Typecast
by Amanda Murray Cutalo
Students have all mysteriously been cast in the “wrong” roles.
Average Producer Rating:
About 60 minutes
Times given are approximate and do not include intermissions/scene changes/breaks
9
7 W | 2 Any Gender
Simple set
42 pages
Reviews from Past Producers
In addition to traditional live stage performance rights, Typecast can also be performed under the following scenarios.
Virtual Performance
A Virtual Performance is a performance on an online web conferencing platform such as Zoom, Microsoft Teams, Skype, or Google Meets where performers are geographically isolated from one another and not together on a stage.
No audience is physically present with the performers. The audience is logged in to the same web conferencing platform as the performers.
Each time the play is performed for a virtual audience of any size (whether or not admission is charged) constitutes one performance.
Livestream Performance
Productions of Typecast may be Livestreamed.
All Livestream Performances must be conducted through our Authorized Streaming Partner, BookTix. Please contact BookTix at info@booktix.com for more information about Livestreaming.
A Livestream Performance is a traditional performance that is livestreamed to the Internet as the actors are performing. Instead of watching the show live in the theatre, the audience watches virtually from their home or other location.
All Livestream Performances must be conducted through our Authorized Streaming Partner, BookTix. Please contact BookTix at info@booktix.com for more information about Livestreaming.
A Livestream Performance may be pre-recorded. Recordings for pre-recorded Livestreams may be made if the recording is destroyed at the conclusion of the production. Should the producing organization want to retain the recording for archival purposes, they must purchase a separate Videorecording License from Theatrefolk.
Theatrefolk charges no additional fees for permission to Livestream. However, BookTix will charge nominal fees to the producing organization. Theatrefolk does not have any financial interest in BookTix and does not receive any commission or fees from BookTix.
Theatrefolk cannot be held responsible for any issues, technical, financial, legal, or otherwise, arising from the producing organization’s relationship with BookTix.
Each time the show is Livestreamed (whether performed live or pre-recorded) constitutes one performance.
One license, three ways to use it
Each royalty you purchase can be used as a Traditional Live Stage Performance, Virtual Performance, or Livestream Performance. How you choose to use your performance license is up to you! Performances need not all be of the same type so long as the total number of performances given does not exceed the total number of performances ordered.
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TYPECAST: To cast a performer in a role that requires characteristics of physique, manner, and personality similar to those possessed by the performer.
The auditions for an upcoming production of Cinder White are underway and Ms. Thespis, the drama teacher, is greeted by a small group of students, each with a particular “look” and personality – the “diva,” the “quiet girl,” the “nice girl,” to name a few. To Ms. Thespis, casting this show seems like a no-brainer. However, when she comes down with a case of appendicitis, Ms. Ball, the gym teacher, needs to step in and direct the show, mostly because she feels guilty for balding Ms. Thespis’ pet ferret.
The other snag is that the students have all mysteriously been cast in the “wrong roles”- the “nice girl” is now the villain, the diva only has 2 minutes onstage, and the quiet, almost inaudible, “ensemble” girl is now playing a leading role with actual lines! As these characters awkwardly venture into unknown territory, they are forced to see themselves as more than their “type” and learn to, in the words of Ms. Ball, “play the roles they’re all totally wrong for.”
Click here to read production tips for this play.
Characters
9
7 Women, 2 Any Gender
-
JANE
[W]
73 lines
- “The control freak.” The stage manager of the show who is cast as “Cinder White.” Organized, responsible, and comfortable in her role “behind the scenes.”
-
AUDREY
[W]
38 lines
- “The ensemble girl.” A meek, soft-spoken girl, she is used to being cast as inanimate objects or squirrels. She is cast as “Prince Pleasant” in the show.
-
HEIDI
[W]
64 lines
- “The mom/sidekick.” A pleasant girl with a bubbly personality. She is most comfortable in the “mother” or “cheerful sidekick” roles. She is cast as the “Evil Stepmother” in the show.
-
DEBRA
[W]
55 lines
- “The diva.” Dramatic, haughty and egocentric, this girl is used to “stealing the show” and always being the center of attention. She is cast as the “Fairy Godmother,” a character who is onstage for a total of two minutes.
-
MYRA
[W]
65 lines
- “The slacker.” Candid and snobby. She auditions for the show because she is “on academic probation and needs to earn extra credit.” She looks down on the “drama geeks.”
-
JULIET
[W]
30 lines
- “The ingénue.” Sweet, cheerful, pretty, but limited in her ability to be anything other than a “pretty face.” Takes on the role of the stage manager in the show.
-
WILLOW
[W]
27 lines
- “The politician.” Thinks she is practicing her student government election speech when she accidentally auditions for the show. She should always wear a blazer and look “put together.” She decides to do the show because she thinks it will help her win the election.
-
MS. DIANE THESPIS
[A]
72 lines
- “The drama teacher.” The stereotypical drama teacher – eccentric, artistic, and dramatic in everything she says and does. Mr. Daniel Thespis if played by a male.
-
MS. COLLEEN BALL
[A]
145 lines
- “The gym teacher.” Gruff and a little rough around the edges, she runs the rehearsals as if they were sports practices. Mr. Cal Ball if played by a male.
- Subgenres
- Farce Backstage comedy Fairy tales
- Settings
- Present day
- Dress
- Contemporary costumes Elaborate costumes
- Audience
- Pre-teen Teen
- Features
- Mime Opportunity for spectacle Character study Physical comedy
- Set
- Simple set
- Themes
- Adolescence Relationships Self-image Theatre
- Other uses
- Audition material Class work Scene work
Prop List
Binder, Tray of brownies, Cast list, Gym bag, Wand, Notepad, Notes
Related Titles
Purchase Orders accepted from US and Canadian Schools.
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Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.
Exemption details for scenes and monologues for competition.
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About 60 minutes
Times given are approximate and do not include intermissions/scene changes/breaks
9
7 W | 2 Any Gender
Simple set
42 pages