Facebook Pixel Skip to main content

Search the Drama Teacher Academy

Displaying items 101-120 of 756 in total
Lesson 5 of 8 in Playwriting Unit

The Unities

by Karen Loftus

1 resource
Students continue their exploration of playwriting by learning about Aristotle’s Unities of time, place, and action. They apply the Unities in an improv.
Lesson 5 of 6 in The Actor in Transition: From Presentational to Three-Dimensional Unit

Acting the Other and Intensifying the Tactics

by John Minigan

This lesson includes a series of improv games to focus students on “the other” rather than “the self,” on listening, on sharing their energy with scene partners, and on collaboration in acting.
Lesson 5 of 6 in Character Creation: Superhero Series: Multi platform Unit

Monologues, Scenes, and More

by Lindsay Price

7 resources
Students will spend this lesson writing for their three characters (superhero, sidekick, villain) before choosing one for their culminating assignment. This lesson provides a number of options in terms of scene writing, design, and improv for you to choose from
Lesson 5 of 7 in Unit One: Ensemble Building and Class Norms Unit

Feedback Continued

by Lindsay Johnson

1 resource
In this fifth lesson, students continue to practice classroom norms and continue to practice giving strong feedback. In the performance task, students will practice giving strong feedback by giving a specific suggestion for improvement.

Middle School Curriculum: Overview

by Lindsay Johnson

This is a curriculum overview for a scene study semester at the middle school level, designed specifically with 7th and 8th graders. The goal for each unit is to build off the knowledge and skills gained in the previous unit so students are gradually adding to their abilities as they progress through different types of scene performance assessments. Students begin with the acting basics they need to create a successful scene: ensemble skills, improvisation, projection, vocal clarity and expression, characterization, pantomime, objective and tactics. They will learn script structure, blocking, and stage directions and how to give, receive and apply feedback. They will explore aspects beyond acting such as directing and simple set design. Students will then continue to practice many of the same acting skills but in new contexts. While there will be some new acting skills added, such as memorization, use of levels, and character physicality, more focus will be placed on learning off-stage skills, such as directing, props, and using theater to identify and address issues in our society through a culminating Theatre of the Oppressed unit.

The Speed Date

by Stephanie-Ann Cocking

Students create a character and maintain that character throughout an activity. Students create an original character by filling out a form. These characters participate in a speed date round. Female characters sit in an outer circle of chairs. Male characters rotate clockwise through an inner circle of chairs.The characters introduce themselves and talk for one minute before moving on to the next meeting. Teacher pairs students up and in their pairs student plans and present a short improv: The First Date.
Lesson 2 of 7 in Laban: Advanced Characterization Unit

The Eight Efforts

by Drama Teacher Academy

6 resources
In this lesson, students will learn, explore, and apply Laban’s eight efforts and their specific elements through an Impulse Improv exercise.
Lesson 5 of 7 in Foundations of Acting Unit

Character History

by Annie Dragoo

During this lesson, students are challenged to devise interesting characters by creating a character history and then using that information in a character improv. This exercise will allow students to practice a portion of the necessary work to build a multi-dimensional character.

Getting Students Out of Their Comfort Zone

Hosted by Lindsay Price, Matt Webster, Tricia Oliver, Jessica Stafford

45:30 1 resource

It’s the beginning of the year and you have a classroom full of nervous students. I can’t do improv. I can’t act in front of the class. I can’t share an idea because everyone will laugh. How do you improve engagement levels in your classroom? How do you get students out of their comfort zone?

Lesson 6 of 7 in Unit One: Ensemble Building and Class Norms Unit

Feedback Continued and Feedback Quiz

by Lindsay Johnson

1 resource
In this sixth lesson, students continue to practice classroom norms and continue to practice giving strong feedback. In the performance task, students will give peers strong feedback through using body language and vocal tone to encourage and show eagerness for peers to improve.

Theatre Terms Handout - Spanish

PDF
A comprehensive list of theatre terms, listed by general, personnel, types of theatre, styles of theatre, acting, ancient greek theatre, Shakespeare, improv, costume, stage management, lighting, sound, and makeup. Translated to Spanish.
Lesson 7 of 13 in Devising Unit

The Ren Run

by Corinna Rezzelle

1 resource
In this lesson, students will work in groups to create transitions in improvised tableaux and movement pieces. They will also participate in a “ren run” to practice improv blocking.
Lesson 7 of 13 in Devising Unit

The Ren Run

by Corinna Rezzelle

1 resource
In this lesson, students will work in groups to create transitions in improvised tableaux and movement pieces. They will also participate in a “ren run” to practice improv blocking.

Using Statistics as Scene Starters

by Kerry Hishon

This lesson provides two different exercises for students to try: Silly Statistics (Improv Game) and Serious Statistics (Theatre Exploration Project). The objective of this lesson is to give students the chance to think differently about how scenes can be developed and to show that ideas can come from just about anywhere—even supposedly “non-theatre-related” classes and topics.

Copyright Introduction

by Craig Mason

Copyright and the Theatre go hand in hand, especially if you’re doing plays. But a topic about which many students (and even teachers) lack knowledge. Students will reflect upon and discuss four questions introducing the topic of copyright. They will then improvise scenarios -- two of which establish copyright correctly, two of which establish copyright incorrectly. The lesson ends with students deciding which scenarios are correct.
Lesson 2 of 4 in Unit 7: The Elizabethan Golden Age Unit

Introduction to Elizabethan Theatre

by Drama Teacher Academy

2 resources
In this lesson, students will be introduced to Elizabethan theatre from the thrust stage to the acting companies. They will also compare and contrast (in discussion and through scenes) the proscenium space with the thrust theatre space, and play with the Elizabethan language in an improv.

Theatre in the Real World | Theatre Skills in the Real World

by Drama Teacher Academy

Drama skills, particularly those learned while studying acting, are used in everyday life. Drama skills are transferable skills that are used in everyday life, particularly in the working world. In this lesson, we will look at a few of them, and then students will improvise real-world situations that apply those skills.

Office Hours with Drama Educators

Hosted by Matt Webster, Jennine Profeta, Karen Loftus, Kellie Riganti

50:30 1 resource

It’s Q&A time. We’ve got experienced educators in improv, ensemble building, classroom management, playwriting, production, stage management and the day-to-day running of a drama classroom. Bring your questions and we’ll answer them together.

Continuing Education

Hosted by Matt Webster, Lindsay Price, Christa Vogt

43:30 1 resource

Every good teacher knows that learning never stops. That’s why teachers are always looking for ways to improve their education and expand their horizons. Unfortunately drama teachers are limited in time, subjects and resources, and need some help when it comes to continuing education. That’s where we come in!

Join us for a discussion about the ins and outs of continuing education for drama teachers.

Monologues

Hosted by Matt Webster, Lindsay Price, Matt Banaszynski, Gai Jones

48:15 1 resource

Monologues are the backbone of the performance process. They are a super-concentrated way for students to learn such skills as memorization, characterization, objective and tactics. But how does a teacher juggle 20+ monologues at a time and still give the kind of feedback that will help their students improve? Join us for a discussion about monologues in the drama classroom and find out how it’s done.