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Gothic Ghost Stories

Gothic Ghost Stories

by Lindsay Price

Murdered twins. A lost heart. Evil in the painting. A girl and her mother frozen to death. These are a few of the Gothic ghosts whose stories are dying to be told in this creepy character-filled adaptation. Walk through the open window and join them by the dying fire light won’t you?

This modern adaptation of Victorian ghost stories is fabulous for a class project or late October production. Large cast staging options offered, and ghoulish make-up opportunities abound!

Drama Classical Adaptation Mystery

Recommended for High Schools and Middle Schools

Running Time
About 75 minutes
Approximate; excludes intermissions and scene changes
Cast
49 Characters
17 M | 25 F | 7 Any Gender
Set
Simple set
Length
66 pages
Free Excerpt

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Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.

Exemption details for scenes and monologues for competition.

49 Characters
17 M, 25 F, 7 Any Gender

Characters in this play are currently identified as male or female. Directors are welcome to assign any gender (binary or non-binary) to any character and modify pronouns accordingly.

Blanche [F] 70 lines
Lives in Perveril House. Bernice's Daughter.
Bernice [F] 42 lines
Lives in Perveril House. Blanche and Freddy's Mother
Freddy [M] 28 lines
Lives in Perveril House. Bernice's Son.
Harry [M] 26 lines
Lives in Perveril House. Bernice's Son.
Madge [F] 37 lines
A Perveril. Has arrived at the Perveril House to attend the families Annual New Year's Eve Ball
Lucille [F] 24 lines
A Friend of Madge's mother. Has arrived at the Perveril House to attend the families Annual New Year's Eve Ball. Very excited at all the spritual activity in the house. A little too excited.
Aunt Barbara [F]
Perveril Ancestor. Seems to have a secret.
The Twins [A]
Dick Peveril's Brother's children. Murdered by their Uncle.
Lady Rosalind [F] 6 lines
A love interest of Dick Peveril's, only interested in status.
Dick Peveril [M] 7 lines
A haughty and evil man.
Mrs. Canning [F] 8 lines
A proud haughty beauty.
Betty [F] 1 line
A Perveril ancestor.
John [M] 2 lines
A servant who meets an unfortunate fate.
Servant [A]
A servant who witnessed a horrific act.
Colonel Blantyre [M] 2 lines
Accepts a dare that ends in his demise.
Stephen Elliott [M] 37 lines
Mrs. Abney's 13-year-old cousin. An orphan.
Mrs. Abney [F] 27 lines
Lives at Aswarby. An eccentric recluse who loves to read and write.
Mrs. Parkes [F] 66 lines
Runs the household Aswarby with Ms. Bunch.
Ms. Bunch [F] 56 lines
Runs the household Aswarby with Mrs. Parkes.
Boy Ghost [M] 5 lines
Out for vengence.
Girl Ghost [F] 21 lines
Out for vengence.
Percy [M] 39 lines
Trying to understand a reacurring nightmare. But, is it just a nightmare?
John [M] 20 lines
Percy's Friend.
Mrs. Clinton [F] 4 lines
John's Mother.
Jack Stone [M] 8 lines
A menacing figure in Percy's dream.
Jane Stone [F]
Jack's Sister. Stern and Silent.
Julia Stone [F] 5 lines
Jack and Jane's Mother. Stern and Silent. Evil.
Servant [A] 3 lines
A Servant.
Vera [F] 16 lines
15-year-old staying with her Aunt. Somewhat of a prankster and quite the storyteller.
Framton Nuttel [M] 17 lines
Nervous Type.
Mrs. Sappleton [F] 9 lines
Vera's Aunt.
Husband [M] 1 line
Mrs. Sappleton's Husband.
Brother [M] 3 lines
Mrs. Sappleton's Brother.
Man [M]
Awakens to a ghasty fate.
Three figures who represent the Ghost [A]
Ghosts who represent the "Choking Ghost"
Geoffrey [M] 6 lines
Character in Madge's Book.
Fanny [F] 3 lines
Character in Madge's Book.
May [F] 2 lines
Character in Madge's Book.
Byles [M] 2 lines
Character in Madge's Book.
Hester [F] 67 lines
Character in Madge's Book. A nursemaid.
Rosamond [F] 37 lines
Character in Madge's Book. Lost her parents at ten years old.
Dorothy [F] 44 lines
Character in Madge's Book. Staff at Furnival Hall.
Agnes [F] 8 lines
Character in Madge's Book. Staff at Furnival Hall.
Shepherd [A] 1 line
A shepherd.
Mrs. Furnival [F] 17 lines
Character in Madge's Book. Old, Cold, and Stern.
Mrs. Stark [F] 15 lines
Character in Madge's Book. Mrs. Furnival's Maid.
Girl [F]
Ghost who comes to Rosamond.
Maude/Lady [F] 10 lines
Ghost who comes to Rosamond.
Grace [F] 7 lines
Young Mrs. Furnival.
Lord Furnival [M] 4 lines
Maude and Grace's Father. Haughty and Proud.
Musician [M] 4 lines
Lord Furnival's organ teacher. Secretly marries Maude while also courting Grace.

