Baalzebub

Welcome to "Playwright Spotlight" — your exclusive backstage pass to the creative minds crafting the incredible plays featured in our Theatrefolk catalogue. Discover the magic, quirks, and genius of the playwrights who help bring the stage to life. Let's meet one of these exceptional playwrights who offers the chance for your student performers to shine in their spotlight. What inspired you to start writing plays specifically for high school & middle school students?I'm the longtime scriptwriter for Living Voices, an educational theatre company that tours all across North America with 12 different shows about history and social justice. Four million high school and middle school students have seen my work! It was a natural next step to write plays for those students to perform themselves. Can you share a bit about your creative process when developing plays that resonate with students?As much as possible, I involve young people in the creative process: through development workshops, feedback, and using youth voices. My most recent youth theatre play, The State of the Students, was created in collaboration with 143 young people who replied to a questionnaire I posted online. The play is comprised entirely of their words. What themes or messages do you aim to convey through your plays?I'm interested in themes and issues of social justice, gender, race, identity, and how young people are experiencing our world today. How do you balance education and fun in your scripts?Humor is key! Even when a play deals with serious subjects, there need to be moments of laughter. Can you share a memorable experience or feedback from a student performance that left an impact on you?"I never knew that other people thought or felt the way I did, until I read this play." Any advice for teachers or directors looking to choose engaging and age-appropriate plays for their student performers?New plays! Don't keep doing the same old chestnuts or the same five plays that every other theater department is doing. There are so many great playwrights out there writing new plays for young performers. And get your students involved in the play selection process. Anything else you'd like students and/or directors to know about you as a playwright?I love customizing a script for a specific cast or community. I'm always open to making adjustments, so feel free to ask. And I love seeing your production photos when you share them! You can see all of my other work here.

If you’re looking for plays and musicals to include in your drama classroom library, look no further — here are 42 plays and musicals featuring LGBTQ+ characters, stories, and themes. Introduce these plays and musicals to your students, read them as a class, and check out performances of them (many have filmed or movie versions). If you’re looking to perform a play with your students, be sure to check out the plays from Theatrefolk listed here — they’re perfect for high school students. And check out the other plays by our Theatrefolk LGBTQ+ authors on our site! Plays from Theatrefolk featuring LGBTQ+ Themes and CharactersFrom our very own Theatrefolk catalogue, these plays are fabulous for high school students to study and perform. Some even come with free classroom study guides. 1. Completely, Absolutely Normal: Vignettes About LGBTQ+ Teens by Bradley Walton (Free Classroom Study Guide available!) Ten interconnected vignettes with LGBTQ+ themes. 2. Red Tee by Lindsay Price (Free Classroom Study Guide available!) A vignette play that examines questions of identity and what happens when someone doesn’t fit in the way they’re expected to. 3. Bungee Jump Bear Trap by Lindsay Price A vignette play about taking risks and figuring it all out. 4. Life, Off Book by Scott Giessler Jeb is Ophelia’s fake boyfriend who is also a closeted gay man. What happens when Jeb and Ophelia have to lose the script and live life off book? 5. Pandemic Pancake by Lindsay Price Characters decide, for good and for ill, how they will respond to this evolving new world. 6. Anonymous by Allison Green The story of every teenager — it’s hard to be an individual when you’re trying to fit in. 7. Baalzebub by Rachel Atkins A group of girls is abandoned at a refugee camp in an unnamed war zone and are forced to survive together. A response to the classic novel Lord of the Flies. 8. Finding Jo March by Laramie Dean You should know right away that this is not a traditional adaptation of Little Women. 