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Displaying items 481-500 of 2384 in total

Final Submission

by Karen Loftus

Students hand in script notes, ground plan, and renderings. An assessment rubric is included, as well as ideas for unit reflection and an extra credit project.
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Acting the Song - Musical Tactics

by Anna Porter

Students will understand how they can identify and create their own musical tactics and interpretation of a song by breaking down its music and lyrics. Students will build upon/review their understanding of basic music terminology and apply it to performance.
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Acting the Song - Textual Analysis

by Anna Porter

Students will understand how to analyze a song to find meaning, objective, and tactics through textual analysis.
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Introduction to Dance

by Anna Porter

Students will understand the importance of endurance, emotion, and commitment in movement when performing. They will also gain an understanding of how to pick up choreography by learning the concepts of routine and anticipation.
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Final Project

by Anna Porter

This unit includes the opportunity for students to choose and perform a musical theatre piece using the oral techniques and textual analysis that they learned in the lesson.

Introduction to the Audition Process

by Lindsay Price

In order to partake in the audition process, students need to identify and comprehend the necessary steps in that process. What is the auditioning process? Why is it used? Is the process fair? Why or why not? The class ends with students playing director in the “Who Would You Cast?” Exercise.
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The Acting Resume

by Todd Espeland

An actor needs two documents when they audition for a role: a resume and a headshot. What should go on an acting resume and what should stay off of it? What is an auditioner looking for? Students will discuss the purpose of an acting resume, review a model, and reflect on the process. Students will use this template when they create a resume for their mock audition.
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Becoming a Professional Actor: Headshots

by Lindsay Price

While the Mock Audition does not require students to bring in a headshot, it is an essential document in the “real world” audition process. A good headshot will help a director remember an actor. A bad headshot can get an actor rejected before they step through the door. Students will complete exercises that respond to the question What makes a good headshot?
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Audition Etiquette

by Lindsay Price

Students will continue their journey toward the Mock Audition by exploring audition etiquette. How can an actor’s attitude and behaviour affect an audition?
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Choosing a Monologue

by Lindsay Price

Students will continue their journey toward the Mock Audition by exploring what goes into choosing an appropriate audition monologue. This lesson takes 2 class periods.
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Monologue Prep: Character Profile

by Lindsay Price

After students choose their monologues, the next step is to prepare. More often than not, students think that preparing means learning the lines and throwing in a few moves. When students do this in an audition, it shows. The character is one-dimensional and the movement looks out of place. You want to see three-dimensional characters. You want to see characters brought to life both physically and vocally. In this lesson, students are given time to practice their monologue and start working on the who, what, when, where, and why.
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Monologue Prep: Vocal Profile

by Lindsay Price

Students will continue their journey toward the Mock Audition by exploring what they can do to prepare their monologue. Once students have completed the Character Profile, have them complete the Physical Profile. This will solidify how the character stands, gestures, and moves.
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Monologue Prep: Vocal Profile, Slate, and Thank You

by Lindsay Price

Students will continue their journey toward the Mock Audition by exploring what they can do to prepare their monologue. The last profile students complete will be the Vocal Profile. This will solidify how the character communicates orally.
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Monologue Prep: Audition Set-Up

by Lindsay Price

Students will continue their journey toward the Mock Audition by exploring what they can do to prepare their monologue. They will practice their monologue and talk about dealing with nerves. This is the final lesson before the Mock Audition - you will review the audition procedure with the class and students will sign up for their audition slot.
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The Mock Audition

by Lindsay Price

Today is the Mock Audition. In this lesson, you will play director and audition students for one of four roles in the play ‘Jealousy Jane.’ Use the Monologue Performance Rubric to assess their performance.
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After the Audition

by Lindsay Price

How did students feel about their audition? Did they get a part? What is their response if they didn’t? This wrap up lesson allows students to unpack their experience with this unit and participate in a final reflection. This is not a full class lesson.
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Emergency Lesson Plan: Compare and Contrast (Ancient Greek)

by Lindsay Price

In this ELP, students will read and discuss a scene from an Ancient Greek theatrical text and a modern adaptation of that text: The Libation Bearers by Aeschylus (translated by H.W. Smyth) and The Exile and the Onion Girl by Lindsay Price.

Introduction to Monologue Writing

by Matthew Banaszynski

Students will start the process of writing a monologue by storytelling. They will tell a story based only on what they observe in a picture.
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The Story Mountain Framework

by Matthew Banaszynski

Students will understand the parts of a story and how it relates to a monologue through the story mountain framework.
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Analyzing Monologues

by Matthew Banaszynski

Students will plot out the steps of the story mountain by using existing monologues.
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