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Silent Story: Show Don't Tell

by Lindsay Price

Students often rely on their verbal skills to tell a story. They “tell” us what’s happening instead of “showing” us what’s happening. “Show don’t tell” is a guiding principle in theatrical storytelling. We want to see what’s happening to characters as they experience it. We don’t want to hear characters explain the story or what they’re feeling. This lesson plan will put this principle into action through the exercise Silent Story.

Reading Act I | Analyzing Punctuation

by Drama Teacher Academy

Students have spent time being introduced to the story of A Midsummer Night’s Dream, studied a monologue, and reviewed some character development exercises. It’s time to read through the play. We will be reading Act I in sections, making sure students fully comprehend the characters and story. Students will also go through an acting technique that can help students become confident performers of Shakespeare. In this lesson, students will analyze the punctuation in A Midsummer Night’s Dream from an acting perspective.
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Unit Project

by Lindsay Price

This is a simple project. Your students are going to tell a joke to the class. The reason to use a joke or a riddle (rather than a poem, prose piece, monologue, or scene) is that students in the audience will want to hear the answer. They will be more engaged in the simple joke or riddle than passively listening to something else.

Vocal Projection

by Elisabeth Oppelt

Students will demonstrate their ability to project. Projection is speaking loudly without yelling. It is the technique actors use to be heard when performing without damaging their voices. Students learn how to project and practice the skill culminating in an assessed exercise.

Vocal Tools: Tone

by Lindsay Price

The voice is a powerful instrument. Beyond being the vehicle with which an actor delivers their dialogue, the voice can suggest emotion, subtext, character personality, location, and more. There are a variety of vocal tools an actor can use to communicate effectively with an audience. This lesson covers tone.

Improv Test

by Lindsay Johnson

In this final lesson for this unit, students will participate in the improv game Hitchhiker as part of a peer and teacher assessment on the Improvisation Rubric.
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Duet Improv

by Lindsay Price

Improvising in pairs is an excellent training ground to improve listening and cooperation skills, and to practice exploring character and conflict. Students will read and respond to a Duet Improv introduction sheet, then apply their knowledge through pairs Improv exercises and reflect on the experience.

Introduction to Improv

by Anna Porter

Students explore how to trust themselves and work with others in improvisation through activities as well as playing games - Story Game, What are you doing?, and Press Conference.
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Main Idea and Story Detail Improv

by Karen Loftus

Improvisation is a great tool for storytelling and getting important concepts across to all students including struggling readers and writers. In this lesson, you’ll use the improv game “Scene Redux” to help strengthen the students’ understanding of main idea and detail as it relates to storytelling.

Stage Management: Know the Details

by Anna Porter

Students will learn the details a stage manager must be aware of as well as how to communicate those details in a clear and productive way. Students analyze a work of art to find the visual details required for that “production” and create an organized list to communicate those details. Students then apply those skills to a written script as the stage manager.

Skene Sketching & Vocabulary Activity

by Angel Borths

Students will be able to use their knowledge of Greek theatre to predict matching definitions and terms.
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Scene Rehearsal

by Angel Borths

Students will be able to stage and rehearse an adaptation of a classical greek play, using theatrical masks as a group.
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Vocabulary Quiz

by Angel Borths

Students will be able to complete a formal assessment of their knowledge of Ancient Greek Theatre.
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Post-Reading Reflection & Mask Activity

by Angel Borths

Students will be able to design and build a Greek Theatre mask in the traditional style for a character in Agatha Rex.
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Improv for Character Study

by Annie Dragoo

Students will demonstrate ability to develop a character by participating in various improvisation exercises.

Scene Rehearsal and Improv Review

by Lindsay Johnson

Students will begin by discussing the importance of realistic acting in these scenes, noting how they will be graded on the Realistic Acting Rubric. They will commit their scenes to memory and review projection skills. When the scenes are solid, students will then begin practicing becoming and reacting to spect-actors, and reviewing the Improvisation, Spect-acting, and Realistic Acting Rubrics after each spect-acting attempt.
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Improv a Musical

by Ed Reggi

In this lesson, students will explore how to make their own Broadway musical through improvisation. Broadway musicals like The Book of Mormon, Urinetown, and Forbidden Broadway were developed from improvised work. Students will learn how to improvise an original musical in front of an audience. There are excellent opportunities for both the singer and non-singer who wants to explore improv like never before. This is also a great opportunity for singers to become far more confident with their performances. There are hands-on activities for students at all levels.

Performance Quiz

by Lindsay Johnson

In this fourth improvisation lesson, students will participate in a mock improv assessment in small groups. They will also give partners written feedback on the entire Improvisation Rubric. Students will learn the exercise that will be used for their final improv assessment.
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Improv Using Sensory Awareness

by Annie Dragoo

Students will demonstrate sensory awareness by improvising an everyday activity while paying attention to as many sensory details as possible.

Quick Thinking

by Lindsay Johnson

In this second improvisation lesson, students will practice accepting offers, building on offers, and thinking quickly in improvisation exercises. Students will also give written and verbal peer feedback on the second row (QUICK THINKING) of the Improvisation Rubric, using language from the Rubric.
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