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This resource is designed to assist you in making your improvisation work as inclusive as possible. It includes questions to ask yourself, improv guidelines discussion, character names and pronouns, and additional discussion points. Use this guide to help create inclusive, safe spaces for all within an improvisation framework.

This Toolkit provides a variety of resource articles, tips, slide decks, videos, and handouts for you, the do-it-all drama teacher, who has to both direct and put together the costumes for a show. Further to that, perhaps you don’t have a lot of costuming experience and don’t have an extensive costume budget, but want to add this skill to your productions. Where do you start? Right here! You don’t have to know how to sew. You don’t have to know how to draw. You don’t have to create your costumes from scratch. This resource takes you from pre-rehearsal analysis right through to post-production strike. Enjoy!

This section introduces key concepts for costuming through a series of handouts, slide decks, and videos.

This section covers costume, equipment, storage, volunteer needs as well as budget tips.

This section includes handouts and slide decks to help you understand a script and director's concept, to inform the costumes.

This section includes practical application tools, such as costume measurements, three stitches, and additional tips.

This section covers production elements such as a costume plot, dress rehearsal, and how to run a show as a costumer.

This section covers strike procedure.

Two sets of posters - one for students and one for teachers, to provide visual cues and reminders.

In this workbook, teachers will identify soft skills, identify where we find them in the theatre curriculum, and identify the games, activities and assignments you already utilize in your classroom that use soft skills.

Looking to implement Social and Emotional Learning into your program? This resource contains SEL connections to specific games and activities that are commonly played in the drama classroom, and the underlying actions, skills, or outcomes affiliated with those components. Use the provided SEL Component Worksheets to identify SEL connections to other games and activities you use. Lastly, use the Reflection questions to reflect on your personal thoughts and experiences using SEL in the drama classroom.

This resource offers guidance on working with your students to create an anti-slur policy. Included are two additional resources - Start With One Thing, and Social Awareness documents.

The goal in this ongoing work to be a loving, inclusive teacher in a loving, inclusive space is to continue to build the library in your room to represent every student. Providing access to these materials within the walls of a classroom allows students to engage in the literature without judgment. This document offers a teacher self-assignment task to populate your bookcase with inclusive, diverse material and then a couple of classroom tasks you can do to make sure your books get noticed.

Author Nick Pappas has created a resource for teachers to develop the tools they need to help student writers find their voice. This resource focuses on two big questions: What is Feedback?, and What is Useful Feedback? At its core, all answers will focus on giving notes that will improve the work, which, in this case, is our students’ plays. And, as a teacher, that’s the goal: we want our students to write and to grow through their writing. If we want students to get better, we need to get better. Understanding the definition of feedback and understanding how to provide useful feedback is the key to all of us getting better.

This is a guide to trying a recorded video journal to use as a reflection tool. It can be used during a rehearsal period to reflect on the process, or it can be used as a classroom tool to reflect on your teaching practice. This guide will walk you through the process and give suggestions for use with your class as well.

In this resource, we will look at the components of SEL, suggest some activities and reflection questions, and go step-by-step through a Defining Ensemble Activity that you can use as a template. Finally, there’s a SEL Worksheet to take activities you use, apply SEL components and make connections: What specifically about the activity connects to the SEL component?

A common unit to start the year has teachers and students setting classroom expectations, identifying procedures and at the same time establishing community through ensemble-building exercises. The two concepts go hand-in-hand if you want a smooth running classroom. This also makes it the perfect unit to introduce inclusivity. This section includes suggestions for discussions around respect with regard to classroom expectations, and ensemble building exercises with a focus on “Who am I?” and “Who are We?” This section also includes a document on creating an Anti-Slur Policy.

Improv sketches are often based on heteronormativity. From characters, to audience suggestions, to scenarios, it’s easy to slip away from anything inclusive. This section includes questions you can ask yourself and discussions you can have with students about current Improvisation guidelines; the use of character names and pronouns; being aware of using accents and affectations for a joke or punchline; occupations without gender and character/relationships.

The study of design is visual and the internet can be a valuable resource for examples. To that end, for an inclusive design unit, include LGBTQ+ individuals working in the different theatrical fields. In this section we will mainly focus on LGBTQ+ theatre professionals Set Design, Lighting Design, Sound Design, and Costume Design. There are lesson plans, activities, and resource documents that you can use to supplement your various design units.

This section focuses on some of the fundamental skills involved in acting, movement, voice, and character development, through the lens of LGBTQ+ students. There are also trans and non-binary actor interview links, lesson plans with an LGBTQ+ actor focus, and scenes that feature either LGBTQ+ characters or “any gender” characters.