9. Moonbow Miraculous & Moonbow Miraculous: Competition Length Version by Kirk Shimano If someone has a secret they’ve been clutching to their heart, the moonbow’s glow will give them the courage to share their true selves 10. The Pretty Princess Dollhouse for Pretty Princesses by Emma Fonseca Halverson Gabi is suffering from metaphoric asthma. The walls are closing in and she can’t breathe. 11. Characters Behaving Badly by Lindsay Price This vignette play asks students to look at the concept of what it means to be “good” and “bad.” 12. Passing Period Purgatory by Christian Kiley Sometimes the hardest part of school is getting from one class to the next. 13. Thought Traps by Lindsay Price Ariane and Kate deal with people from their past who invade their head space. Will either be able to set themselves free? 14. 6ft Scenes by Lindsay Price A collection of 15 scenes in which no two characters get within 6ft of each other. As well, be sure to check out these Theatrefolk playwrights: Laramie Dean, Emma Fonseca Halverson, Bradley Hayward, Kirk Shimano and Bradley Walton. Musicals Featuring LGBTQ+ Themes and CharactersComing to you from Broadway and Off-Broadway, these musicals are packed with amazing songs and important themes. 1. Head Over Heels, book by Jeff Whitty, adapted by James Magruder, music and lyrics by The Go-Go’s A kingdom is threatened, unlikely lovers unite, and gender-fluid disguises are donned in a musical that preaches unconditional love and acceptance of everyone, no matter their gender or sexual identity. 2. Fun Home, by Lisa Kron and Jeanine Tesori, adapted from Alison Bedchel’s memoir Alison, an author and lesbian, reflects on her journey to discover and accept her identity, as well as her relationship with her father (a closeted gay man). 3. The Color Purple, book by Marsha Norman, based on the novel by Alice Walker, music and lyrics by Brenda Russell, Allee Willis, and Stephen Bray Celie, a teenage African-American girl living in Georgia, is given by her abusive stepfather to an even more abusive husband. Over the years, Celie finds ways to cope with life, including finding a potential lover in the fabulous Shug Avery. 4. La Cage aux Folles, book by Harvey Fierstein, music and lyrics by Jerry Herman Georges (owner of the La Cage aux Folles nightclub) and his partner Albin face the hardest challenge of their twenty-year relationship: meeting their son’s fiancee’s ultra-conservative, anti-gay parents. 5. Kinky Boots, book by Harvey Fierstein, music and lyrics by Cyndi Lauper Charlie Price teams up with drag queen Lola to save his failing shoe factory, and in the process, discovers that they aren’t so different after all. 6. Hedwig and the Angry Inch, book by John Cameron Mitchell, music and lyrics by Stephen Trask Genderqueer rock singer Hedwig Robinson shares her story — including the tale of her botched gender reassignment surgery — with the audience through monologues and rock songs. 7. Rent, book, music, and lyrics by Jonathan Larson Follows the ups and downs of a year in the life of a group of impoverished, artistic friends living in the East Village of Manhattan in the late 1980s, under the shadow of HIV/AIDS. 8. Bare: A Pop Opera and Bare: The Musical, book by Hartmere and Intrabartolo, music by Damon Intrabartolo, lyrics by Jon Hartmere Peter and Jason, students at a Catholic boarding school, have fallen in love with each other, but Jason — a popular athlete — fears losing his status if he is discovered to be gay. 9. Spring Awakening, book and lyrics by Steven Sater, music by Duncan Sheik, based on the 1891 German play _Spring Awakening _by Frank Wedekind In late 19th century Germany, with only each other for guidance, a group of young men and women travel the rocky path of adolescence, discovering their bodies, their sexuality, their minds, and themselves along the way. 10. The Boy from Oz, book by Nick Enright, revised book by Martin Sherman, music and lyrics by Peter Allen A musical telling of the story of Australian entertainer Peter Allen, from his humble beginnings, to his rise to fame, to his marriage to Liza Minelli, to the crumbling of their marriage due to Allen’s homosexuality, to his final concert before his death from AIDS. 11. The Prom, book by Bob Martin and Chad Beguelin, based on an original concept by Jack Viertel, music by Matthew Sklar, lyrics by Chad Beguelin Four struggling Broadway stars team up to help Emma Nolan have the prom of her dreams with her girlfriend, despite the actions of the homophobic PTA. 12. The Louder We Get (previously titled Prom Queen), book by Kent Staines, lyrics by Akiva Romer-Segal, music by Colleen Dauncey Based on the true story of Marc Hall, a gay Canadian teenager whose legal fight to bring a same-sex date to his Catholic high school prom made national and international headlines in 2002. 