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Final Rehearsal

by Lindsay Price

This is it! The final rehearsal before students perform. Students focus on getting those last few lines word perfect, reflect on where they are, and do final run-throughs.
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Marketing and Audience Experience

by Karen Loftus

This unit will explore a couple of the Business roles: (1) Marketing and (2) Front of House. As a reminder: Artistic jobs create ideas. The production jobs implement those ideas. And the business jobs provide the framework that allow those ideas to be shared.
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Advanced Screenplay Formatting 2

by Nicholas Pappas

In this lesson, students will continue to learn how they can use the basic screenplay elements in an advanced way to help tell their stories with character introductions, flashbacks, montages, and detailed action lines.
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Rehearsal

by Lindsay Price

This lesson is a straight up rehearsal period. Students will have 30 minutes to rehearse and decide on a section they’re going to show the class. They will perform their section without scripts.
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Reflection

by Karen Loftus

Reflection and post-mortem ideas and exercises.
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Texture

by Matt Webster

Students explore the design concept of texture and how it can be used by a designer to affect an audience. They will also combine what they have learned thus far to create a dream room.
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Gesture

by Karen Loftus

Students discuss and apply the different ways one can communicate through gesture.
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Tableau

by Karen Loftus

Students continue exploring nonverbal communication through tableaux.
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Memorization Techniques

by Lindsay Price

To apply memorization techniques as part of the goal of a staged scene with specific, dynamic blocking and three-dimensional characters. This lesson will focus on practicing a variety of memorization techniques.
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Indigenous Symbolism: Art to Drama

by Allison Green

Students expand on the previous lesson, working in small groups to begin to create theatre from art.
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Final Rehearsal

by Matt Webster

This is it! The final rehearsal before students perform. Students focus on getting those last few lines word perfect, do final run-throughs, and reflect on the rehearsal process.
Attachments

Intro to Indigenous Symbolism

by Allison Green

The first day introduces the learning circle format to the class, and the story of The Two Wolves.
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Strategy/Plan/Process

by Lindsay Price

Students will officially set their goal and discuss the differences between a strategy, action plan, and process. By the end of the lesson, students will have created a strategy paragraph, developed a framework for writing their play through a plan of action, and identified specific playwriting exercises to use.
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Monologue Performance

by Drama Teacher Academy

In this lesson, students will choose a monologue from Act I or II and apply the performance elements they’ve have learned so far: character development exercises, punctuation, and keywords to develop, memorize, and perform a monologue.
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Final Project

by Anna Porter

This unit includes the opportunity for students to choose and perform a musical theatre piece using the oral techniques and textual analysis that they learned in the lesson.

Finding Your Quality

by Ruthie Tutterow

After discussing the essence and quality of their favorite actors, students will record themselves having a conversation. Then they will transcribe their conversation and perform it as a script. These “scenes” will be recorded. Students will then be assigned to describe the “quality” of a fellow student.

Movement Review

by Lindsay Johnson

In this lesson, students will complete four rehearsals of their scenes using a rehearsal checklist, focusing on movement skills (blocking, tactics, levels).
Attachments

Problem Solving for Student Directors

by Kerry Hishon

Students will work on a problem-solving scenario that may arise while working with peers/friends during the rehearsal process. They will first work together as a group, and then individually submit an Exit Slip.

Tragedy, Satyr, and Comedy

by Lindsay Price

The Greek Theatre is the birth of the modern theatre. It is the birth of the actor stepping away from a chorus of unison speakers, as well as the catalyst that triggered the building of theatres. We can look at the production of theatre in that time and see similarities to how we present theatre today. But where do we start? And how do we make theatre history more than the collection of data? In this lesson plan, students will explore the connection between “what” of Ancient Greek Theatre: tragedy, satyr, and comedy.
Attachments

Critic Case Study: "A Dirty Act Done Publicly"

by Lindsay Price

Students will continue to evaluate the role of the critic and the purpose of criticism. In this case study lesson, students will examine a 1891 production of Henrik Ibsen’s play Ghosts. The single-night performance resulted in 500 reviews, many of which were negative and caustic.