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Acting

209 Lesson Plans to help you effectively plan your workshops and classes

Scores and Beats

by John Minigan

This lesson introduces the idea of “Objective/Goal, Obstacle, and Action/Tactic” to simple scenes by scoring those scenes and playing the scored text.

Scoring the Script and Actions

by Drama Teacher Academy

Students will get more instruction in scoring their scene. They will first define a super objective for their character, then break down the scene into beats. They will learn about defining those beats with compelling active verbs which should translate into strong actions and interesting acting choices in rehearsal.
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Scoring the Script and Actions

by Drama Teacher Academy

Students will get more instruction in scoring their scene. They will first define a super objective for their character, then break down the scene into beats. They will learn about defining those beats with compelling active verbs which should translate into strong actions and interesting acting choices in rehearsal.
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Script Analysis: Close Reading

by Lindsay Price

Students will do a close reading of the text, multiple times, to mine for as much information as possible. At the end of each read, students identify possible staging idea for their character and for the plot.
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Script Analysis: Scoring

by Lindsay Price

The last script analysis step is scoring. To score a scene means to divide the dialogue into beats and then add action words for each beat. Scoring gives students another avenue for exploratory blocking.
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Script Analysis: The Basics

by Lindsay Price

Students will begin their staging journey by compiling the basics of the scene. They will read the scene and identify some general knowledge that will help them in the rehearsal process.
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Show and Tell Characterization

by Anna Porter

Students will use “Show and Tell” to create a detailed background for their contentless scene character and improvise a personal interview with that character.
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Six-Second Scenes

by Kerry Hishon

Can you tell a great story in six minutes? How about in six seconds? You definitely can. Prior to TikTok, there was Vine—a short-form video hosting app where users created and shared six-second-long looping videos. Even within the limit of six seconds, creators were able to make fascinating and funny content to entertain and educate their viewers. The following lesson challenges students to make a scene and tell a story in only six seconds. They have to make quick, precise decisions and get to the point right away. And, of course, they have tobe clear and easily understood by the audience. Your students can choose to either create and perform a live six-second scene or create, film, and edit a six-second video.
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Stage Business

by Anna Porter

Students will participate in an observation activity and play “What Are You Doing?” to explore how stage business affects performance. In this lesson, you will coach students through a scene with stage business, then they will apply stage business to their own performances.

Stage Directions

by Karen Loftus

Students identify the stage directions and actor needs to know onstage and the necessary shorthand notation for each. They then apply their knowledge in an exercise and exit slip.
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Stage Pictures

by Lindsay Price

In this lesson, students explore a variety of ways to create dynamic staging pictures when blocking a scene. They will discuss the results and reflect on whether or not what they’ve learned should be added to their blocking.
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Stanislavski and "The Method"

by Drama Teacher Academy

Students will be introduced to the history and background of Stanislavski, the Method of Physical Action and why he developed the method as a way of playing a character. Moving on, students will be introduced to the principles and techniques of the method. Students will also receive the scene they will work on for the entire unit.
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Stanislavski and "The Method"

by Drama Teacher Academy

Students will be introduced to the history and background of Stanislavski, the Method of Physical Action and why he developed the method as a way of playing a character. Moving on, students will be introduced to the principles and techniques of the method. Students will also receive the scene they will work on for the entire unit.
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Status

by Todd Espeland

This lesson introduces the first tool: status. Students will physically perform high and low status through status walks.
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Status and Swing in Character

by Todd Espeland

In this lesson, students apply previously learned comedy elements of status and swing to Commedia characters.

Status Games

by Todd Espeland

In this lesson students further explore status and using status to communicate physically through a variety of games. Students are also introduced to the game “Do It Get It Done” which will be re-visited throughout the unit.
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Stock Character Walks

by Karen Loftus

Students continue their exploration of commedia dell’arte by practicing the specific character walks of Arlecchino, Pantalone, and Capitano.
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Subtext: What’s hiding underneath?

by Lindsay Price

Students will discuss and participate in exercises that apply subtext in a conversation. The assignment for the lesson is a one minute scene - two people at a restaurant, preparing to order. Each pair chooses one of the provided subtexts to play in the scene. Their job is to present the scene so that the subtext is clear. Includes two assessment rubrics.

Swing

by Todd Espeland

be important later on when it comes to applying the Commedia Dell’arte style to characters and lazzi. This lesson introduces the third tool: swing. Swing is the idea that a comedic character can move between two emotions, or two needs,immediately.
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Tableau

by Karen Loftus

Students continue exploring nonverbal communication through tableaux.
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