13. Falsettos, book by William Finn and James Lapine, music and lyrics by William Finn In 1970s New York, Marvin and Trina’s perfect family is broken apart when Marvin leaves Trina for a man named Whizzer. 14. Witness Uganda (previously titled Invisible Thread), book, music, and lyrics by Matt Gould and Griffin Matthews Based on the true story of Griffin Matthews. Matthews travels to Uganda for mission work after being kicked out of his church choir when the pastor discovered he was gay. 15. A Man of No Importance, book by Terrence McNally, music by Stephen Flaherty, lyrics by Lynn Ahrens Alfie and his amateur theatre group are determined to stage a controversial play at their local church. In the process of fighting for the play, Alfie is forced to confront his own homosexuality and share his true self with those around him. 16. Priscilla, Queen of the Desert, book by Stephan Elliott and Allan Scott, music and lyrics by various artists Drag queens Tick and Adam and transgender woman Bernadette travel across Australia in their bus named Priscilla. 17. Zanna, Don’t! by Tim Acito, additional lyrics and material by Alexander Dinelaris Set in Heartsville, USA, a city where homosexuality is the norm and heterosexuality is taboo. At Heartsville High, Zanna plays matchmaker and brings happy couples together, but heterophobia strikes when a pair of opposite-sex high schoolers discover their feelings for each other. 18. Jagged Little Pill, book by Diablo Cody, music by Alanis Morissette and Glen Ballard, lyrics by Alanis Morissette, with additional music by Michael Farrell and Guy Sigsworth The seemingly-perfect Healy family, including parents MJ and Steve and teenage children Frankie and Nick, struggles with challenges including addiction, sexual identity, and the pressure to keep up appearances. 19. My Mother’s Lesbian Jewish Wiccan Wedding, book by David Hein and Irene Sankoff, music by David Hein From the creators of Come From Away and based on Hein’s real family, David reflects on his mother coming out when he was 13, after divorcing David’s father, discovering Judaism, and falling in love with a woman who practices Wicca. Plays Featuring LGBTQ+ Themes and CharactersDramas, comedies, award-winners, and more. 1. She Kills Monsters by Qui Nguyen After the death of her sister Tilly and discovery of Tilly’s game scenario notebook, Agnes Evans delves into the world of Dungeons & Dragons to understand and grieve her sister. 2. The Laramie Project by Moisés Kaufman and members of the Tectonic Theater Project In 1998, university student Matthew Shepard was tortured, robbed, and murdered for being gay. The murder was deemed a hate crime. In the aftermath, the Tectonic Theater Project travelled to Laramie, Wyoming and interviewed hundreds of subjects both directly and indirectly related to the case. 3. Almost, Maine by John Cariani On one cold and magical midwinter night, the citizens of Almost, Maine experience love, loss, and the life-altering power of the human heart. One of the most produced plays in North American high schools. 4. Angels in America: A Gay Fantasia on National Themes by Tony Kushner A two-part, seven-hour, Tony-winning epic play primarily focusing on a gay couple from New York, with other intersecting storylines. 5. The Boys in the Band by Mart Crowley A group of gay men gather at Michael’s home to celebrate their friend Harold’s birthday. Michael’s friend from college, Alan, unexpectedly arrives, who has no idea that Michael or any of his friends are gay. 6. HIR by Taylor Mac After a dishonorable discharge from the military, Isaac returns home to discover his father has suffered a stroke, his sibling Max has come out as transgender, and his mother is ready to educate Isaac about the new post-gender world (while unknowingly appropriating Max’s experience). 7. The Normal Heart by Larry Kramer Passionate and confrontational activist Ned Weeks campaigns for awareness about an unidentified disease (HIV/AIDS) that is killing gay men in New York City, while tending to friends and lovers who are dying all around him. 8. As Is by William M. Hoffman Released shortly before The Normal Heart, Rich decides to return to his ex-partner, Saul, after contracting AIDS from his new lover. Seeking care, Rich reveals how doctors, family members, and friends reacted to people with AIDS. 9. The Shadow Box by Michael Cristofer Three different people, all dying of cancer, live out their final days in homey hospice cottages, and are interviewed by a psychiatrist for a psychological project.

