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Displaying items 41-60 of 943 in total

LGBTQ+: Inclusivity in the Drama Classroom Toolkit

6 resources
This resource provides a rich collection of lesson plans, activities, discussion prompts, and resources designed to visibly support LGBTQ+ students in the drama classroom. It includes modules on expectations and ensemble building, improvisation with inclusive character choices, design and production with LGBTQ+ professionals, acting and character development embracing diverse identities, and analysis activities centered around inclusivity and identity.
Lesson 7 of 7 in Musical Theatre Improv Unit

Improv a Musical

by Drama Teacher Academy

Now that students have improvised a scene with existing songs, it’s time to take the experience to the next level. In this lesson, students will learn the framework for how to improvise an original musical song based on a suggestion. They will reinforce elements of a musical and find out how to incorporate the tenets of improvisational theatre by starting the process: creating a duet. This lesson provides students with a small introduction, but depending on how your students connect to it (and your schedule) they could certainly continue on beyond the time allotted to improvise an entire musical.

Objects List

PDF
Looking for new objects for students to use in improvs, mimes and scene work? This sheet has over 200 objects to choose from!

Duet Scene Scenarios

PDF
Use these duet scene scenarios during Improv work or warmup games.

Duet Characters List

PDF
Looking for character duet ideas for students to use in improvs, mimes and scene work? Over 85 pairs to choose from!

Emotions List

PDF
Do your students use the same emotions over and over again in scene work or in improvs? Get them used to expanding their feeling horizon with this list.

Picture Prompt: Awkward

PDF
Students sometimes have a hard time with improv because they don’t know where to start. How do I make up lines on the spot? All they need is a little push to get them moving in the right direction. Use picture prompts.

Semester Long Plan for Improv, Scene Work, and Theater of the Oppressed

Contributed by Lindsay Johnson

This is a semester long plan for a 7th-8th grade Drama Class. It includes many materials from the DTA site, especially from the Improv course. It begins with ensemble and improv, moves to scene work, and ends with some Boal exercises and Forum Theater fro

Dialogue Prompts

PDF
Use these dialogue prompts for improvisation work. Includes characters, location, want, and a first line for each prompt.
Lesson 5 of 7 in Musical Theatre Improv Unit

Improv Using Sensory Awareness

by Drama Teacher Academy

Musical theatre performers must be in touch with their emotions and have good emotional intelligence. You have to be in control if you’re going to sing an emotional song night after night. While singing, it is important to understand and be able to express appropriate emotions when needed. To do this, we must use our five senses: touching, seeing, smelling, tasting, and hearing. In this lesson, students will demonstrate sensory awareness through improv exercises.
Lesson 4 of 9 in Unit Two: Improvisation Basics Unit

Performance Quiz

by Lindsay Johnson

In this fourth improvisation lesson, students will participate in a mock improv assessment in small groups. They will also give partners written feedback on the entire Improvisation Rubric. Students will learn the exercise that will be used for their final improv assessment.
Lesson 3 of 9 in Unit Two: Improvisation Basics Unit

Strong Offers

by Lindsay Johnson

In this third improvisation lesson, students will practice accepting offers, building on offers, thinking quickly and giving STRONG OFFERS in improvisation exercises. Students will also give written and verbal peer feedback using language from the Improvisation Rubric.
Lesson 6 of 9 in Unit Two: Improvisation Basics Unit

Intro to Projection and Enunciation

by Lindsay Johnson

In this sixth improvisation lesson, students will practice in partners quick thinking, improv, and enunciation in performance. Afterward, students will give verbal feedback on the Improvisation Rubric and the ENUNCIATION section of the Vocal Clarity Rubric.
Lesson 2 of 9 in Unit Two: Improvisation Basics Unit

Quick Thinking

by Lindsay Johnson

In this second improvisation lesson, students will practice accepting offers, building on offers, and thinking quickly in improvisation exercises. Students will also give written and verbal peer feedback on the second row (QUICK THINKING) of the Improvisation Rubric, using language from the Rubric.
Lesson 1 of 9 in Unit Two: Improvisation Basics Unit

Accepting & Building on Offers

by Lindsay Johnson

In this first improvisation lesson, students will work with the definitions of the key vocabulary terms by adding their own offers to improvised exercises and accepting and building on peer offers. Students will also give written and verbal peer feedback on the first row (ACCEPTING AND BUILDING ON OFFERS) row of the Improvisation Rubric, using language such as “improvisation” and “offers.”
Lesson 5 of 9 in Unit Two: Improvisation Basics Unit

Intro to Projection and Volume

by Lindsay Johnson

In this fifth improvisation lesson, students will learn the definition of “projection.” With partners, they will practice quick thinking, improv, and volume in performance. Afterward, students will give verbal feedback on the Improvisation Rubric and the VOLUME section of the Vocal Clarity Rubric.
Lesson 2 of 7 in Musical Theatre Improv Unit

Improv With Vocal Responses

by Drama Teacher Academy

Improvisation teaches us to concentrate and listen in scenes. An actor uses their voice to show how they interpret a character and what the character wants to communicate to an audience. In this lesson, students will practice exercises with vocal responses that encourage them to both concentrate and listen fully.

African Fable and Storytelling

by Desiree Dabney

Students will create their own improvisational piece to an African fable called “Anansi: The Spider.” This lesson explores the different ways to tell a story through storytelling improvisation, which allows students to discover different movements, voices, and listening skills. In African theatre, there are many ways to tell a story; improv is often used when learning about fables.
Lesson 6 of 6 in Improvisation Unit

Unit Project

by Lindsay Price

The final project will allow students to demonstrate their improv skills in a two-person scene.
Lesson 3 of 7 in Musical Theatre Improv Unit

Improv With Movement

by Drama Teacher Academy

Another tool that actors use is movement (and body language). An actor’s use of their body can tell a story within itself. The body is essential in communicating emotions. Along with the mind (thinking of a way to demonstrate how a character feels) and the voice (expressing what a character feels), the body is the final piece of the puzzle. This lesson allows students to practice through movement-focused improv activities the important role of communicating through body language.
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