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This is a set of posters for the drama classroom, in Spanish.

There are 2 versions of the Drama Teacher School Year calendar. One is a monthly calendar with an inspirational quote and image per month; the second is a portrait-layout booklet version that can be customized to any school year.

There are a lot of challenges that come in the first few years of teaching, especially for new theatre teachers, including non-traditional teaching spaces, entire classes of students who have no interest in theatre, a lack of a standard curriculum, and creating objective assessments for subjective materials, just to name a few. This book will help you anticipate the preparations you will need to address before a student ever walks into your classroom and the kind of philosophical questions you need to ask, and answer, as you begin your teaching career. This toolkit examines four fundamental building blocks of teaching: Classroom Setup, Classroom Management, Lesson Planning, and Assessment. It also provides you with tools and activities that will help you integrate these fundamentals into a drama classroom. If you are a new teacher, or are still in your teacher training, these tools will provide you with a lot of supplemental, practical information that will help you prepare for your first few years of teaching.

Students can explore the history of protest and how art has played a role in protest. They can examine different protest plays and protest art to discuss how art is political. What are the creatives behind the art trying to say? Why was it created? Students can examine what other artists have done and what change is happening in the entertainment world now. While analyzing art students should be asking: Why this? Why now? Use the activities in this resource to discover how to respond to political art and how to identify works of protest.

This list compiles names of casting directors and producers of colors who are doing the work to make change. BIPOC students do not have to go into the room and try to be anything or prove themselves to white producers. They should be able to see themselves behind the table. As we work on equity and inclusion think about who is behind the table. Discuss what can be done to create change. How can we create equitable and representative spaces for BIPOC students not just on the stage but behind the table as well? This list makes it known that BIPOC students can be producers and can be casting directors. There is room for us all at the table.

During Shakespearean times, the roles William Shakespeare wrote were played by white men and performed for a typically white audience. Nowadays, Shakespearean plays are being modernized as companies put on productions that utilize color-conscious casting. Color-conscious casting specifically takes into consideration an actor’s skin color and ethnicity. And you can go further to include consideration of an actor’s gender, shape, mobility, etc. Through this resource students will be able to: • Explore what it means to have BIPOC actors perform Shakespeare. • Analyze and perform Shakespearean texts as they look at the stories through a color-conscious lens. • Critically think about how we can adapt Shakespeare to reflect today’s society. With this resource, students will be able to take ownership of the text and use Shakespeare to tell the stories they want to tell.

This document is a collection of Theatre for Young Audience plays (TYA) written by BIPOC (Black, Indigenous and People of Colour) writers/playwrights.

The BIPOC (Black, Indigenous, and People of Colour) Theatre Book List offers a selection of texts (memoirs, essay collections, books, novels) written by BIPOC artists. All of the texts have a theatre focus, which makes them perfect for study in the drama classroom, to use as an independent study project, or for students who require an alternative method of instruction (AMI). Along with the list of books, attachments include Reading Questions for 5 specific texts, and a Close Reading Lesson Plan.

A set of 9 posters focused on self-care, for teachers and students. A Spanish version is also included.

Students will read, annotate, and reflect on an article about the Black Arts Movement. By participating in the annotation exercise, students will obtain background knowledge which will lead to a mini research project and presentation.

A choice board offers students a variety of activities on a topic. With this document you can create your own board for the various units in the DTA Theatre History curriculum. Mix and match activities to fit your situation and your students!

Students will review quotes from a variety of Black Theatre Professionals, write out their first impressions and reflect on the quote, and then create a one minute theatrical expression. The focus here is time management and self management. How will students use their time to complete their expression and present in the same period?

Students will read a handout on the criteria for choosing a good scene for themselves to prepare and perform as part of a class assignment. After reading the tip sheet, students will read three scenes and using the provided worksheet, analyze the scenes based on the criteria. Students will write a paragraph in which they identify which scene fits the criteria best, and why. They will then complete the provided reflection.

Join teachers who have used, adapted, and successfully led the Empathy Project with their students, and add this powerful tool to your classroom management toolkit.

This PD module is focused on Social Emotional Learning. In this module, you will have your choice of courses that will focus on SEL in your classroom, and attached to each course are resources to be used directly with your students.

This self-care package includes a workbook, calendar, and posters to help focus on the essential questions: How can you become a practicing self-care, compassionate person who teaches educational theatre? How can you make time for self-care and compassion?

A comprehensive list of theatre terms, listed by general, personnel, types of theatre, styles of theatre, acting, ancient greek theatre, Shakespeare, improv, costume, stage management, lighting, sound, and makeup. Translated to Spanish.

A school year calendar focused on the theme of Self-Care, with inspirational quotes from theatre educator Gai Jones.

Are you stepping into the classroom for the first time? Are you stepping into the classroom for your 20th year? Both have their joys and obstacles. This resource anticipates the challenges you will have, or you have faced in the drama classroom. It is designed to provide materials that will help you claim or reclaim a functioning teaching environment, your curriculum and relationships with your students. So whether you are a seasoned teacher or a brand new teacher, use this book to rethink your practices and see your spaces in the best light possible. Start the school year off right!

She Kills Monsters by Qui Nguyen is a play that comes up time and time again in our drama class communities. To that end, we wanted to provide questions for reading the play in the classroom. • The Reading Questions provide pre- and post-reading questions for the play as well as questions throughout. • The Close-Reading Questions provide in-depth text-dependent questions for one scene of the play.