March 8th is International Women’s Day – and what better time to highlight some amazing women within the Theatrefolk community. Join us in celebrating these phenomenal playwrights and authors and their incredible contributions to the world of student theatre. Plus, keep reading to see our Top 10 Plays for Female Casts at the end of the post! Rachel Atkins • Baalzebub (and One Act Version)

Welcome to our Featured Play Spotlight. A response to the classic novel, Lord of the Flies, Baalzebub by Rachel Atkins is a full-length or one-act ensemble piece that offers excellent inclusive, diverse and gender-expansive opportunities in casting. What would a group of girls do if they were abandoned alone, at a refugee camp, in an unnamed war zone, away from adults and civilization? As time passes without rescue, the girls face the adult challenges of creating and maintaining a working society, as they struggle to cooperate, understand their differences, define themselves, and survive. Will they establish civility or fall back to savagery? Why did we publish this play? Rachel writes strong female characters with great emotional impact. That alone is a great reason to publish this play. But she goes further – the play clearly suggests inclusive, racially conscious and gender-expansive choices in casting. Having plays that welcome gender flexibility is a major initiative here at Theatrefolk. Lastly, it’s an adaptation, or more specifically a response to a classic work – _Lord of the Flies. _How does this tale of civility and savagery reflect through a gender flexible lens? It was not hard at all to accept _Baalzebub _for publication. Let’s hear from the author! 1. Why did you write this play? I was commissioned by Seattle Public Theater to write a play for their youth program. The director and I brainstormed a range of ideas that could serve their company of young actors. Our conversation covered both the current refugee crisis, and William Golding’s quote about Lord of the Flies: "A group of little boys… are more like scaled-down society than a group of little girls would be” — and putting those two ideas together just made sense. I wanted to write a play that would be both empowering and community-building for an ensemble of young women. 2. Describe the theme in one or two sentences. Community vs. the individual Identity Power Order vs. chaos, peace vs. war And how all of the above relates to gender. 3. What’s the most important visual for you in this play? The song—which isn’t just a visual, so maybe this answers a different question, but their “performance” of it is important: the way the characters personalize it, the ways they use it to bring themselves together and establish their community, and how it morphs through the play as the characters and their relationships change 4. If you could give one piece of advice for those producing the play, what would it be? Be willing to think outside the box for inclusive casting. For example: the first production had 2 boys playing Sam and Isis as girls, 3 non-binary actors as Juno, Ali and Diamond, and younger (elementary and middle school age) actors playing Baby and Sister. This is an ensemble piece, which benefits from as diverse an ensemble as possible—by whatever definition diversity holds in your community. 5. Why is this play great for student performers? Opportunities to build ensemble both on and off the stage. The songs and rituals can come from your actors’ own experiences, interests, abilities and strengths. Helping your cast develop their own community will serve the community within the play. Also, particularly if you’re working with a more homogenous or privileged population, this play provides a chance to connect with the world at large. Bring in members of your local refugee support organization to talk to the cast. Coordinate a donation drive during the production. This play has served as a jumping point for young actors to also become activists.

