Introduction to Mask
Created by Allison Williams
This unit focuses on having students gain an understanding of basic physical acting and learn some specific tools to use in mask work. Instructor Allison Williams has developed this unit, and explains "What I love most about mask work is how, by having students cover their faces, they are able to find freedom to express themselves physically. They often make bigger choices than we’re normally used to seeing them make in class."
In this unit, students will work step by step from identifying shapes in the mask to using those shapes to creating a character zero to learning how to move in the mask utilizing the qualities of movement to applying everything they’ve learned in short scenes. The unit will culminate with students working in pairs to create original mask scenes.
You will need masks to complete the unit. And while mask-making can be a lot of fun, it’s a lengthy and messy project. A list is provided in the Overview of where you may be able to buy or rent masks for use in your classroom.
-
1Lesson 1Introduction and the Running ManStudents will be introduced to the unit through the running man exercise. This exercise demonstrates how physically committing to a specific set of actions creates a sense of emotion without the actor having to play the emotion.
-
2Lesson 2Exploring the Architecture of the MaskStudents will learn how to identify the architecture of a mask—that is to choose specific shapes that they can mimic in their bodies to find a mask character.
-
3Lesson 3Character ZeroIn this lesson, students will learn what a character zero is, how to use the body to create a character zero, how to physically commit to that body before moving, and how to make bigger choices in their character zero and in their movement.
-
4Lesson 4The Qualities of MovementIn this lesson, students will explore the eight qualities of movement to give more variety, texture, and richness to their movement choices and then apply the qualities of movement to their mask work.
-
5Lesson 5Mask and CountermaskAll masks can be played in more than one way, even if there’s a dominant look. In this lesson, students will explore how two physical interpretations paired with each other and opposite to each other become the mask and the countermask—the opposite reaction. They will then apply the qualities of movement to their mask/countermask.
-
6Lesson 6Mask ScenesShort, simple scenes help the mask actors find character and start responding to each other in the moment as their characters. Students will explore solo, duo, and group scenes in their mask characters.
-
7Lesson 7Final ProjectStudents will take everything they’ve learned and use it to create an original mask duo scene.
Standards Addressed
Select, analyze, and interpret artistic work for presentation - Grade 6
Select, analyze, and interpret artistic work for presentation - Grade HS Accomplished
Generate and conceptualize artistic ideas and work - High School Advanced
- TH:Cr1.1.HSIII.a Synthesize knowledge from a variety of dramatic forms, theatrical conventions, and technologies to create the visual composition of a drama/ theatre work.
- TH:Cr1.1.HSIII.c Integrate cultural and historical contexts with personal experiences to create a character that is believable and authentic, in a drama/theatre work.
Develop and refine artistic techniques and work for presentation - Grade 6
Develop and refine artistic techniques and work for presentation - Grade 7
Develop and refine artistic techniques and work for presentation - Grade 8
Develop and refine artistic techniques and work for presentation - Grade HS Proficient
Organize and develop artistic ideas and work - Grade HS Accomplished
Organize and develop artistic ideas and work - Grade HS Advanced
Refine new work through play, drama processes and theatre experiences using critical analysis and experimentation - Grade 6
Refine new work through play, drama processes and theatre experiences using critical analysis and experimentation - Grade 7
Refine new work through play, drama processes and theatre experiences using critical analysis and experimentation - Grade 8
Refine new work through play, drama processes and theatre experiences using critical analysis and experimentation - Grade HS Proficient
Get instant access to this and everything else in the Drama Teacher Academy