Items tagged "Popular"

Learn about the Laban system to teach your students to physically and vocally discover character. This is an advanced course, which means that the course goes deep into exploring character and exploring character work through the work of Rudolph Laban.

Gai Jones will help you establish an ensemble-based environment from the first day of class or rehearsal. Learn how to set up your ensemble-based classroom from day one, get students to set classroom norms, and find the balance between creative activity and structure. You’ll learn how to give your students creative freedom through structure and classroom management. The cornerstone of this course are the detailed ensemble experiences from large group to small group and even individual experiences. This course culminates in a devising model that you can use with your students, and takes you through process, product, performance and an evaluation. You too can create the ensemble-based classroom.

When we think of a tradition, we think of a belief or behavior that is passed down within a group for special significance. And we know that excellence is the quality of being outstanding or extremely good. If you could pass down anything to the next generation of theatre students, wouldn’t you like to pass down the tradition of excellence? Learn from instructor Annie Dragoo, how building a tradition of excellence is the creation of values, behaviors and routines that help us establish the quality of excellence in our theatre program.

Students will get “onstage.” They will explore what is important for onstage action, the basics of stage directions, and how to keep open. This unit will culminate with students trying out what they’ve learned in a short scene. This unit is more about the technicalities of moving on stage. By giving students something concrete to focus on, it allows them to overcome any stage fright. Ensemble-building exercises are also included in this unit. If you have time at the end of a lesson after you’ve completed your instruction and are wondering what to do, you can never go wrong with an ensemble-building exercise!

Students sharpen their listening and reaction skills through improv games, exercises, and scenes. They will learn five specific guidelines to apply to their improvisation: accept the offer, bring information to the scene, make active choices, make your partner look good, and don’t force the humour. There are so many different ways to approach a unit on improvisation. Keep in mind that you will have students who are really excited about this unit and some students who dread it. It’s best to start with low-risk games and exercises and then build up to higher-risk ones. Low-risk games in this situation mean partnered interactions that aren’t shared with the whole class.

Students will explore the structural elements of a play: character, objective, obstacles, tactics, resolution, and raising the stakes. They will also learn how to write character-driven dialogue and stage directions. Students will work in groups to create and present a short play.

This unit on Puppetry is designed for middle school and up, to introduce students to the material and get them comfortable with performing in a safe and low exposure environment. This is a unit that builds to a culminating experience for your students. Each lesson is designed to explore techniques, provide opportunities for creative collaboration among your students, and give them opportunities to perform. Some of the lessons require materials to build or create puppets. Puppetry can be as easy as drawing a face on your finger for finger puppets, to actually purchasing your own finger puppets for students to use. While the focus of this unit is puppetry, your students will explore other skills as well. There’s the obvious ones of creative thinking, teamwork, and problem solving. They are also going to explore storytelling, performing skills, and playwriting.

This unit has six lessons that you can use in the first week of your middle school program. What do you do in the first week? The most important elements are creating routines such as journal prompts, opening and closing circles, and giving strong feedback; creating an ensemble and ensemble-building games; and introducing a Weekly Ensemble Rubric. Students will define and build ensemble as a group, learning specific ways they can SAY YES and BE SAFE in class. They will understand the daily grading system and the basic routines of class. Finally, students will learn to give strong feedback by connecting specific evidence from performance to the Rubric language.

Students will be introduced to the most basic of scripts: the contentless/open scene script. They will use their knowledge of character/relationships, setting, objective, and tactics to add content to a contentless scene. Students will also learn the basics of set design and blocking, and will begin using voice expression to communicate clearer characters. The unit culminates in a performance assessment in which students will work in pairs to add content to and perform a contentless scene.

You need Emergency Lesson Plans. The unexpected comes up all the time. This Emergency Lesson Plan Collection (30 lessons) will address all of your concerns and take into account all of your sub’s questions. Every Emergency Lesson Plan includes substitute instructions, handouts, and assessment suggestions.

This assessment tool for scene performance includes a rubric, a performance task outline, and a performer checklist.

What do you do when you have to be unexpectedly absent from class? DTA members to the rescue with their ideas.

One of the biggest challenges directors face when working with inexperienced actors is the need to find creative ways to guide their character development. This resource includes exercises you can work into your rehearsals.

We know that you’re always on the lookout for monologues. We also know you’ve no time to search for monologues. Enjoy the material in this packet. Use them in your classes. Give them to your students for their next IE’s. The full scripts for all monologues can be found at theatrefolk.com.

Use these scenes in your classroom for character study, scene work, substitute teachers, performance, Individual Event competitions, and any other way you can imagine. Each scene comes from a published play (the complete play can be found on at theatrefolk.com) and is FREE for you to print, copy, and distribute. But wait there’s more! Each scene comes with: • Close Reading Questions • Staging Suggestions • Character Development 30 scenes in total within this eBook!

You need Emergency Lesson Plans. The unexpected comes up all the time. This Emergency Lesson Plan Collection (30 lessons) will address all of your concerns and take into account all of your sub’s questions. Every Emergency Lesson Plan includes substitute instructions, handouts, and assessment suggestions.

You’ve found the perfect play for your kids but there’s just one problem… some of the themes/language might raise eyebrows. Will raise eyebrows. Your administration doesn’t like it. Parents don’t like it. But you know it’s important to do work that tackles tough subjects. Your students know it’s important too. In cases like these, it’s better to get in front of the issue than behind it. Join us as we discuss best practices for communicating with your administrators, your parents, and your community.

Monologues are the backbone of the performance process. They are a super-concentrated way for students to learn such skills as memorization, characterization, objective and tactics. But how does a teacher juggle 20+ monologues at a time and still give the kind of feedback that will help their students improve? Join us for a discussion about monologues in the drama classroom and find out how it’s done.

Middle School theatre teachers are a special breed. Their highs are higher, their lows are lower, and the drama in their classroom is much more dramatic! But for all of that, middle school drama teachers don't typically get the respect and attention they deserve. Well we have something to say about that! That's right, we are dedicating this PLC to the trials, tribulations and triumphs that can only be found in a Middle School Drama classroom. Join in as we talk about the bravest, the craziest, the awesomest teachers in the whole school: Middle School Drama Teachers! Because Middle School Matters...

The drama classroom is all about connection and engagement. How do you connect to students who do not feel comfortable turning on their cameras in a virtual classroom? Theatre Educator Karen Loftus has been working with no camera students and shares her insights.

The school year is up and running, and so are your students!  Should they be? Classes are settling into routines and this is a good time to review your classroom management strategies and change whatever isn't working. Don't know how to start?  Easy!  Start by joining us in this PLC dedicated to tuning up your classroom management plan.

Join the creators of People Like Us, and learn more about Teaching Strategies for Students with Disabilities. We know many teachers are looking for step-by-step guidance and practical resources so you can leverage the power of the performing arts in your classroom. Nontraditional and kinesthetic methods, like those in the performing arts, provide more robust educational opportunities for students of all abilities. Learn more from these experts and find out about an upcoming opportunity as a DTA member, to engage in online learning with this leading organization.