragoo

In this unit, students will create and perform an abstract theatre scene. Abstract is a genre that does not rely on realism and deliberately breaks the rules of a given form. In the case of theatre, this refers to the commonly presented rules of performance, acting, and the relationship with the audience. Movement is often stylized and symbolic. Ideas and themes are expressed visually and aurally with little dialogue using music, lights, costumes, and props.

Using Movement to Convey an Idea

by Annie Dragoo

In this lesson, students will participate in several activities that will help them devise, create, and rehearse movement that can be used in abstract scenes. They will practice and demonstrate their understanding of blocking and physicality by being able to add and execute movement in their abstract scene.
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