If You Can't Make 'em Laugh, Make 'em Cry - Virtual Version
by Jeffrey Harr
Annarosarosemarie is ready and raring to go for her first virtual play audition. Miss Johnson is not ready to see what Annarosarosemarie has prepared. Not ready at all.
About 15 minutes
Times given are approximate and do not include intermissions/scene changes/breaks
2
2 W
Virtual Production
In addition to traditional live stage performance rights, If You Can't Make 'em Laugh, Make 'em Cry - Virtual Version can also be performed under the following scenarios.
Virtual Performance
A Virtual Performance is a performance on an online web conferencing platform such as Zoom, Microsoft Teams, Skype, or Google Meets where performers are geographically isolated from one another and not together on a stage.
No audience is physically present with the performers. The audience is logged in to the same web conferencing platform as the performers.
Each time the play is performed for a virtual audience of any size (whether or not admission is charged) constitutes one performance.
Livestream Performance
Productions of If You Can't Make 'em Laugh, Make 'em Cry - Virtual Version may be Livestreamed.
All Livestream Performances must be conducted through our Authorized Streaming Partner, BookTix. Please contact BookTix at info@booktix.com for more information about Livestreaming.
A Livestream Performance is a traditional performance that is livestreamed to the Internet as the actors are performing. Instead of watching the show live in the theatre, the audience watches virtually from their home or other location.
All Livestream Performances must be conducted through our Authorized Streaming Partner, BookTix. Please contact BookTix at info@booktix.com for more information about Livestreaming.
A Livestream Performance may be pre-recorded. Recordings for pre-recorded Livestreams may be made if the recording is destroyed at the conclusion of the production. Should the producing organization want to retain the recording for archival purposes, they must purchase a separate Videorecording License from Theatrefolk.
Theatrefolk charges no additional fees for permission to Livestream. However, BookTix will charge nominal fees to the producing organization. Theatrefolk does not have any financial interest in BookTix and does not receive any commission or fees from BookTix.
Theatrefolk cannot be held responsible for any issues, technical, financial, legal, or otherwise, arising from the producing organization’s relationship with BookTix.
Each time the show is Livestreamed (whether performed live or pre-recorded) constitutes one performance.
One license, three ways to use it
Each royalty you purchase can be used as a Traditional Live Stage Performance, Virtual Performance, or Livestream Performance. How you choose to use your performance license is up to you! Performances need not all be of the same type so long as the total number of performances given does not exceed the total number of performances ordered.
How to Order
Click on the red "Add to Cart" button, then select "A Production"
Annarosarosemarie is ready and raring to go for her first virtual play audition. She blew off homework for a month just to prepare.
Miss Johnson is not ready to direct her first play. She’d rather eat glass. And she is so not ready to see what Annarosarosemarie has prepared. Not ready at all.
Characters
2
2 Women
-
MISS JOHNSON
[W]
41 lines
- A teacher taking audition for her first play. Under-enthused.
-
ANNAROSAROSEMARIE
[W]
44 lines
- A student auditioning for her first play. Over-enthused.
- Subgenres
- Backstage comedy Farce
- Settings
- Present day
- Dress
- Contemporary costumes
- Audience
- Pre-teen Teen
- Features
- All female cast Online Performance Character study Duets
- Set
- Interior set Simple set
- Cautions
- Adult themes
- Themes
- Theatre
- Other uses
- Audition material Monologues
Prop List
clipboard, pen, paper
Related Titles
Purchase Orders accepted from US and Canadian Schools.
Info for your purchasing department.
All others must pay at the time of ordering.
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Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.
Exemption details for scenes and monologues for competition.
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About 15 minutes
Times given are approximate and do not include intermissions/scene changes/breaks
2
2 W
Virtual Production