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Directing the School Musical: 5 Tips for Success
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Directing the School Musical: 5 Tips for Success

Directing a musical is a daunting feat. We spoke with three teachers about their experience directing musicals at the school level. From their experiences, we’ve got 5 tips to share that will help make your musical a success. Our guest experts: Roxane Caravan (high school), Kim Florio (high school), and Tricia Oliver (middle school). 1. Plan (well) aheadIt all takes time to have the right actors for a certain musical, explore the script and score, get the rights secured, and build a cast. So, you’ve got to plan well ahead. Kim works with high schoolers, and plans a few years out for her musicals. She says: “I look at my students and sometimes project 2-3 years out. What will they look like when they’re a senior and can I pick this show?” Because you need to have some of your key players before you choose said musical. I always say, “You can’t do Peter Pan unless you know you have Peter.” Roxane agrees: “I base a show on the talent that I know that I have and that I’m generally able to cast the show within reason. I think that that’s really important, as a director.” 2. Build a team and determine the scale of your production early onBefore any work starts with the cast, organize the background players, assign roles, and set the plan and schedule. Kim says: “You need to start thinking, “Okay, what scale am I going to do? Is it going to be large? How many people do I need to pull in? we reach out to our parents and say, “Hey, can you help build? Can you help find these costumes?” And so, that is a process. If you don’t have that in place before you meet all of your eager young high school students, then you’re kind of drowning. You need to go ahead and get that prepared so all of those facets are working while you’re teaching the students the material.” 3. Develop student leadershipA critical part of taking some of the load off the teacher is to develop student leaders. Have students with previous musical experience show the ropes to the newbies. Tricia directs middle schoolers, and says: “I love having that leadership – having somebody else to help hold the hand of the people who are brand new or coming through.” 4. Believe in your studentsEven if you have a group of enthusiastic singers at rehearsal, they may need to morph into dancers and actors and stretch beyond their comfort zone. As a teacher, you need to prepare your students enough so that they are never in a situation that they can’t handle. Letting them know that you believe in them goes a long way. Roxane tells us: “My students say, ‘If [the teacher] believes in us, then I’m going to believe in me.’ What an amazing thing!” 5. Don’t be afraid to choose a musicalTricia says: “I find that musicals energize a program in a way [that] straight plays don’t. The kids love to sing and dance and use those tools to tell the story. And having a chorus (that usually comes with a musical) gives new students an opportunity to be introduced to the stage!” Roxane says: “ Start small. Or do your own thing. If you’re not ready to hit it on your own with a big show, then do something creative on your own.” Listen to the entire podcast here!

Customer Appreciation

Tracy Nash Drama Coach Esparto High School Esparto California
We love Theatrefolk and Lindsay Price. Last year we did Deck the Stage... it was fabulous! Deck the Stage is perfect for a high school production. Ms. Price's dialogue is witty and charming, with just the right measure of silliness that can really be hammed up. I know this year's production of The Merrie Christmas Show will be just as successful as Deck the Stage.
Caitlin Herst, Student Performer, Boulder Creek High School
I recently saw your shout out to BCHS on your blog, as well as the podcast where you spoke to some of my classmates and fellow castmembers of Stroke Static. I played Ruthie in Stroke Static and The Prioress in The Canterbury Tales. I would like to take the time to let you know just how much that performance meant to me. Participating in Stroke Static was by far one of the best, most rewarding, and life-changing experiences of my life so far. But even past that, the fact that we touched so many people in our performance really affected me. I sincerely wish that you could have been there to see it. It was truly magical. I would like to thank you from the very bottom of my heart for the work you put into this play. I hope we made you proud!
Emily Conable, Alexander Central School
I was thrilled to find this version of Romeo and Juliet, and look forward to working on it. The length, and yet the quality of the edits in writing make it possible to even think about in our situation. Yea!

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