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Status and Swing in Character

by Todd Espeland

In this lesson, students apply previously learned comedy elements of status and swing to Commedia characters.

Final Assignment

by Todd Espeland

There are two possible assignments for this unit. One that will take a week of class time, including performances and one that can be completed in a class period.

Ancient Greek Theatre: It's All Greek to Me

by Lea Marshall

This hyperdoc unit is designed to have students independently discover Ancient Greek Theatre. The unit is broken down into nine sections with multiple activities and includes a culminating activity.
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Introduction

by Lindsay Price

The Comedy of Manners is a style of comedy that uses satire to highlight the behaviours, actions, fashions, and “manners” of a segment of society. In this lesson students discuss the nature of comedies that make fun of a group of people and the definition of satire. They are taken through a slide deck that introduces the background and style elements of the comedy of manners. Students also complete a Viewing Quiz.
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Manners and Codes in the Comedy of Manners

by Lindsay Price

The comedy of manners is a style of comedy that uses satire to highlight the behaviours, actions, fashions, and “manners” of a segment of society. Students will explore the element of manners and codes of behaviour in a modern context, and then look at how the element is applied to a scene from The Importance of Being Earnest.

Verbal Comedy in the Comedy of Manners

by Lindsay Price

The comedy of manners is a style of comedy that uses satire to highlight the behaviours, actions, fashions, and “manners” of a segment of society. Students will explore aspects of verbal comedy in a modern context and then look at how the element is applied to a scene from The Importance of Being Earnest.

Characters in the Comedy of Manners

by Lindsay Price

The Comedy of Manners is a style of comedy that uses satire to highlight the behaviours, actions, fashions, and “manners” of a segment of society. Students will explore characters in the comedy of manners and then create a comedy of manners character profile with one of the characters from The Importance of Being Earnest.

Culminating Assignment

by Lindsay Price

In this culminating assignment, students will apply what they have learned throughout this unit to a modern devised scene.

Approaching Random Tasks in Character

by Kerry Hishon

The objective of this lesson is for students to delve deeper into their roles by experimenting with performing a variety of everyday tasks while in character. As well, it offers students the chance to explore different ways of moving and thinking while in character.

Looking Back and Looking Forward

by Kerry Hishon

The objective of this lesson is for your current students to reflect upon their experiences and new knowledge at the end of a school/class production. Then they will use that information to create a useful document for future drama students, such as a “drama transition manual” or a “what to expect during your production” document.

Running List Exercise

by Kerry Hishon

To learn the importance of an organized backstage – through discussion, solving issues through performance, and applying knowledge.

Preparing to Produce

by Karen Loftus

This unit marks the first step in the production process: identifying and understanding theatre company roles, identifying student skills for particular roles, and identifying production needs.
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Costume and Scenic

by Karen Loftus

In this unit you’ll explore the elements created by scenic and costume designers as well as technical directors and costume shop managers to convey the designs and bring the final production to life.
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Lighting and Sound

by Karen Loftus

The lighting and sound you use for The Production Classroom will depend on what resources are available to you. This unit will explore how your lighting and sound designers can prepare and execute their designs to help support the script of your show.
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Marketing and Audience Experience

by Karen Loftus

This unit will explore a couple of the Business roles: (1) Marketing and (2) Front of House. As a reminder: Artistic jobs create ideas. The production jobs implement those ideas. And the business jobs provide the framework that allow those ideas to be shared.
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Student Leadership - Stage and Production Management

by Karen Loftus

This unit will allow students to explore the responsibilities of the stage manager and production manager. It may help you determine who the best students are for these roles.
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Step by Step

by Karen Loftus

This lesson covers a general overview of The Production Classroom process. It includes pacing suggestions for each step as well as how to find the necessary documentation to complete each step.

Production Binder

by Karen Loftus

This lesson describes the production binder, including everything that should be included as well as how to organize.

Company Positions and Tasks

by Karen Loftus

This document outlines all of the potential roles and tasks for students in The Production Classroom. It includes the tasks each student is to complete for their production binder, as well as their particular role during the performance of the show.

The Audition Process

by Karen Loftus

This 3-part process includes preparation for auditions, initial auditions, and callbacks.
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