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Better Than The Movie

Better Than The Movie

by Jeffrey Harr

First dates can be the worst or the best. Especially when you're on a date with the guy or girl of your dreams.

Will the giant soda cause bladder issues? Will the Heimlich maneuver be needed over a popcorn kernel? Will the disgruntled guy in the back ruin everything? Read on to see how this date turns out!

Comedy

Average Producer Rating:

Recommended for High Schools and Middle Schools

Running Time
About 20 minutes
Approximate; excludes intermissions and scene changes
Cast
3 Characters
1 M1 F1 Any Gender
Set
Simple set
Length
12 pages
Free Excerpt

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Performance Royalty Fees

Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.

Exemption details for scenes and monologues for competition.

3 Characters
1 M, 1 F, 1 Any Gender

Characters in this play are currently identified as male or female. Directors are welcome to assign any gender (binary or non-binary) to any character and modify pronouns accordingly.

Boy [M] 28 lines
First-date. Nervous.
Girl [F] 30 lines
Equally nervous.
Disgruntled Moviegoer [A] 12 lines
Just wants to see the movie. Can you blame them?

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From the Drama Teacher Learning Centre

Playwright Spotlight: Get to Know Jeffrey Harr
General

Playwright Spotlight: Get to Know Jeffrey Harr

Welcome to "Playwright Spotlight" — your exclusive backstage pass to the creative minds crafting the incredible plays featured in our Theatrefolk catalogue. Discover the magic, quirks, and genius of the playwrights who help bring the stage to life. Let's meet one of these exceptional playwrights who offers the chance for your student performers to shine in their spotlight. What inspired you to start writing plays specifically for high school & middle school students?Adult plays are so stuffy, overblown, dramatic. Kids have a better sense of humor and it's a time in everyone's lives when there are endless possibilities. Can you share a bit about your creative process when developing plays that resonate with students?As a teacher, I'm surrounded by kids most of the year, so I try to pay attention to what they care about, the things that make them mad, happy, laugh, cry. Nine times out of ten, it starts with a scenario: What will happen if we put these particular teens together? What issues matter to them? How will they deal with them? Are there any challenges you face when writing for student performers, and how do you overcome them?Sometimes, issues are difficult to talk about, and not everyone wants to put them on stage. But the truth is that we need to be honest. The issues kids are dealing with are real, and without portraying them honestly, we are lying about how important they are. Of course, you try to write about them sensitively, but they can't be avoided. A lot of times, I try to come at the serious stuff with humor--just like in real life. Sorta softens the blow. What themes or messages do you aim to convey through your plays?Everyone is on their own journey, and it's totally okay if yours isn't the same as everyone else's. There's community in difference. How do you balance education and fun in your scripts?You can't get the education without the fun, I think. It gets you there. It's a spoonful of sugar to make the medicine go down. Hopefully, you see the show and laugh, but leave with something to think about. Can you share a memorable experience or feedback from a student performance that left an impact on you?A director once remarked that my show was super accessible to the kids and easy for them to self-direct, which I thought was so cool. Student ownership over the process is critical, and if my shows make it easy for kids to take an active role in how they're going to run, that's a win. Any advice for teachers or directors looking to choose engaging and age-appropriate plays for their student performers?Look for entertaining scripts that kids can have fun performing--roles with substance, even if they're silly. Roles with emotion. Nuance. They can do it. What is your favourite play you've written so far?Better Than the Movie. First date that goes horribly wrong but ends so right. Perfect. Anything else you'd like students and/or directors to know about you as a playwright?I would love to play almost all of my characters. I can hear them in my head. They're fun to play. Over the top. I worked in theatre at my high school for 15 years, and it was the best time ever.
Theatrefolk’s Top 10: Small Cast Plays
Featured Plays

