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Displaying items 721-740 of 2439 in total

France and Neoclassism

by Drama Teacher Academy

In this lesson, students will do a research project on the sociopolitical and cultural background of France. They will then learn about neoclassicism as well as the plays and playwrights of the era. Students will create a neoclassicism scene and then “break the rules” by rewriting it in the style of Molière.
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Emergency Lesson Plan: What Happens Next?

by Lindsay Price

What happens next? In this Emergency Lesson Plan, students discuss and decide what happens next in a play. They will turn this discussion into a written scene. Use this ELP at the beginning of a unit.

Tactics

by Elisabeth Oppelt

Tactics are how characters get what they want from other people on stage. They are verbs used to describe how a character behaves to get others to do what they want. In this lesson students will learn what tactics are and be able to create a list of possible tactics.

Objectives

by Elisabeth Oppelt

A character’s objective is what a character wants. It is based in what they want from another person, using the formula “I want [person] to do [thing I want them to do.]” The objective is what drives all of their action while on stage. In this lesson students will learn what objectives are and how to write one for a character.

Shakespearean Language: Match the Quotes

by Lindsay Price

Students will identify unfamiliar words on a page of Shakespeare quotes, translate those quotes into modern English, and act out the quotes to identify character/play clues. Students will then complete a quotes assignment and reflection. Plus! Bonus assignment.

Tactic Fairies

by Anna Porter

Students will understand how tactics are active and how to use them to achieve their character’s objective. Students consider the tactics they use to get what they want in their everyday lives and then demonstrate how to use various tactics for an assigned objective by playing “Tactic Fairies.” Two students act out a scene, while their "fairies" make them change their tactic 4 or 5 times to get what they want. This instills that a character can't just repeat the same tactic over and over again, or try one tactic and stop. The consequence of certain tactics is also introduced.

Character Development in the Shakespearean Monologue

by Lindsay Price

To demonstrate how modern character development exercises apply to Shakespearean characters. Students apply exercises to a character from Shakespeare by examining at the character’s foreground and background, answering character questions, and creating the character’s physicality. This will demystify the process of preparing a Shakespearean monologue and give students the tools they need to prepare a monologue on their own.

Emergency Lesson Plan: Who Am I?

by Lindsay Price

In this ELP; students study a picture, create a character profile for the person in the picture, and then write an inner monologue for that character.

I am a Fortress: Character Development

by Lindsay Price

Students create physical and vocal attributes based on a visual - images of buildings. Students will also take turns coaching the exercise to the class to demonstrate their comprehension. Includes images and two assessment rubrics.

Emergency Lesson Plan: What Happens After “The End”?

by Lindsay Price

You have finished studying a text in class. What happens next? In this Emergency Lesson Plan, students discuss and decide what happens next in a play. What happens after “the end?” Where do the characters go? What path will their lives take? Students will turn this discussion into a scene.

Preparing a Scene

by Lindsay Price

What tools do students need to properly prepare a scene? What exercises? This multi-class lesson plan models and practices those tools and exercises with the full class before they have to take on a scene for assessment.

Cliches, Stereotypes, and Overused Phrases

by Lea Marshall

To compare modern-day clichés and stereotyped phrases to those used in Theatre of the Absurd Plays to convey that style’s message of language’s meaninglessness.
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Conflict

by Lindsay Price

Along with character, conflict is one of the backbone elements of a good play. In this lesson, students will work on a conflict profile.
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Impossible Things are Happening Every Day

by Lea Marshall

Students will explore the Absurdist plot convention of impossible things seen as normal or unremarkable.
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Removing Actor-Driven Movement

by Lindsay Price

In this rehearsal, students will share their scenes with another group with the specific focus of examining it for actor-driven movement rather than character-driven movement: shuffling their weight back and forth between their feet, playing with their hair, vaguely gesturing with their hands, etc.
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Presentation & Reflection

by Lindsay Price

In this lesson, students present their topics, lead the class through an activity, and provide a reflection. They also self-evaluate the process.
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Nose, Lips, and Chin

by Matt Webster

This lesson will focus on the nose, lips, and chin. Students will work with a partner to examine the structures of the nose, lips, and chin. Once students identify where the highlights and shadows are located in that portion of the face, they will use the appropriate makeup to enhance the highlights and shadows.
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The Technicalities of Stage Movement

by Karen Loftus

Students discuss and apply technical aspects of moving on stage: sightlines and staying open. They then apply these aspects in a short scene.
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Stock Character Walks

by Karen Loftus

Students continue their exploration of commedia dell’arte by practicing the specific character walks of Arlecchino, Pantalone, and Capitano.
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Meaningless Language in The Bald Soprano

by Lea Marshall

Students will explore the Absurdism theatrical convention of using meaningless language to communicate (or not communicate) a larger theme of interpersonal relationships and misunderstandings through the text of Ionesco’s The Bald Soprano.
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