Acting Lesson Plans
A library of lesson plans to help you effectively plan your workshops and classes.
The Qualities of Movement
by Allison Williams
In this lesson, students will explore the eight qualities of movement to give more variety, texture, and richness to their movement choices and then apply the qualities of movement to their mask work.
- Slide Deck Lesson 4
- VIDEO: Qualities of Movement Narration
The Qualities of Movement
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The Specifics of Holding an Object
by Karen Loftus
Students are introduced to the techniques of hand position, tension, follow through, action/reaction/interaction.
- Slide Deck Lesson 2
The Specifics of Holding an Object
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The Stanislavski Method
by Karen Loftus
Students continue their exploration with script analysis by learning about objective, obstacle, stakes, and tactics and applying it to an exercise.
- Slide Deck Lesson 3
The Stanislavski Method
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The Story Mountain Framework
by Matthew Banaszynski
Students will understand the parts of a story and how it relates to a monologue through the story mountain framework.
- Slide Deck Lesson 2
The Story Mountain Framework
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The Technicalities of Stage Movement
by Karen Loftus
Students discuss and apply technical aspects of moving on stage: sightlines and staying open. They then apply these aspects in a short scene.
- Slide Deck Lesson 3
The Technicalities of Stage Movement
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Thou Shalts of Staging and Performance
by Anna Porter
Students will participate in a demonstration to explore the rules of staging and performance and why they are important. They will perform a Bad Idea/Good Idea skit for the class, to demonstrate their understanding of the concept.
- Handout: The 10 Thou Shalts of Staging
- Poster: The 10 Thou Shalts of Staging
- Student Volunteer Performance Slips
Thou Shalts of Staging and Performance
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Transitions
by Kerry Hishon
To practice planning and performing transitions between scenes in a smooth and well-prepared manner, with increasingly shorter time frames and other challenges.
Transitions
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Unit Project
by Karen Loftus
The final project for this unit is a simple two-person pantomime of up to one minute in length.
The objective is for students to utilize mime, body language, and facial expression to tell a basic story: an activity that has an obstacle that they overcome or get past.
- Slide Deck Unit Project
Unit Project
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Unit Project
by Karen Loftus
The final project will allow students to demonstrate their improv skills in a two-person scene.
- Slide Deck Unit Project
Unit Project
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Unit Project
by Karen Loftus
Students will be able to take everything they’ve explored about commedia and create a simple scene.
- Slide Deck Unit Project
Unit Project
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Unit Project
by Karen Loftus
For the final project, give students an assigned scene to analyze as if they were going to perform it. One option is to have students continue working on the “Still as Stone” scene. Alternatively, you could provide a selection for them to choose from, or have students choose their own scenes.
- Slide Deck Unit Project
- Sample Scene
Unit Project
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Unit Project
by Karen Loftus
This is a simple project. Your students are going to tell a joke or riddle to the class. The reason to use a joke or a riddle (rather than a poem, prose piece, monologue, or scene) is students in the audience will want to hear the answer. They will be more engaged in the simple joke or riddle than passively listening to something else. See the add-on if you wish to have students apply projection and articulation to a scene.
- Slide Deck Unit Project
Unit Project
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Unit Reflection (Essay)
by Annie Dragoo
Students will evaluate the value of improvisation in musical theatre by writing a five-paragraph essay.
Unit Reflection (Essay)
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Using Emotional Recall
by Annie Dragoo
During this lesson, students will explore how the five senses can be used by actors as a technique to create a character.
Using Emotional Recall
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Using Movement to Convey an Idea
by Annie Dragoo
In this lesson, students will participate in several activities that will help them devise, create, and rehearse movement that can be used in abstract scenes. They will practice and demonstrate their understanding of blocking and physicality by being able to add and execute movement in their abstract scene.
Using Movement to Convey an Idea
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Using Theatre to Share and Celebrate History
by Kerry Hishon
The objective of the lesson is for students to explore historical events that are significant to them through various theatrical mediums that may seem unusual or “out of the box.” The inspiration for this lesson plan comes from Lin-Manuel Miranda’s theatrical hit Hamilton, which utilizes rap and hip-hop music and colourblind casting to tell the story of the American founding fathers.
Using Theatre to Share and Celebrate History
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Vocal Variety
by Anna Porter
Students will learn how to use vocal variety to communicate. Students will learn how to identify and apply Pitch, Tone, Rate, and Volume in performance.
- Slide Deck Lesson 2
- Beautiful Soup
- Beautiful Soup Performance Example
Vocal Variety
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What Do We “Do” on Stage?
by Karen Loftus
This Lesson Plan introduces one of the important tools of an actor: the body. Student actors often have difficulty getting out of their own body, especially if they suffer from any kind of stage fright. How do we move on stage? What happens when we’re afraid to move? How can we get beyond nerves to become comfortable with our bodies? What do we “do” on stage?
What Do We “Do” on Stage?
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What is Abstract Theatre?
by Annie Dragoo
In this unit, students will create and perform an abstract theatre scene. Abstract is a genre that does not rely on realism and deliberately breaks the rules of a given form. In the case of theatre, this refers to the commonly presented rules of performance, acting, and the relationship with the audience. Movement is often stylized and symbolic. Ideas and themes are expressed visually and aurally with little dialogue using music, lights, costumes, and props.
What is Abstract Theatre?
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