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From the Drama Teacher Learning Centre

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Ready to add a little mystery to your drama classroom? We’ve put together a list of plays full of secrets, twists, and unexpected turns that are sure to captivate your students. Whether they’re uncovering hidden clues or piecing together the puzzle, these scripts will have your performers and the audience hooked. Ready to crack the case? Dive into our mystery play picks!
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October has arrived and Halloween magic is in the air! If you're a fan of thrilling tales, spooky stories and things that go bump in the night, then this is the list for you! Our October list is all about Halloween so prepare to send shivers down your spine and ignite your imagination with these fantastic perusal plays. Perfect for the stage or classroom!
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Creeptastic Plays and Macabre Musicals for Fall

It’s spooky season, and if you’re looking for plays and musicals to frighten, horrify, and creep you out, you’re in the right place. Below you’ll find 10 scary plays from our own Theatrefolk library and 10 terrifying Broadway and off-Broadway musicals featuring scary creatures of all sorts, including ghosts, aliens, demons, and mutants. Introduce these plays and musicals to your students, read them as a class, and check out performances of them (many have filmed or movie versions to stream or purchase, or promotional clips to view on YouTube). You can also use the reading response worksheet as a resource, found at the bottom of this page. Have fun… if you dare! Plays from Theatrefolk that will scare the living daylights out of youFrom our own Theatrefolk catalogue, here is a selection of plays that are perfect for middle and high school students to study and perform. Livestream and Zoom options are available for most productions, and there are tons of opportunities for diverse casting choices. Whether you’re looking for a classic tale, a murder mystery, a scary comedy, or an all-out gorefest, we’ve got what you need! 1. Ashland Falls by Steven Stack A creepy, challenging play-within-a-play filled with twists, turns, drama, and intrigue. A mysterious new play director comes to Herbert Hoover High, where the on and offstage drama is about to make way for real-life revenge. Each student actor plays two vastly different roles, which makes this a great choice for senior drama students. 2. The Bottom of the Lake by Steven Stack The only thing that goes better together than chocolate, graham crackers, and marshmallows is summer camp and ghost stories. This play combines ghost stories, urban legends, comedy, and more, and has tons of great roles for female-presenting student actors. 3. Close Encounters of the Undead Kind by Jeffrey Harr A creepy collection of three plays that can be performed together or separately, featuring a terrifying teen support group, a Halloween that proves to be anything but boring, and a teen with an… unusual boyfriend. 4. Gothic Ghost Stories by Lindsay Price You’ve arrived early at Peveril House for the annual New Year’s Ball, and the family is eager to tell you some stories. Of course, with all the spiritual energy in Peveril House, the stories of choice are always ghost stories. With 49 characters, there are roles for everyone in your drama department, with doubling and tripling options for a smaller cast production. 5. Grim and Gruesome Grimm, adapted by Mrs. Evelyn Merritt from Jacob and Wilhelm Grimm A flexible and bloody adaptation of the classic Grimms’ fairy tales. Featuring decapitation, dismemberment, cannibalism, and a body count that keeps on growing. Lots of options for flexible casting and cast size, and various show lengths. 6. Hamlet, Zombie Killer of Denmark by Chris Stiles King Claudius plans to turn Denmark into the land of the undead and Hamlet must stop him! This adaptation blends the classic Shakespearean text with new lines written in iambic pentameter. 7. The Haunting of Chip Lake Lodge by J. Robert Wilkins A group of teens show up to the wrong location for their prom and things get worse from there, including mysteries, hauntings, curses, and giant rats. A spooky play for a small group of student actors. 8. Horror Movie 101: Failing Can Be Deadly and Horror Movie 102: Failing Just Got Deadlier by Steven Stack Two hour-long plays that are horrifying and hilarious. The teens in St. Claire keep getting killed while violating the rules of horror movies — so much so that a second play had to be written! Opportunities for double and triple casting, and the scenes can be performed together or as standalone pieces. 9. The Legend of Sleepy Hollow, adapted by Lindsay Price from Washington Irving This is the classic tale of Ichabod Crane and the Headless Horseman in a 30-minute run time, perfect for large groups of student actors. 