Grim and Gruesome Grimm

As March takes centre stage, we're stepping into a world full of iconic characters from well-known stories. Each play in this month's lineup includes beloved characters, ready to leap off the page and onto your stage or classroom. So, grab your popcorn, settle in, and immerse yourself in our March Reading List. These plays promise to take you on unforgettable adventures alongside some of literature's most memorable characters. It's time for an adventure like no other!

It’s spooky season, and if you’re looking for plays and musicals to frighten, horrify, and creep you out, you’re in the right place. Below you’ll find 10 scary plays from our own Theatrefolk library and 10 terrifying Broadway and off-Broadway musicals featuring scary creatures of all sorts, including ghosts, aliens, demons, and mutants. Introduce these plays and musicals to your students, read them as a class, and check out performances of them (many have filmed or movie versions to stream or purchase, or promotional clips to view on YouTube). You can also use the reading response worksheet as a resource, found at the bottom of this page. Have fun… if you dare! Plays from Theatrefolk that will scare the living daylights out of youFrom our own Theatrefolk catalogue, here is a selection of plays that are perfect for middle and high school students to study and perform. Livestream and Zoom options are available for most productions, and there are tons of opportunities for diverse casting choices. Whether you’re looking for a classic tale, a murder mystery, a scary comedy, or an all-out gorefest, we’ve got what you need! 1. Ashland Falls by Steven Stack A creepy, challenging play-within-a-play filled with twists, turns, drama, and intrigue. A mysterious new play director comes to Herbert Hoover High, where the on and offstage drama is about to make way for real-life revenge. Each student actor plays two vastly different roles, which makes this a great choice for senior drama students. 2. The Bottom of the Lake by Steven Stack The only thing that goes better together than chocolate, graham crackers, and marshmallows is summer camp and ghost stories. This play combines ghost stories, urban legends, comedy, and more, and has tons of great roles for female-presenting student actors. 3. Close Encounters of the Undead Kind by Jeffrey Harr A creepy collection of three plays that can be performed together or separately, featuring a terrifying teen support group, a Halloween that proves to be anything but boring, and a teen with an… unusual boyfriend. 4. Gothic Ghost Stories by Lindsay Price You’ve arrived early at Peveril House for the annual New Year’s Ball, and the family is eager to tell you some stories. Of course, with all the spiritual energy in Peveril House, the stories of choice are always ghost stories. With 49 characters, there are roles for everyone in your drama department, with doubling and tripling options for a smaller cast production. 5. Grim and Gruesome Grimm, adapted by Mrs. Evelyn Merritt from Jacob and Wilhelm Grimm A flexible and bloody adaptation of the classic Grimms’ fairy tales. Featuring decapitation, dismemberment, cannibalism, and a body count that keeps on growing. Lots of options for flexible casting and cast size, and various show lengths. 6. Hamlet, Zombie Killer of Denmark by Chris Stiles King Claudius plans to turn Denmark into the land of the undead and Hamlet must stop him! This adaptation blends the classic Shakespearean text with new lines written in iambic pentameter. 7. The Haunting of Chip Lake Lodge by J. Robert Wilkins A group of teens show up to the wrong location for their prom and things get worse from there, including mysteries, hauntings, curses, and giant rats. A spooky play for a small group of student actors. 8. Horror Movie 101: Failing Can Be Deadly and Horror Movie 102: Failing Just Got Deadlier by Steven Stack Two hour-long plays that are horrifying and hilarious. The teens in St. Claire keep getting killed while violating the rules of horror movies — so much so that a second play had to be written! Opportunities for double and triple casting, and the scenes can be performed together or as standalone pieces. 9. The Legend of Sleepy Hollow, adapted by Lindsay Price from Washington Irving This is the classic tale of Ichabod Crane and the Headless Horseman in a 30-minute run time, perfect for large groups of student actors. 