Do ghosts make a house haunted, or are houses evil to begin with? This question and others are answered in The House.
Join the Grey One as they share the stories of houses that hold lost children, jealousy gone wrong, and things beyond explaining.
Do you believe in haunted houses? Did that door just creak open on its own? Who’s walking upstairs? Only the house knows…
This version of The House is cut to a competition one act length.
Recommended for High Schools and Middle Schools
Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.
Exemption details for scenes and monologues for competition.
Characters in this play are currently identified as male or female. Directors are welcome to assign any gender (binary or non-binary) to any character and modify pronouns accordingly.
by Lindsay Price
The house doesn’t just hold stories… it hungers to tell them.
by Allison Williams
A shorter version of our hilarious gender-bending take on the Scottish play. Updated version.
adapted by Lindsay Price from Edgar Allan Poe
A vivid and theatrical adaptation of some of Poe's best known works. Multi length versions to fit every performance need.
by Matthew Webster
Five very old, very dangerous stories from around the world...
by Lindsay Price
Madeline has body issues. So much so that different body parts are coming to life and talking back. A shorter version of this body image play.
by Lindsay Price
A modern adaptation of Victorian ghost stories.
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Want to learn more?
A vignette play is a collection of short scenes on a theme. You'll love working with the variety and flexibility of the scenes. Your actors will love the fast pace and fun characters.
There's more. Every Theatrefolk vignette play holds the unexpected. A showcase monologue. A dramatic moment. A change in form. A left turn.
Ideal for classwork, competitions, and more!