Our website lists all of our plays with social issue themes but it struck me that they’re only lumped as “issue plays” without a good guide to sorting out which title addresses which issue. So I’ve categorized them for you to hopefully give you a helping hand in your quest to find the perfect script for your school. Check them out. As usual, all of the titles have extensive free sample pages for you to read. I think you’ll find the writing honest, fresh, and believable – three qualities sadly lacking from a lot of “teen-issue” plays out there in the world. Alienation / Feeling Alone in the World• Anonymous by Allison Green • The Art of Rejection: Two One Act Plays by Christian Kiley • A Box of Puppies by Billy Houck • Constantly, Incessantly, All The Time by Billy Houck • Huge Hands by Billy Houck Body Image• Body Body by Lindsay Price • The Four Hags of the Apocalypse Eat Salad at their General Meeting by Lindsay Price • The Battle of Image vs. Girl by Johanna Skoreyko • Hoodie by Lindsay Price • Breathless by Wendy-Marie Martin Censorship• Censorbleep by Lindsay Price Human Rights• Look Me in the Eye by Lindsay Price • Sweep Under Rug by Lindsay Price Racism• Flaky Lips by Lindsay Price • With Liberty and Justice For All by Jeyna Lynn Gonzales • Not Going Anywhere by Emma Fonseca Halverson • The Burgundy Letter by Kirk Shimano • Let Me In by Sholeh Wolpe *** Rumours and Lies• Have You Heard? by Krista Boehnert • The Redemption of Gertie Greene by Taryn Temple Individuality• Hoodie by Lindsay Price • Virtual Family by Christian Kiley • The Happiness Shop by Lindsay Price • A Deep, Poetic Journey Into Something by Forrest Musselman • Carrying the Calf by Shirley Barrie • Monster Problems by Lindsay Price • Stereotype High by Jeffrey Harr • Sixteen in 10 Minutes or Less by Bradley Hayward • Nice Girl by Amanda Murray Cutalo • Pressure by Lindsay Price • They Eat Sunshine, Not Zebras by Dara Murphy • The Super Non-Heroes by Taryn Temple • Smarty Pants by Bradley Hayward Identity• Box by Lindsay Price • Labeled by Lindsay Price • We Are Masks by Lindsay Price • Stressed by Alan Haehnel • Anonymous by Allison Green • Constantly, Incessantly, All The Time by Billy Houck • The Super Non-Heroes by Taryn Temple School Violence• Huge Hands by Billy Houck • Power Play by Lindsay Price • Clowns with Guns (A Vaudeville) by Christopher Evans • The Butterfly Queen by Christian Kiley • Life and Death in an Empty Hallway by Christopher Evans • Water. Gun. Argument. by Alan Haehnel Sexual Abuse• The Waking Moment by Bradley Hayward • Breathless by Wendy-Marie Martin Substance (alcohol & drug) Abuse• Bottle Baby by Lindsay Price • Floating on a Don’t Care Cloud by Lindsay Price • One Beer Too Many by Billy Houck Suicide• The Bright Blue Mailbox Suicide Note by Lindsay Price • Chicken. Road. by Lindsay Price • The Butterfly Queen by Christian Kiley Teen Pregnancy• The Pregnancy Project by Lindsay Price • Among Friends and Clutter (one scene) by Lindsay Price Illness/Health• Chemo Girl by Christian Kiley • The Other Room by Christian Kiley • Red Rover by Christian Kiley • Waiting Room by Christian Kiley • Breathless by Wendy-Marie Martin • Shreds and Patches by Robert Wing • Inanimate by Christian Kiley • Constantly, Incessantly, All The Time by Billy Houck Depression/Anxiety• darklight by Lindsay Price • Fidget by Bradley Hayward • Among Friends and Clutter (one scene) by Lindsay Price • Constantly, Incessantly, All The Time by Billy Houck • who are we, who we are by Forrest Musselman Bullying• Finishing Sentences by Scott Giessler • Funhouse by Lindsay Price • Power Play by Lindsay Price • The Redemption of Gertie Greene by Taryn Temple • Sixteen in 10 Minutes or Less by Bradley Hayward • Carrying the Calf by Shirley Barrie Divorce• Split by Bradley Hayward Gender• Life, Off Book by Scott Giessler • Anonymous by Allison Green • Baalzebub by Rachel Atkins (Baalzebub – One-Act Version here) • Completely, Absolutely Normal: Vignettes About LGBTQ+ Teens by Bradley Walton • Finding Jo March by Laramie Dean • Thought Traps by Lindsay Price Empathy• Discovering Rogue by Christian Kiley • Boat by Lindsay Price • We Are Masks by Lindsay Price • The Butterfly Queen by Christian Kiley Dependence on Technology• Virtual Family by Christian Kiley • Inanimate by Christian Kiley