10. Shuddersome: Tales of Poe, adapted by Lindsay Price from Edgar Allen Poe (Free Classroom Study Guide available!) Ghosts. Ghouls. Soul Suckers. Spectres. Shudders. Who better to bring the classic tales of Edgar Allen Poe to life… or death? This play has lots of opportunities for creative movement, costuming, and theatricality, and can be customized to fit the running time and casting choices you need. If you don’t see what you need here, there are lots more in our online catalogue. Just search for terms like “scary,” “horror,” “Halloween,” or “ghost” and you’ll find a plethora of plays to haunt you! Or reach out to our Play Concierge for specific recommendations! Macabre Musicals from Broadway and Off-BroadwayThe following shows have appeared either on or off Broadway, many of them also appearing on the West End. Many of these musicals now offer youth editions, written especially for high school students to perform. Some of these shows are based on films, books, and comics, which can be interesting to compare and contrast with clips from the musical. 1. The Addams Family: A New Musical, book by Marshall Brickman and Rick Ellis, music and lyrics by Andrew Lippa Charles Addams’ creepy, kooky, and altogether ooky family comes back to life onstage. When Wednesday Addams falls in love with Lucas, a “normal” guy, she begs her father Gomez to keep it a secret from his wife, Morticia. When the Addamses and Lucas’ family come together for a family dinner, chaos ensues. 2. Beetlejuice, book by Scott Brown and Anthony King, music and lyrics by Eddie Perfect Lydia Deetz and her father Charles move into a new house that is haunted by the previous owners, Adam and Barbara Maitland, who aren’t ready to give up their home despite being newly deceased. The Maitlands enlist the help of the bio-exorcist ghost Beetlejuice to help them get rid of the Deetzes; however, Beetlejuice has his own agenda. Based on the 1988 film starring Michael Keaton. 3. Carrie: The Musical, book by Lawrence D. Cohen (based on the novel by Stephen King), music by Michael Gore, lyrics by Dean Pitchford Carrie White has been bullied by practically everyone in her life, from the popular kids at school to her fanatically religious mother. When she is pushed too far (pig’s blood, anyone?), Carrie gets her revenge. The musical version of Carrie has an interesting history, originally premiering in 1988 and becoming a Broadway flop, then being revamped for off-Broadway in 2012. 4. Evil Dead: The Musical, book and lyrics by George Reinblatt, music by Christopher Bond, Frank Cipolla, Melissa Morris, and George Reinblatt Based on the Evil Dead movie franchise, this rock musical was first performed in Toronto before moving to an off-Broadway run at New World Stages. Five college students discover an evil book in the basement of an abandoned cabin in the woods and read it, unleashing unspeakable horror that turns everyone into demons one by one. Productions often feature a “splatter zone” where audience members get doused in stage blood. 5. Jekyll & Hyde, book by Leslie Bricusse (based on the novel by Robert Louis Stevenson), music by Frank Wildhorn, lyrics by Frank Wildhorn, Leslie Bricusse, and Steve Cuden Brilliant Dr. Jekyll attempts to cure his father’s mental illness, but inadvertently creates himself an evil alternate personality named Mr. Hyde. Mr. Hyde terrorizes London, and Dr. Jekyll must find a cure to control him before he takes over permanently. 6. Little Shop of Horrors, book by Howard Ashman, music and lyrics by Alan Menken Shy floral shop worker Seymour finds a mysterious plant that looks like a Venus flytrap. He names it Audrey II after his co-worker Audrey, who Seymour is secretly in love with. Seymour discovers that his plant feeds on blood, and as Audrey II quickly grows, it demands to be fed more and more. Based on the 1960 film The Little Shop of Horrors. 7. The Phantom of the Opera, libretto by Andrew Lloyd Webber and Richard Stilgoe (based on the novel by Gaston Leroux), music by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe A series of increasingly frightening incidents occur at the Paris Opéra House, which are blamed on the “opera ghost” or “O.G.” The opera ghost is revealed to be a mysterious, disfigured musical genius living in the catacombs under the theatre. He falls in love with soprano Christine Daaé and as his love turns to obsession, will stop at nothing to make her his forever. As of 2023, Phantom is the longest-running show on Broadway, opening in 1988 and closing in 2023. 