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Ten Minute Play Series: All Girls

Ten Minute Play Series: All Girls

by Lindsay Price

Juliet and Ophelia in the afterlife. An eggplant in a bridesmaid dress. Seeing the light about your best friend and then joining the Slow Songs Make Me Puke Club. This is a collection of short plays with interesting, engaging, and vivid parts for girls. Every one is a winner.

Comedy Drama Character Study Student Directors

Recommended for High Schools

Running Time
About 10 minutes (for the full collection)
Approximate; excludes intermissions and scene changes
Set
Simple Set
Length
60 pages
Free Excerpt

This Book is a Collection of 6 Plays

License the entire book, or license individual plays separately. To license a single play, click its title below.

2 F · Approx. 10 minutes

Life in the afterworld sucks for Juliet and Ophelia. And they're not afraid to tell you where to shove your decorative pot holder.

2 F · Approx. 10 minutes

A fight over a blouse at the bargain low bargain big bargain sale fractures a friendship.

2 F · Approx. 10 minutes

A young girl slowly realizes the disheartening truth about her mother and sister.

2 F · Approx. 10 minutes

While wearing ugly purple bridesmaid dresses, an older sister struggles with her seemingly perfect pretty sister.

2 F · Approx. 10 minutes

The truth hurts. Especially when you're afraid to tell it and not expecting to hear it.

4 F · Approx. 10 minutes

The girls of a rather unusual club find it hard to commit to the cause. Boys are too tempting.

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Performance Royalty Fees

Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.

Exemption details for scenes and monologues for competition.

Characters in this play are currently identified as male or female. Directors are welcome to assign any gender (binary or non-binary) to any character and modify pronouns accordingly.


SANDY IS AN EGGPLANT, SHANNON IS A PRETTY GIRL
SANDY [F] 74 lines
An eggplant, Older sister, Four Monologues
SHANNON [F] 70 lines
A pretty girl, Younger sister

LIES:
Alexa [F] 97 lines
(17), Sister to Martine. Wants to take her sister away from it all, and life happily together.
Martine [F] 92 lines
(14), Sister to Alexa. Jaded from a life of rough experiences and low expectations.

ANGER MANAGEMENT:
Juliet [F] 81 lines
Regrets that bit with the knife, now that she’s spending an eternity in the afterlife.
Ophelia [F] 83 lines
Why did she go insane for a guy? Guys suck!

FIGHT OVER FUCHSIA:
Cara-Sue [F] 90 lines
(16), How could Shirley-Ann say that she looks horrible in fuchsia?
Shirley-Ann [F] 89 lines
(16), Why won’t Cara-Sue just apologize for taking it the wrong way?

SEE THE LIGHT:
Chelsey [F] 67 lines
(17), Overexcited. Overachiever. Overactor.
Leigh [F] 66 lines
(17), Chelsea’s friend. Struggles to let her know how much her acting stinks.

SLOW SONGS MAKE ME PUKE:
Dana [F] 49 lines
16
Julie [F] 39 lines
16
Aster [F] 33 lines
16
Summer [F] 38 lines
16

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From the Drama Teacher Learning Centre

Theatrefolk Featured Play – Ten Minute Play Series by Lindsay Price
Featured Plays

Theatrefolk Featured Play – Ten Minute Play Series by Lindsay Price

Welcome to our Featured Play Spotlight. The Ten Minute Play Series by Lindsay Price is a collection of short plays with interesting and engaging parts, challenging stories and complex characters. Find an option that works for your group with Ten Minute Play Series: All Girls, Ten Minute Play Series: Girls and Guys and Ten Minute Play Series: Be Challenged. Why did we publish this play? The ten minute play format is an interesting animal. It’s not enough time to tell a complicated story, or even a complete story. And yet, it can provide a vivid window into a moment or a character. In that regard we look at the form as a great challenge, and wanted to present that challenge with our Ten Minute Play Series. A lot of these plays translate well to an online platform. They take place in one location and most of the scenes are duets. Focus on the character development and relationships in the scenes. Acting is acting whether it’s in person or online. Let’s hear from the author!1. Why did you write these plays? Ten minute plays are great for classwork, they’re great for getting students to focus on bringing a character to life in a short period of time, and they’re great when you want to feature a lot of students in performance. 2. What are the most important visuals for you in these plays? Each play focuses on characters and relationships. Visualizing a relationship is always a good play to start when you’re working on a play, especially a ten minute play. You want an audience to instantly know what the relationship is all about and they’re going to make that determination by what they see. 3. If you could give one piece of advice for those producing these plays, what would it be? Do the character work. Know the characters inside and out so you can bring them to life instantly and vividly. 4. Why are these plays great for student performers? You want to give your students as many performance opportunities as you can in a class situation. Ten minute plays are going to help you achieve that goal. 5. Why are these plays great for online performances? In these times, traditional productions may not be possible. But that doesn’t mean students can’t perform or focus on character work, vocal skills, and the physicalization needed to bring a play to life. Acting is acting whether it’s online or onstage. Challenge your students with these short plays to present them as fully as possible in an virtual environment. Get your copy of The Ten Minute Play Series – All Girls, Girls and Guys, and Be Challengedright here, right now!Not right for your group right now? Search our play catalogue to find one that your performers will love!
Theatrefolk’s Top 10: Plays for Student Directors
Featured Plays

