Items tagged "Voice"

In this course, you will learn what breath control and projection are, how to breathe from your diaphragm and speak loudly without yelling, and how to teach these skills to your students. Led by teacher and singer Elisabeth Oppelt, this course will be helpful both in your teaching practices and in creating material to teach your students. This course also includes both formal and informal assessments for you to use in your classroom.

Students will explore nonverbal communication through movement, body language, simple mime, and storytelling. They will learn the specific art of pantomime through hand position, tension, follow-through, and action/reaction/interaction with objects through warmup games and exercises.

The unit culminates in a two-person pantomime performance. A rubric is included for the performance as long as journal prompts and exit slips. Please refer to the Pacing Guide for more details and ways to supplement with other DTA materials.

This unit focuses specifically on the technical aspects of vocal production. By understanding how voice is created, students will be more aware of how to improve their vocal production. Students will explore posture and breathing exercises, as well as how to use the diaphragm, projection, and articulation.

The final project will test students’ ability to properly project and articulate a joke across a large space. A rubric is included for the project as long as journal prompts and exit slips. Please refer to the Pacing Guide for more details and ways to supplement with other DTA materials.

The voice is a key element in performance and can be used in many ways. In this introductory voice unit with instructor Anna Porter, students will explore how to thoughtfully communicate character, story and emotion vocally.

Lesson one focuses on the articulators and the importance and of speaking clearly on stage. Lesson two introduces students to the use of vocal variety with pitch, tone, rate and volume. In lesson three, students develop a character with background as well as design a puppet. Lesson four brings together the elements of voice studied in this unit to create vocal characterization.

Through this four lesson series, students will use journals, participate in class discussions and practice the elements taught by performing for their peers and as a class. Assessment tools include both informal assessment as well as a final puppet show performance.

Students will demonstrate how to use vocal aspects in character creation.

The lesson teaches students how to create a specific character voice,considering volume, rate and pitch.

Students will demonstrate their ability to project.

Projection is speaking loudly without yelling. It is the technique actors use to be heard when performing without damaging their voices. Students learn how to project and practice the skill culminating in an assessed exercise.

Being able to control how much air comes out as you speak allows you to speak loudly without damaging your voice. It also lets you choose where to pause.

This lesson teaches students the basics of breath support and exercises to practice controlling the breath.

Students will demonstrate their ability to control their breath support by participating in a series of exercises, culminating with an attempt to say all fifty states of the union in one breath.

The voice is a powerful instrument. Beyond being the vehicle with which an actor delivers their dialogue, the voice can suggest emotion, subtext, character personality, location, and more. There are a variety of vocal tools an actor can use to communicate effectively with an audience. This lesson covers tone.

The Vowel Tree is a great warm up because it gets students used to just making sounds and working the entire range from the low end of the voice to the high end. You can find a video demonstration of The Vowel Tree in Lesson Two of the Friendly Shakespeare Course. Watch the video and try the exercise for yourself!

Use this warm up to get students not only thinking about the physicality of a character but projection as well.

Learn a great vocal warm-up "What a to-do" from DTA instructor Todd Espeland. It promotes diction, projection and breath control.