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Commedia Chekhov

Commedia Chekhov

adapted by Lindsay Price from Anton Chekhov

Introduce your students to Russian playwright Anton Chekhov through the vibrant lens of Commedia dell’Arte, focusing on three of his short plays: The Proposal, The Anniversary, and The Bear.

Each of these plays embodies classic Commedia traits, making them ideal for class work, competition, and culminating showcases.

Comedy Classical Adaptation

Recommended for High Schools and Middle Schools

Running Time
About 70 minutes (for the full collection)
Approximate; excludes intermissions and scene changes
Cast
10 Characters
3 M7 F
Set
Simple set
Length
70 pages
Free Excerpt

This Book is a Collection of 3 Plays

License the entire book, or license individual plays separately. To license a single play, click its title below.

1 M, 3 F · Approx. 20 minutes

The anniversary of the Norvik Joint Stock Bank needs to be flawless. However, chaos erupts when a determined woman insists on being paid her husband's wages, despite the fact that he has no connection to the bank.

1 M, 2 F · Approx. 30 minutes

Everything has to go perfectly for Elena Ivanovna Popova's time of deep mourning, full mourning, half mourning, half-half mourning, almost out of mourning, and non mourning. However, her plans descend into chaos when a persistent landowner arrives, demanding payment from her deceased husband.

1 M, 2 F · Approx. 20 minutes

Ivan Vassilevitch Lomov's proposal to Natalya Stepanovna needs to go off without a hitch. However, things quickly spiral into chaos when Natalya insists that Lomov doesn't actually own a piece of land he claims is his. And to make matters worse, he sits in the good chair!

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Performance Royalty Fees

Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.

Exemption details for scenes and monologues for competition.

10 Characters
3 M, 7 F

Characters in this play are currently identified as male or female. Directors are welcome to assign any gender (binary or non-binary) to any character and modify pronouns accordingly.


The Anniversary
SHIPUCHIN [M] 74 lines
Chairman of the Norvik Joint Stock Bank.
TATIANA ALEXEYEVNA [W] 41 lines
His wife.
KHIRIN [W] 64 lines
The bank’s bookkeeper.
MERCHUTKINA [W] 51 lines
A persistent woman.
SHAREHOLDERS [A] 2 lines
Extremely satisfied with the bank.

The Proposal
CHUBUKOV [W] 68 lines
A landowning widow.
NATALYA STEPANOVNA [W] 115 lines
Her daughter.
LOMOV [M] 117 lines
A nervous neighbour of Chubukov.

The Bear
POPOVA [W] 152 lines
A landowning widow.
LUDMILLA [W] 102 lines
Popova’s housekeeper.
SMIRNOV [M] 129 lines
A landowner.

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From the Drama Teacher Learning Centre

Theatrefolk Featured Play - Commedia Chekhov
Featured Plays

Theatrefolk Featured Play - Commedia Chekhov

Welcome to our Featured Play Spotlight. Dive into Commedia Chekhov! This lively adaptation by Lindsay Price introduces your students to Anton Chekhov through the vibrant, over-the-top world of Commedia dell’Arte. Featuring The Proposal, The Anniversary, and The Bear, these short plays blend classic Commedia traits with themes of love, money, and hunger—perfect for classwork, competitions, and showcases! Let's hear from the author! 1. Why did you write this play?I love "what if" questions when I write plays. So, what if a realist playwright was combined with a highly physical stock character form? As a writing challenge, I wanted to explore both worlds and find out how they fit together. Where are they on the same page? Surprisingly, there is a lot of overlap. Can Chekhov be played through the lens of commedia? It’s been a great experience and I hope you feel the same! 2. Describe the theme in one or two sentences?Commedia is all about love, money and hunger and all three themes come up in each of the plays in Commedia Chekhov to the extreme! 3. What's the most important visual for you in this play?The physical extremes all the characters go to to get what they want. My favourite example in The Proposal when all three characters use the "good chair" to demonstrate status or thrust status on someone else. 4. If you could give one piece of advice for those producing the play, what would it be?I encourage and strongly suggest you and your students read the stage directions. Normally, I’m a strong advocate of writers putting what they want presented on stage in the text. If it’s in the text then it’s in the character and the story. But rules are always meant to be broken and in this case, the stage directions will give your students some inspiration into how they can physicalize the characters within a commedia context. For example, there are a number of lazzi in the script and they are entirely written in the stage directions.  The physical is the most important element of these characters and that won’t always come out in the text. Can your students and should your students find their own interpretation? Of course! But the stage directions are going to give you a good running start.  5. Why is this play great for student performers?If you study commedia dell'arte as part of your curriculum, this play would be an excellent opportunity to explore the character aspects of commedia and character physicalization with your students. 6. Who is your favourite character in the play?Merchutkina from The Anniversary is not a commedia master (vecchi) type character (the ones who generally have power) but she is high status from beginning to end. She never gives up. She never lets someone who “seems” higher status have the upper hand. She would be SO much fun to play! 7. What is your favourite line in the play?Merchutkina spends the play trying to get her husband's money and she tries everything and anything to do so. When she's called out for lying about the fact that she said she was an orphan she says: "I’m an emotional orphan. This is triggering!"
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