Theatrefolk’s Top 10: Plays for Student Directors

Time for a Tfolk Top Ten Plays For….Student Directors. Do you have a student directing class? Do you have students who show a knack for taking charge and establishing vision? Then you need plays that are perfect for student directors to tackle. Think short, think active, think character driven. Think plays that can be accomplished from audition to performance within your class periods. Click the link and you’ll be taken to the webpage for each play. There you’ll get the details and read sample pages. Hand this list over to your student directors and see what they think. All the best with your search! Ten/Two Ten plays for two actors. The plays can be performed individually or all together for a full evening of theatre. Excellent for the classroom or competition. This collection is ideal for student directors because they’re contained. Two actors, a complete story from beginning to end with specific characters. Hamlette Imagine if you will that “Hamlet” was not “Hamlet” at all, but “Hamlette” – a woman! This play is a twisty-turny interpretation of the classic Danish tale. If you have a student director who wants to spread their comedic wings, try this piece. It requires a lot of physical action, so it’s more work than it seems on the page, but your students are up to the challenge, right? Hairball A light vignette play about our obsession with hair. I’d highly recommend this for starting directors. Because it’s short scenes based on a theme, it gives a student director something short to find success. You can divide the play up among a number of directors if you have a large class. Or take one scene and see how your directors tackle it. What are the similarities? What are the difference? Smarty Pants Dallas is a real smarty pants and can’t wait to show off. But he’s in for a shock. His new class is very different. This piece gives students directors a chance to explore both character and physical action. Rainbows vs Bunnies: Annihilation A talking bunny. A talking rainbow. Plus annihilation. This piece would be a lot of fun to direct, The challenge here is taking charge of a couple of large groups and staging. If you have students who need to improve their leadership skills as a director, this is the piece to do it. Will and Whimsy Shakespeare’s Sonnets come alive in this play where modern scenes play hand in hand with the original text. With this piece you have the combination of modern scenes and Shakespeare. If you have a student who wants to tackle the bard, give them this play first. Skid Marks: A play about Driving Your first car. Getting your license, Getting pulled over. The relationship between teen and car makes a great backdrop for this vignette play. Vignette plays are always a great place to start with student directors. Ten Minute Play Series (All Girls, Girls & Guys, Be Challenged) These plays offer everything from broad flat-out comedy to quiet, intimate drama. All the pieces have small casts, have modest set requirements and well defined characters. Your student directors will find something they love in one of these collections. EllenAliceMonaJune (in Malled) Ellen, Alice, Mona, and June share those uncomfortable truths that only close friends can tell each other. A lovely four actor piece that dives deep into character. If you have student directors who need to work on bringing out a three dimensional character in their actors, this is the piece. Anxiety is Orange Join the characters in this vignette play as they navigate the world, each other, and the greens, greys, blues, reds, pinks, yellows, and oranges around them. Give this play to one director or divide the scenes up among group of directors.
Theatrefolk’s Top 10: Scene Work
Acting

