DTA | Decolonizing Monologues
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Decolonizing Monologues

Created by Nicholas Pappas

In this unit, students will write a monologue authentic to their unique voice rather than to a Eurocentric canon model. We are going to decolonize the monologue. The goal in decolonizing monologues is to be inclusive of all voices in the classroom and to allow those voices to grow out of the unique style and cultural background of every student.

Standards Addressed

Overview
The overview sets the stage for the unit, including the decolonized mindset, tips for expanding knowledge, and time management suggestions.
1: Capturing the Way People Speak
Students will learn to break free of academia’s stringent MLA formatting and “proper” speech patterns, while recognizing their own code-switching, to capture authentic and natural rhythms to match the speech patterns of their friends, families, and community.
2: What is a Monologue?
Students will build upon the Overheard Dialogue lesson to write a first draft of an authentic, decolonized monologue that speaks to their interests and voice.
3: Workshopping and the Second Draft
Students will use a workshop process to build upon the first draft of their monologue and write a second, stronger draft of their monologue.
Attachments

Standards Addressed

National Core Arts Standards

Select, analyze, and interpret artistic work for presentation - Grade 7

TH:Pr4.1.7.b - Use various character objectives in a drama/theatre work.

Select, analyze, and interpret artistic work for presentation - Grade 8

TH:Pr4.1.8.b - Use various character objectives and tactics in a drama/theatre work to overcome an obstacle.

Refine new work through play, drama processes and theatre experiences using critical analysis and experimentation - Grade 6

TH:Cr3.1.6.a - Articulate and examine choices to refine a devised or scripted drama/theatre work.

Convey meaning through the presentation of artistic work - Grade 8

TH:Pr6.1.8.a - Perform a rehearsed drama/theatre work for an audience.

Convey meaning through the presentation of artistic work - Grade HS Proficient

TH:Pr6.1.HSI.a - Perform a scripted drama/theatre work for a specific audience.

California VAPA Standards (2019)

7.TH:Pr4 Select, analyze, and interpret artistic work for presentation.

7.TH:Pr4.b - Use various character objectives in a drama/theatre work.

8.TH:Pr4 Select, analyze, and interpret artistic work for presentation.

8.TH:Pr4.b - Use various character objectives and tactics in a drama/theatre work to overcome an obstacle.

8.TH:Pr6 Convey meaning through the presentation of artistic work.

8.TH:Pr6 - Perform a rehearsed, scripted scene from a drama/theatre work for an audience.

Prof.TH:Pr6 Convey meaning through the presentation of artistic work.

Prof.TH:Pr6 - Perform a rehearsed, scripted short drama/theatre work for a specific audience.

Georgia Performance Standards - Theatre Arts

Texas Essential Knowledge and Skills for Theatre Arts

MS 117.212 LII - Foundations: Inquiry and Understanding

B.1.E - demonstrate knowledge of theatrical vocabulary and terminology.

MS 117.213 LIII - Foundations: Inquiry and Understanding

B.1.E - apply knowledge of theatrical vocabulary and terminology.

HS 117.316 LII - Critical evaluation and response

C.5.C - offer and receive constructive criticism of peer performances.

HS 117.317 LIII - Foundations: Inquiry and Understanding

C.1.G - develop and practice memorization skills.

HS 117.318 LIV - Foundations: Inquiry and Understanding

C.1.G - develop and model memorization skills.

Alberta, Canada

Theatre Studies Level III - Advanced (The script)

9 - read a script aloud

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