Character Development Lesson Plans
A library of lesson plans to help you effectively plan your workshops and classes.
Rejection through Movement and Character
by Lindsay Price
Learning to deal with rejection and turn rejection into a positive motivator is a lifelong skill. In this multi-class lesson, students will reflect on and discuss their views on rejection, theatricalize that view through movement, research someone who has found success only after rejection and failure, and theatricalize that information.
Rejection through Movement and Character
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Research, Analyze, and Respond: Jagged Little Pill and the Character of Jo
by Drama Teacher Academy
Students will research the character of Jo from the musical Jagged Little Pill. The character, allegedly, started out as nonbinary and was changed to cisgender for the Broadway run. When
confronted with this change, those involved with the production stated that Jo was always intended to be cisgender and was written as cisgender. This confused many in the LGBTQ+ community. What is the background to this situation? What is the origin story to the character and the actor playing the character? Why did the creative team react the way they did and what was the response to their reaction? Who is right? Students will research, analyze, and come to their own conclusions and then express their conclusions in a response.
- Blank Grid for Circle of Trust exercise
- Social Awareness Document
Research, Analyze, and Respond: Jagged Little Pill and the Character of Jo
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Research, Analyze, and Respond: West Side Story and the Character of Anybodys
by Drama Teacher Academy
Students will research how the character of Anybodys was changed from a tomboy in the original West Side Story movie (and musical) to a transgender character (played by nonbinary actor iris
menas) in the 2021 Steven Spielberg version. Students will research the change through articles and video and come to their own conclusions about the change. Students will then apply what they have learned by creating their own scenes with a character change.
- Social Awareness Document
Research, Analyze, and Respond: West Side Story and the Character of Anybodys
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Revision Rehearsals
by Claire Broome
In this lesson, we will discuss revision rehearsals, which are such an important part of the creative process. This is an opportunity for students to develop their critical thinking and apply this to their performance.
- Slide Deck Lesson 10
Revision Rehearsals
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Scene Performance Assessment
by Lindsay Johnson
Students will review the various techniques we’ve explored this unit (voice, movement, set design, projection, etc.) to convey meaning in a contentless scene. Students will perform their final partner scene for assessment in front of the class. They will also completed an audience feedback sheet where they give their peers feedback on Rubric skills.
- Slide Deck
Scene Performance Assessment
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Scoring and Beats
by John Minigan
To introduce the idea of “objective/goal, obstacle, and action/tactic” to simple scenes by scoring those scenes and playing the scored text.
- Slide Deck Lesson 3
Scoring and Beats
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Scoring, Beats and Action Words
by Matt Webster
Students will score their scene and identify the beats and action words, and then they will start to physicalize their analysis. This is a review lesson as they learned about scoring in Part 1.
- Slide Deck Lesson 2
Scoring, Beats and Action Words
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Script Analysis
by Matt Webster
Students will begin their staging journey through script analysis. They will read the scene, identify some general knowledge that will help them play the scene, and do a close reading of their scene.
- Slide Deck Lesson 1
Script Analysis
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Script Revisions and Script Analysis in Rehearsal
by Claire Broome
In this lesson, we will explore ways to have the class rehearse while making changes to their scripts.
- Slide Deck Lesson 8
Script Revisions and Script Analysis in Rehearsal
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Script Sharing and Feedback
by Claire Broome
In this lesson, students will share their scripts and provide feedback to each other. Groups will write down their feedback and make a next steps list for revision.
- Slide Deck Lesson 7
Script Sharing and Feedback
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Script Writing and Revision
by Claire Broome
Using a specific method of timed sessions and movement breaks, groups will write the first draft of their plays. They will then revise, change, and edit the draft using the same method.
- Slide Deck Lesson 6
Script Writing and Revision
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SEL Lesson: Analyzing Character Choice
by Drama Teacher Academy
In this lesson, students will consider what would happen if a character made a different choice within the context of their story. Students will work in groups to identify and analyze a decision made within the text by a character and then think creatively about what the characters might have done differently. They will then create and perform a scene demonstrating the character’s different choice.
If you’re looking to incorporate Social and Emotional Learning in your drama classroom, this lesson would fit well into a discussion about responsible decision-making. This exercise can be done individually, in pairs, or in small groups.
- Monster Problems script
SEL Lesson: Analyzing Character Choice
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SEL Lesson: New Relationships
by Drama Teacher Academy
In this lesson, students will start by working individually to either create and analyze a new character or to analyze an existing character. Then, with a partner (who has their own character), they’ll figure out a scenario where the two characters would meet and form some sort of relationship.
If you’re looking for a way to apply Social and Emotional Learning in the drama classroom, in this case building relationship skills, this is an active and theatrical way to do so.
SEL Lesson: New Relationships
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SEL Lesson: Self-Awareness Character Study
by Drama Teacher Academy
If you want to incorporate Social and Emotional Learning into a play study unit, use this lesson. Students discuss self-awareness and apply it by analyzing characters in a play they are currently studying. Seeing fictional character examples will help students gain a deeper understanding of the concept of self-awareness. This can be done as a class, individually, in partners, or in smal groups. It can be done in person, virtually via distance learning, or as a written homework assignment.
SEL Lesson: Self-Awareness Character Study
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Session 1: Introduction
by Lindsay Price
Students create a situation from a picture and examine the given clues to help fill in the gaps. Students then examine the clues in a contentless scene, fill in the gaps, and create their own scenario to perform.
- Session 1 Slide Deck
Session 1: Introduction
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Session 1: Script Analysis - The Basics
by Lindsay Price
Students will begin their staging journey by compiling the basics. They will read the scene and identify some general knowledge that will help them play the scene.
- Session 1 Slide Deck
Session 1: Script Analysis - The Basics
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Session 10: Removing Actor-Driven Movement
by Lindsay Price
The rehearsal period is coming to a close, and it’s almost time to present. In this rehearsal, students will share their scene with another group with the specific focus of examining it for actor-driven movement rather than character-driven movement: shuffling your weight back and forth between your feet, playing with your hair, vaguely gesturing with your hands, etc.
- Session 10 Slide Deck
Session 10: Removing Actor-Driven Movement
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Session 11: Final Rehearsal
by Lindsay Price
This is it! The final rehearsal before students perform. Students focus on getting those last few lines word perfect, reflect on where they are, and do final run throughs.
Session 11: Final Rehearsal
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Session 12: Performing the Scene
by Lindsay Price
Students perform their scene and complete a post-performance reflection.
Session 12: Performing the Scene
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Session 2: Script Analysis - Close Reading
by Lindsay Price
When analyzing a script, you want students to do a close reading, multiple times, and mine the text for as much information as possible. It’s important to know who your character is, why they act the way they do, and, most importantly, how you can physicalize all your newfound knowledge. At the end of each read, students identify possible staging ideas for their character and for the plot.
- Session 2 Slide Deck
Session 2: Script Analysis - Close Reading
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