Theatrefolk’s Top 10: Scene Work

Time for a Tfolk Top Ten Plays For….Scene Work. You want interesting scenes for your students. You want a variety of scenes for your students. You don’t want to do the same scenes over and over and over and over with your students. Click the link and you’ll be taken to the webpage for each play. There you’ll get the details and read sample pages. All the best with your search! Sixteen in Ten Minutes or Less This collection of 10 plays can be performed as an evening of theatre. Or it offers the perfect scene work collection for a class. Each short stands perfectly well on it’s own without any prior knowledge of the characters. Ten/Two Ten plays for two actors. All the plays are easy for students to self direct and self block. Have a group larger than twenty, double up on the scenes and seen how different groups interpret the same material. Chemo Girl and Other Plays A collection of plays that examine the impact of cancer as seen through the eyes of teenagers. Each scene can stand alone which means you can have a full class all working on their scenes at the same time. An excellent project if you want to present a cross-curricular aspect to a scene unit. How can cancer be theatricalized? Close Encounters of the Undead Kind This collection has three short plays filled with unique characters. Most of which are vampires, zombies, and others of the undead variety. Have a class of beginners? Divide the plays up so that groups are dealing with smaller chunks within the larger piece. Ten Minute Play Series: All Girls Need scenes with all girls? We’ve got you covered. One of our most popular scenes comes from this collection. It shows Juliet and Ophelia in the afterlife. And they are NOT happy. C’mon and Dance What about students that struggle with lines or perhaps are learning English as a second language. Give them a non-verbal scene to work on. This piece fits the bill perfectly. Will and Whimsy: Sixteen Dramatically Illustrated Sonnets of Shakespeare Want to combine scene work with Shakespeare, but you’re not ready to tackle the bard in the original language? This is a wonderful collection of scenes that illustrates the themes in 16 of Shakespeare’s sonnets. Scene-Speare: Shakespearean Scenes for Student Actors But what if you are ready to tackle Shakespeare? This scenes are already cut down for class use and offer vocabulary help, character questions, and story specifics. A perfect place to start with students. Competition Scenes: Duets Want a collection of duet scenes that come from published plays? Use them for individual event competitions, use them in your classroom. The Middle School Scene Book And just to take care of our middle school folks. Here’s a collection of scenes that come from published plays just for middle school students. We got you covered. Image credit: Rockdale County High School (Conyers, Georgia) production of Will and Whimsy by Alan Haehnel. Directed by Dave DiPietro.
Theatrefolk’s Top 10: All Girls Plays
Featured Plays

Theatrefolk’s Top 10: All Girls Plays

Time for a Tfolk Top Ten Plays For…All Girls! You have an abundance of girls in your program and you want good parts for everyone. With all of these plays either all the characters are girls or gender-flexible. Click the link and you’ll be taken to the webpage for each play. There you’ll get the details and read sample pages. All the best with your search! Ten Minute Plays: All Girls Juliet and Ophelia in the afterlife. An eggplant in a bridesmaid dress. Seeing the light about your best friend and then joining the Slow Songs Make Me Puke Club. A collection of short plays with interesting, engaging, and vivid parts for girls. Every one is a winner. Just Girls Talking What starts as a meeting to finalize frivolous graduation ceremony details ends with one young woman faced with a life-changing decision. Five girls on five different paths hit head-on in a collision of values that leaves the viewer asking: What would I do? Nice Girl Mia does her friends’ homework, lets people cut in line and pretends to be someone she’s not. Being nice requires a lot of sacrifice and frustration. Mia reaches her breaking point as she tries to find the balance between being her true self and being “the nice girl.” Typecast Ms Thespis casts by look and personality – the students are okay with their set roles. Until one show when Ms. Thespis is away and all the girls are cast against type. They’re forced to learn to play the roles they’re totally wrong for. Smarty Pants All the parts in this play are gender neutral with names provided. Dallas can’t wait to show off in her new Advanced Placement class. But there’s more Play-doh than Plato and more colouring than Van Gogh. What kind of advanced class is this? Will Dallas figure out Kindergarten High or will she flunk? Who’s the real smarty pants? Flaky Lips Two young women live in separated societies. One skin colour on this side. One skin colour on that side. They have never seen what the other looks like, until circumstances throw them together. A small cast but a challenging acting opportunity. Carrying The Calf A teenager fed-up with being bullied drags her reluctant friend to a self-defence class. But more important than the karate training, the instructor challenges the group to find self-confidence, independence, and to choose their own destiny. Diverse roles. They Eat Sunshine, Not Zebras All the parts are gender neutral in this look at conformity and individuality through the metaphor of grass and a single dandelion. A dandelion will turn the field upside-down. A dandelion must be destroyed. Isn’t that what you do when something is different? Virtual Family In the Virtual Family, you don’t need to go outside, or do chores, or even have a real family. When technology takes away all your ills, conflicts, and concerns, you become a happier human being. Right? All the roles are gender neutral. Ten/Two Ten short two-person plays (inspired by the numbers 10 and 2!) in a variety of themes and lengths. Excellent for classwork and for competition. 8 of the 10 plays are either for 2 women or have “either” characters.
Spread the Love: Theatrefolk’s Ten Minute Play Series by Lindsay Price
Production

Spread the Love: Theatrefolk’s Ten Minute Play Series by Lindsay Price

This week on Spread the Love, Lindsay talks our Ten Minute Play Series: • Ten Minute Play Series: All Girls • Ten Minute Play Series: Be Challenged • Ten Minute Play Series: Girls & Guys
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