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Displaying items 661-680 of 2460 in total

Close Reading: Monologue

by Lindsay Price

Close reading is a text-dependent analysis tool that allows students to read a text for in-depth comprehension. Students focus on the text to understand what’s being said, how it’s being said, and why. In this lesson, students will use this analysis technique on a monologue. They will go through the process on a model and then apply what they have learned in a culminating activity.

Close Reading: Shakespeare

by Lindsay Price

Close reading is a text-dependent analysis tool that allows students to read a text for in-depth comprehension. Students focus on the text to understand what’s being said, how it’s being said, and why. This tool can be an excellent method for getting students to connect to Shakespeare. Where students take a left turn with understanding Shakespeare is that they can’t see past the language. They can’t see using the same tools analyzing a Shakespeare play as they would a modern play. So use close reading to break the language down, move past it, and treat Shakespeare like a modern text.
Lesson 1 of 6 in The Actor in Transition: From Presentational to Three-Dimensional Unit

An Organic Approach to Objective, Obstacle, Action/Tactic

by Rachel Atkins

This lesson introduces the idea of “Objective/Goal, Obstacle, and Action/Tactic” as a powerful building block for actors and to introduce the concept of working with verbs as tactics.
Lesson 2 of 6 in The Actor in Transition: From Presentational to Three-Dimensional Unit

Scores and Beats

by John Minigan

This lesson introduces the idea of “Objective/Goal, Obstacle, and Action/Tactic” to simple scenes by scoring those scenes and playing the scored text.
Lesson 3 of 6 in The Actor in Transition: From Presentational to Three-Dimensional Unit

Power Plays in Three Statues

by John Minigan

This lesson incorporates physicality into stage relationships and learn to use stage position as an element of blocking that can show the dynamics of and changes in power in a scene.
Lesson 4 of 6 in The Actor in Transition: From Presentational to Three-Dimensional Unit

Eight-Line Power Plays

by John Minigan

This lesson combines the work done in Lesson 2 (scoring scenes by beats) with the physical work done in Lesson 3 (creating dynamically staged scenes by connecting choices in blocking/staging to the underlying structural elements in a scene).
Lesson 6 of 6 in The Actor in Transition: From Presentational to Three-Dimensional Unit

The Beats in Every Scene

by John Minigan

1 resource
Students will work in pairs to create and perform two-minute scenes focused on clear objectives, clear obstacles, multiple tactics – and they will learn to give focused feedback.
Lesson 7 of 7 in Unit One: Ensemble Building and Class Norms Unit

Posters

by Lindsay Johnson

5 resources
3 Posters designed for the drama classroom, to support the Ensemble Building and Class Norms objectives.
Lesson 12 of 12 in Unit Three: Building Improvised Scenes Unit

Posters

by Lindsay Johnson

14 resources
7 posters for the drama classroom, designed to support the objectives of the building improvised scenes unit.
Lesson 9 of 9 in Unit Two: Improvisation Basics Unit

Posters

by Lindsay Johnson

16 resources
8 posters for the drama classroom, to support the objectives of the Improvisation Basics unit.
Lesson 5 of 5 in Introduction to Theatre Production Unit

Research Project: What is Theatre Production?

by Karen Loftus

Students will research a tech theatre organization and apply their knowledge by creating a marketing brochure.
Lesson 1 of 3 in Elements of Design Unit

Line and Shape

by Karen Loftus

Students explore the design concepts of line and shape and how they can be used by a designer to affect an audience.
Lesson 2 of 3 in Elements of Design Unit

The Effects of Colour

by Karen Loftus

Students continue to explore design through the effects of colour and apply their knowledge.
Lesson 3 of 3 in Elements of Design Unit

Research Project: Elements of Design

by Karen Loftus

Students will research and apply knowledge on the effect of colour.
Lesson 1 of 6 in Scenic Design Unit

What is Scenic Design?

by Karen Loftus

Students explore the effect scenic design can have on storytelling using designed environments from known TV shows and movies.
Lesson 2 of 6 in Scenic Design Unit

The Scenic Design Process

by Karen Loftus

Students explore the process of scenic design so they: • Have a guided path for work that they might create. • Understand what information designers need in order to create.
Lesson 3 of 6 in Scenic Design Unit

Utilizing the Script

by Karen Loftus

Students analyze a script to determine scenic needs. They utilize thumbnail sketches to explore potential designs for a play.
Lesson 4 of 6 in Scenic Design Unit

Drafting - Part 1

by Karen Loftus

Students explore an element of scenic design and apply their knowledge in a drafting exercise. They will use this information when they create a ground plan as part of their scenic design.
Lesson 5 of 6 in Scenic Design Unit

Drafting - Part 2

by Karen Loftus

Students apply their knowledge by creating a ground plan.
Lesson 6 of 6 in Scenic Design Unit

Rendering

by Karen Loftus

Students explore an element of scenic design and apply their knowledge to create a rendering.