10. Shuddersome: Tales of Poe, adapted by Lindsay Price from Edgar Allen Poe (Free Classroom Study Guide available!) Ghosts. Ghouls. Soul Suckers. Spectres. Shudders. Who better to bring the classic tales of Edgar Allen Poe to life… or death? This play has lots of opportunities for creative movement, costuming, and theatricality, and can be customized to fit the running time and casting choices you need. If you don’t see what you need here, there are lots more in our online catalogue. Just search for terms like “scary,” “horror,” “Halloween,” or “ghost” and you’ll find a plethora of plays to haunt you! Or reach out to our Play Concierge for specific recommendations! Macabre Musicals from Broadway and Off-BroadwayThe following shows have appeared either on or off Broadway, many of them also appearing on the West End. Many of these musicals now offer youth editions, written especially for high school students to perform. Some of these shows are based on films, books, and comics, which can be interesting to compare and contrast with clips from the musical. 1. The Addams Family: A New Musical, book by Marshall Brickman and Rick Ellis, music and lyrics by Andrew Lippa Charles Addams’ creepy, kooky, and altogether ooky family comes back to life onstage. When Wednesday Addams falls in love with Lucas, a “normal” guy, she begs her father Gomez to keep it a secret from his wife, Morticia. When the Addamses and Lucas’ family come together for a family dinner, chaos ensues. 2. Beetlejuice, book by Scott Brown and Anthony King, music and lyrics by Eddie Perfect Lydia Deetz and her father Charles move into a new house that is haunted by the previous owners, Adam and Barbara Maitland, who aren’t ready to give up their home despite being newly deceased. The Maitlands enlist the help of the bio-exorcist ghost Beetlejuice to help them get rid of the Deetzes; however, Beetlejuice has his own agenda. Based on the 1988 film starring Michael Keaton. 3. Carrie: The Musical, book by Lawrence D. Cohen (based on the novel by Stephen King), music by Michael Gore, lyrics by Dean Pitchford Carrie White has been bullied by practically everyone in her life, from the popular kids at school to her fanatically religious mother. When she is pushed too far (pig’s blood, anyone?), Carrie gets her revenge. The musical version of Carrie has an interesting history, originally premiering in 1988 and becoming a Broadway flop, then being revamped for off-Broadway in 2012. 4. Evil Dead: The Musical, book and lyrics by George Reinblatt, music by Christopher Bond, Frank Cipolla, Melissa Morris, and George Reinblatt Based on the Evil Dead movie franchise, this rock musical was first performed in Toronto before moving to an off-Broadway run at New World Stages. Five college students discover an evil book in the basement of an abandoned cabin in the woods and read it, unleashing unspeakable horror that turns everyone into demons one by one. Productions often feature a “splatter zone” where audience members get doused in stage blood. 5. Jekyll & Hyde, book by Leslie Bricusse (based on the novel by Robert Louis Stevenson), music by Frank Wildhorn, lyrics by Frank Wildhorn, Leslie Bricusse, and Steve Cuden Brilliant Dr. Jekyll attempts to cure his father’s mental illness, but inadvertently creates himself an evil alternate personality named Mr. Hyde. Mr. Hyde terrorizes London, and Dr. Jekyll must find a cure to control him before he takes over permanently. 6. Little Shop of Horrors, book by Howard Ashman, music and lyrics by Alan Menken Shy floral shop worker Seymour finds a mysterious plant that looks like a Venus flytrap. He names it Audrey II after his co-worker Audrey, who Seymour is secretly in love with. Seymour discovers that his plant feeds on blood, and as Audrey II quickly grows, it demands to be fed more and more. Based on the 1960 film The Little Shop of Horrors. 7. The Phantom of the Opera, libretto by Andrew Lloyd Webber and Richard Stilgoe (based on the novel by Gaston Leroux), music by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe A series of increasingly frightening incidents occur at the Paris Opéra House, which are blamed on the “opera ghost” or “O.G.” The opera ghost is revealed to be a mysterious, disfigured musical genius living in the catacombs under the theatre. He falls in love with soprano Christine Daaé and as his love turns to obsession, will stop at nothing to make her his forever. As of 2023, Phantom is the longest-running show on Broadway, opening in 1988 and closing in 2023. 8. The Rocky Horror Show, book, music, and lyrics by Richard O’Brien The stage musical came first! The film version has achieved cult status, but the stage version premiered in 1973 on the West End and has been revived all over the world ever since. Newlyweds Brad and Janet take shelter from a rainstorm in the home of mad scientist Dr. Frank-N-Furter. With catchy songs like “Time Warp,” the show feels like a light-hearted homage to vintage sci-fi and B movies. However, the “horror” aspect of the title is appropriate as mysterious and murderous events occur throughout the night. 9. Sweeney Todd: The Demon Barber of Fleet Street, book by Hugh Wheeler, music and lyrics by Steven Sondheim Benjamin Barker is transported to Australia for a crime he did not commit. 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Theatrefolk Featured Play – Gothic Ghost Stories by Lindsay Price
Featured Plays

