Facebook Pixel Skip to main content

Search the Drama Teacher Academy

Displaying items 981-1000 of 2437 in total
Lesson 7 of 11 in Mock Audition Unit

Monologue Prep: Vocal Profile

by Lindsay Price

Students will continue their journey toward the Mock Audition by exploring what they can do to prepare their monologue. Once students have completed the Character Profile, have them complete the Physical Profile. This will solidify how the character stands, gestures, and moves.
Lesson 4 of 4 in 30 Second Monologues Unit

30-Second Monologue

by Lindsay Price

1 resource
Students will apply what they have learned in previous lessons to a 30-second memorized monologue. They will pick their own monologue to perform, design a beginning and end, create the character’s physical expression, and decide on their matching/opposing movement. They will add their thoughts on vocal variety. Finally, students will complete a post-performance monologue reflection.
Lesson 11 of 11 in Mock Audition Unit

After the Audition

by Lindsay Price

How did students feel about their audition? Did they get a part? What is their response if they didn’t? This wrap up lesson allows students to unpack their experience with this unit and participate in a final reflection. This is not a full class lesson.
Lesson 2 of 4 in 30 Second Monologues Unit

One-Line Monologue

by Lindsay Price

Students further develop what they learned during the nonverbal monologue exercise by adding a single sentence. How can you communicate a character to an audience when you only have limited dialogue?
Lesson 1 of 4 in 30 Second Monologues Unit

Nonverbal Monologue

by Lindsay Price

1 resource
Students start the monologue process nonverbally. They will present an entrance, an action, and an exit that shows a story without dialogue. In a monologue, the physical body is an important communication tool—just as important as dialogue. And that’s the focus of this lesson. Physical action can demonstrate location, mood, age, and subtext.
Lesson 3 of 4 in 30 Second Monologues Unit

Three-Line Monologue

by Lindsay Price

In this lesson, students will work on a three-sentence monologue to address both issues. Everyone will do the same monologue, so there is also the opportunity to talk about individual character choice, physical expression, and verbal expression.
Lesson 1 of 13 in Devising Unit

Characterization

by Corinna Rezzelle

Students explore what makes a character interesting through the examination of physical objects. What do objects say about us? What can you infer about a person by the objects they carry with them? Students will role-play in process drama activities to explore characters and to create their own.
Lesson 4 of 13 in Devising Unit

Choosing a Topic

by Corinna Rezzelle

In this lesson, students discuss and choose a topic for their devised piece.
Lesson 2 of 13 in Devising Unit

Physicalization / Stage Movement

by Corinna Rezzelle

Students explore how body language can show a story (i.e. how someone is feeling, character traits, relationships between characters, etc.). The lesson culminates in students using a physical elliptical scene (a scene with just stage directions) and adding movements, gestures, and body language.
Lesson 5 of 13 in Devising Unit

Beginning to Write

by Corinna Rezzelle

In this lesson, students begin putting the pieces together for their devised work. Students brainstorm on their topic, then participate in a movement piece and a forum theatre activity to explore their topic.
Lesson 3 of 13 in Devising Unit

Contentless Scenes / Building Scenes

by Corinna Rezzelle

In this lesson, students will start their scene work first with a contentless scene, a one-minute scene, and then (for homework) write a one-page scene based on a real life experience.
Lesson 8 of 13 in Devising Unit

Revision

by Corinna Rezzelle

In this lesson students watch the Ren Run then discuss the topic of revision. What is the message of the play? How do the scenes communicate the message? Note: Depending on the amount of revisions your students feel the play needs, revising might take longer than one lesson. Feel free to add time, if need be.
Lesson 6 of 13 in Devising Unit

Building the Play

by Corinna Rezzelle

In this lesson, students continue to build the play by writing and revising scenes, reading each other’s work, and providing feedback.
Lesson 7 of 13 in Devising Unit

The Ren Run

by Corinna Rezzelle

In this lesson, students will work in groups to create transitions in improvised tableaux and movement pieces. They will also participate in a “ren run” to practice improv blocking.
Lesson 9 of 13 in Devising Unit

Rehearsal

by Corinna Rezzelle

In this lesson, students finalize casting, then start rehearsing. Focus the rehearsals on blocking. What is the necessary movement to communicate the content of the scene?
Lesson 12 of 13 in Devising Unit

Final Rehearsal & Performance

by Corinna Rezzelle

Students run the show before their performance. And then on the decided upon date and time, they perform!
Lesson 11 of 13 in Devising Unit

Rehearsal / Designing the play

by Corinna Rezzelle

Students continue to rehearse. They also move on to the design phase of the project. The group will decide upon costuming and props for the performance. NOTE: Keep costumes and props simple. Black works well for costumes with colourful accents.
Lesson 10 of 13 in Devising Unit

Rehearsal / Character Development

by Corinna Rezzelle

Students continue to rehearse. In this lesson, character development exercises deepen the students’ experiences and final products.
Lesson 13 of 13 in Devising Unit

Post-Show Discussion and Reflection

by Corinna Rezzelle

This lesson happens after the performance. Post-show discussion questions are included as well as a post-show reflection.
Lesson 1 of 4 in Musical Theatre Unit

Acting the Song - Musical Tactics

by Anna Porter

1 resource
Students will understand how they can identify and create their own musical tactics and interpretation of a song by breaking down its music and lyrics. Students will build upon/review their understanding of basic music terminology and apply it to performance.