8. The Rocky Horror Show, book, music, and lyrics by Richard O’Brien The stage musical came first! The film version has achieved cult status, but the stage version premiered in 1973 on the West End and has been revived all over the world ever since. Newlyweds Brad and Janet take shelter from a rainstorm in the home of mad scientist Dr. Frank-N-Furter. With catchy songs like “Time Warp,” the show feels like a light-hearted homage to vintage sci-fi and B movies. However, the “horror” aspect of the title is appropriate as mysterious and murderous events occur throughout the night. 9. Sweeney Todd: The Demon Barber of Fleet Street, book by Hugh Wheeler, music and lyrics by Steven Sondheim Benjamin Barker is transported to Australia for a crime he did not commit. Fifteen years later, he returns to England, and vows revenge. Reinventing himself as barber Sweeney Todd, he kills his customers with his shaving razor and sends their bodies to his downstairs neighbour Mrs. Lovett, who disposes of them in a most sinister fashion. Based on the 1970 play Sweeney Todd by Christopher Bond. 10. The Toxic Avenger, book and lyrics by Joe DiPietro, music and lyrics by David Bryan Tromaville, New Jersey has been turned into a toxic waste dump. Nerdy Melvin Ferd the Third vows to clean it up and put a stop to whoever is responsible for leaving the drums of toxic goo everywhere. Melvin is attacked by goons, who toss him into a vat of toxic waste and leave him for dead. What they didn’t anticipate was Melvin transforming into a huge green mutant with a melted face, muscled body, and monstrous determination to save New Jersey. Based on the 1984 film of the same name.

*Welcome to our Featured Play Spotlight. * Tired of fairy tale adaptations that are sickly sweet? Enter Grim and Gruesome Grimm! This adaptation of Grimm’s Fairy Tales by Mrs. Evelyn Merritt is not for the faint of heart – but it’s definitely for your student performers! The original Grimm’s Fairy Tales are far from sweet, naive, innocent, syrupy, or charming. They are not typical at all: Death. Cannibalism. Death. Burial alive. Death. Burned alive. Death. Kidnapping. Death. Beheading and body parts. Death. These tales are not for the faint of heart! Join us for a grim and gruesome stroll through dark forests and nasty characters. Don’t keep a body count. A playful and theatrical adaptation with flexible genders, flexible cast size, and two one act lengths. Why did we publish this play? Grimm’s Fairy Tales are classics. But more often than not, the classic versions are not the original versions. And mostly that’s because there’s a lot of death, beheadings, cannibalism, and more in the original versions and that’s not, oh, acceptable in today’s kids stories. But in a high school play? Absolutely! We love our Halloween and horror themed play section (especially our plays with horror/humour) and Grim and Gruesome Grimm fits right in. Just don’t ask for a watered down kid version – we’re keeping in all the cannibalism. Let’s hear from the author!1. Why did you write this play? I love fairy tales, all kinds of fairy tales. Even the scary ones! I’ve always shared the PG versions of Grim and I love having the opportunity to share the not so PG versions. 2. Describe the theme in one or two sentences. Never turn your back on your stepmother. 3. What’s the most important visual for you in this play? There’s a couple of particularly gory story moments that are done more theatrically than straight up horror gore. That’s just not possible on stage. I think it’s important to always keep the theatre of a play in the visuals rather than try for realism. 4. If you could give one piece of advice for those producing the play, what would it be? Everything is done on stage. All the costumes, the props, the sound effects, let the audience see it all! 5. Why is this play great for student performers? It’s a great play for having fun with character and the fact that any student can play any character. It’s all about taking on a role. Put on a crown and you instantly become a king with the right posture and attitude. The roles do not have to be binary or limiting. Anyone can become anything in a fairy tale.

March 8th is International Women’s Day – and what better time to highlight some amazing women within the Theatrefolk community. Join us in celebrating these phenomenal playwrights and authors and their incredible contributions to the world of student theatre. Plus, keep reading to see our Top 10 Plays for Female Casts at the end of the post! Rachel Atkins • Baalzebub (and One Act Version)