Theatrefolk’s Top 10: Small Cast Plays

Time for a Tfolk Top Ten Plays For…Small Casts. Sometimes you need something small. Not everyone needs the cast of thousands. Or maybe you have so many great students, you want to give a group something substantial to work on. All of these plays are one acts and call for a cast of 5 or less. Click the link and you’ll be taken to the webpage for each play. There you’ll get the details and read sample pages. All the best with your search! Better Than the Movie Cast Size: 3 First dates can be the worst or the best. Especially when you’re on a date with the guy or girl of your dreams. Will the giant soda cause bladder issues? Will the Heimlich manoeuvre be needed over a popcorn kernel? Will the guy in the back ruin everything? Ellenalicemonajune Cast Size: 4 Ellen, Alice, Mona, and June share those uncomfortable truths that only close friends can tell each other, particularly regarding a boyfriend who wears red leather pants. A great character piece for four actresses. Flaky Lips Cast Size: 2 Two young women live in separated societies. One skin colour on this side. One skin colour on that side. They have never seen what the other looks like, until circumstances throw them together. A small cast but a challenging acting opportunity. Carrying The Calf Cast Size: 4 A teenager fed-up with being bullied drags her reluctant friend to a self-defence class. But more important than the karate training, the instructor challenges the group to find self-confidence, independence, and to choose their own destiny. Diverse roles. Prom Night Cast Size: 3 An unlikely pair meet in the woods – the uncool Catholic girl and the linebacker Prom King. Neither wanted to go to prom and neither wanted to be with their dates. Truth and secrets come out in this gem of a small cast play. Power Play Cast Size: 5 A gunshot is heard. Which of the five characters did it and why? Was it the Goth girl? The football star? What are the realities and the stereotypes of high school violence? Violence is about power. So is high school. Stressed Cast Size: 4 Stress is driving this quartet of teen characters crazy – so much so they can’t stop talking about it. This play is a symphony of sound and character. Little Nell and the Mortgage Foreclosure Cast Size: 5 A delightful small cast melodrama replete with broad comedy, memorable characters, and plenty of booing and hissing for the stovepipe-hat-wearing villain! Master of Puppets Cast Size: 3 Mrs Slattimore speaks to teen couples about communication. She wants Joanie to see she wears bossy pants and Chuck already has a mom. Soom the big guns have to come out – Truth puppets. That’s right, puppets who tell all. Underneath Cast Size: 5 Brittany is depressed and can’t hide it. Echo is excited but doesn’t want anyone to know. Trina has a secret and she wants to tell the world. It’s hard to keep emotions clamped down, even in winter. The snow is piling up as secrets rise to the surface. Need more? Check out some of these additional options too!Mummu Cast Size: 4 Mummu is here to bring you a story. A good story with a great emotional landscape. Even deities who exist on an eternal plane don’t have time for bad theatre. Franz Kafka Cancels His Cell Phone Plan Cast Size: 5 A modern absurdist play that puts elements from three of Franz Kafka’s works into the context of the everyday absurdities of our 21st century lives. Hamlette Cast Size: 5 Hamlet is played by a girl in this twisty-turny comedic interpretation of the classic Danish tale. Sweep Under Rug Cast Size: 5 In the future the issue of poverty is solved through separation and subserviance. A teen causes trouble simply because she wants to better herself.
What Play Do I Do Now?
Production

What Play Do I Do Now?

Some drama teachers have their whole production year figured out before the first day of school. If you’re doing a big musical, you need to get that paperwork started way in advance. Or maybe you need to coordinate using the theatre space with other departments – you need to know what you’re doing and when. Or, if you’re lucky, you have an engaged drama club and they’re reading the plays and deciding what they want to do ahead of time. But sometimes all that planning goes out the window. You choose a play, hold auditions and the actors you think you’re going to have don’t show up. Or you choose a small cast play and are faced with a flood of wonderful auditions. And sometimes, just the act of choosing a play is the issue. It can be an overwhelming and frustrating experience. Auditions loom and you still haven’t chosen a script. If you’ve stared at a stack of play catalogues with panic in your eyes, we here at Theatrefolk are ready to come to the rescue! Ok. We’re not a superhero. But we can give you some guidance to what we have available and how you can swiftly navigate our catalogue. If you’re frustrated with your search, or if you have to make a last minute decision NOW, have a look at the following plays. With each play there’s a link to the website page where you can read free sample pages. Enjoy! Top SellersWant something popular? Try these! Hoodie by Lindsay Price Hands down, our most popular one act. Hoodie is a middle school play about self image and appearance. Great for classes, and the kind of play that lets you cast every kid who auditions.
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