Theatrefolk Featured Play – Gothic Ghost Stories by Lindsay Price

Welcome to our Featured Play Spotlight. Large cast staging options, ghoulish make-up opportunities and a modern adaptation of Victorian ghost stories. Intrigued? Learn more about the high school drama/mystery Gothic Ghost Stories by Lindsay Price. Murdered twins. A lost heart. Evil in the painting. A girl and her mother frozen to death. These are a few of the Gothic ghosts whose stories are dying to be told in this creepy character-filled adaptation. Walk through the open window and join them by the dying fire light won’t you? Let’s hear from the author!1. Why did you write this play? I love adaptation and I loved writing Shuddersome. I wondered who else was writing in the horror genre in the 19th century, and I was shocked to find tons and tons of stories. There were too many to choose from! It was awesome. Thus Gothic Ghost Stories was born. 2. Describe the theme in one or two sentences. Ghosts want two things: their story told, and revenge. 3. What’s the most important visual for you in this play? The Twins. They led a short life and a horrible death and their ghosts have haunted the Long Hall for decades. If you see them after sunset, it’s curtains for you. They make multiple appearances throughout and they set the perfect tone for a play about ghosts. 4. If you could give one piece of advice for those producing the play, what would it be? Traditional scene changes will take the audience out of the world of the play. Never let transitions break the ghostly atmosphere. Atmosphere is the most important element of this play. Keep actors in character, make it creepy, use red light, make it slow and your audience will be glued to the edge of their seats. 5. Why is this play great for student performers? It applies 21st century skills in the best package ever: How will you use creative thinking to create ghostly special effects? Use critical thinking skills to analyze the original stories and their theatrical versions. Collaboration and Communication are key to transition from story to story without breaking out of the world of the play. And top it off, ghost stories are so much fun to play!
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