Musical revues are a great choice for a school production. There is no limit on how many students you can cast, you can tailor the casting of the show to fit the skills and talents of the students...
There are various methods of having students audition for your upcoming theatrical production. The most common methods are having students present a prepared monologue and/or song or doing cold...
You’ve chosen your show, purchased the rights, and let your students know about auditions. There’s a lot to prepare, but we are here to help you out! In this article, we’re focusing on a small...
Auditions require more than talent. Even the most talented students need confidence, communication, active listening, flexibility, a strong work ethic, and proper preparation. The Audition Toolkit...
It’s rare that a student will select the absolute perfect monologue to show exactly everything they’re capable of doing onstage. One monologue can only go so far in showing a student’s acting...
Cold reading (or sight reading) is where actors read aloud from a script, scene, or text with little to no advanced preparation. It’s frequently used in auditions either instead of or in addition...
In our last post, we talked about creating a monologue notebook to help students collect and reflect on various monologues that could be useful for any upcoming auditions. In this post, we’ll be...
Finding the perfect monologue for an upcoming audition is often challenging. Students want to have the best piece possible, but may not know how to go about finding a good monologue, or what even...
One of the most common activities that occurs during a first drama class or rehearsal is some form of a “Get to Know You” game. Starting with games is not just a nice break for students who may...
Teachers: Not getting the part you want can be devastating! If you have a student who is unhappy with their casting result, here is a frank and honest list that you can share with your students. It...
In theatrical terms, double-casting is when two actors are both cast in the same role, and take turns playing the role during alternating performances. It is different than casting an understudy....
Are small parts a major letdown, or are they “actor crack”? Here are 3 tips that show you and your students how to make the most of a small part. 1. Play that small part as if the character is the...
Our next casting challenge is the exact opposite of our last post. What happens when you have fewer actors than named parts in the script? This can be a great acting challenge for students, as it...
Imagine this: You’ve just completed your audition for the school production. You’re feeling really confident and happy with your performance. You can’t wait to find out who is going to be playing...
The following is Part Two of our Mock Audition Exercise, which allows students to practice preparing for and presenting an audition in a safe environment. Click here to read Part One. Outside of...
Theatrical “cold reading” (also known as “sight reading”) is where actors read aloud from a script, scene, or text with little to no advance preparation. Actors are handed a script and expected to...
The following exercise is the first of a two-part class exercise (Part 2 will come later this month), giving students the opportunity to practice audition prep in a safe environment. Although...
All right! You’ve decided on the show your school is going to produce this year. You’ve obtained the performance rights and paid for the royalties. You’ve got the show dates in place, and you’ve...