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Displaying items 261-280 of 2449 in total

Production Classroom Units

by Karen Loftus

Producing a show together as a class is the ultimate in both project-based learning and using higher-order thinking skills. Students will gain experience in working in a group, time management, conflict resolution, and other interpersonal skills necessary to working as part of a creative team. This curriculum is designed for an advanced high school theatre class. By breaking down the production process into specific sections, you can ensure that your students have the necessary skills to produce a successful show. In addition, whereas trying to take a show from audition to performance usually feels rushed, The Production Classroom allows you to really dive deep into the production process. These units could easily be spaced out over the course of a semester or over the course of an entire year.

Drama One

by Karen Loftus

This is a curriculum map for an introductory, comprehensive high school theatre class. The purpose of the curriculum is to give students an overview of theatre in general. The super objective of this curriculum is to have students “bring it all together” at the end in a culminating project. The essential questions for the year: * What are the most important tools of the actor? * Who’s who in the theatre? The answer to the first question is mind, body, and voice. Each unit reflects one of those tools: pantomime—body, improvisation—mind, etc. The answer to the second is explored throughout the curriculum.

Technical Theatre Mini Units

by Josh Hatt

This collection of technical theatre mini-units will give you the opportunity to introduce lighting, sound, costuming, staging, and makeup into your program. Each mini-unit can be used independently, or you can build one upon the other toward the culminating project. These units were developed with middle school students (grades 6 to 8), and can also suit an introductory level high school class in tech theatre.

Drama Two

by Matt Webster, Matthew Banaszynski, and Corinna Rezzelle

The Drama Two Curriculum is performance based and designed for a more advanced high school class. It has been developed to expand and deepen the students’ skills as artists. They will do so by building on material covered in the Drama One Curriculum, with units in: Character Analysis, Monologue Writing and Performance, Shakespeare Performance, and Design. The curriculum will culminate in a Devised Class Play.

Musical Theatre

by Drama Teacher Academy

To perform musical theatre takes risk, confidence, and commitment. These are the focal points of this curriculum: process and discovery over product and execution. Students will be expected to participate in all of the fundamentals of musical theatre (singing, dance, character development), but it assumes that the majority of your students will not have an extensive background in musical theatre and will face some insecurities in one or more of its elements. You certainly may have students who can sing or dance, but the instruction will be directed toward students exploring new skills and taking risks with confidence and commitment. Feel free to substitute your own knowledge and personal experience into these units. You know your students and your situation best.

Middle School

by Lindsay Johnson

This is a curriculum for a scene study semester at the middle school level. The goal for each unit is to build off the knowledge and skills gained in the previous unit so students are gradually adding to their abilities as they progress through different types of scene performance assessments. Students begin with the acting basics they need to create a successful scene: ensemble skills, improvisation, projection, vocal clarity and expression, characterization, pantomime, objective and tactics. They will learn script structure, blocking, and stage directions and how to give, receive and apply feedback. They will explore aspects beyond acting such as directing and simple set design.

Emergency Lesson Plan: Compare and Contrast (Ancient Greek)

by Lindsay Price

In this ELP, students will read and discuss a scene from an Ancient Greek theatrical text and a modern adaptation of that text: The Libation Bearers by Aeschylus (translated by H.W. Smyth) and The Exile and the Onion Girl by Lindsay Price.

Emergency Lesson Plan: Compare and Contrast (Shakespeare)

by Lindsay Price

In this ELP, students will read and discuss a scene from the Shakespeare Play Much Ado About Nothing and a modern adaptation of that text - Much Ado High School by Lindsay Price.

Using Theatre to Share and Celebrate History

by Kerry Hishon

The objective of the lesson is for students to explore historical events that are significant to them through various theatrical mediums that may seem unusual or “out of the box.” The inspiration for this lesson plan comes from Lin-Manuel Miranda’s theatrical hit Hamilton, which utilizes rap and hip-hop music and colourblind casting to tell the story of the American founding fathers.

Emergency Lesson Plan: Directing Masterclass

by Lindsay Price

In this ELP, students participate in an online masterclass on directing and complete a viewing quiz.
Lesson 3 of 5 in Lighting Unit

Lighting Effectiveness

by Josh Hatt

Students continue to work on their lighting assignment. They will rehearse their scenes, continue to discuss lighting effectiveness and reflect on their work in class.
Lesson 4 of 5 in Lighting Unit

Tech Rehearsal and Performance

by Josh Hatt

Students are given time for a tech rehearsal and then perform their scenes. The emphasis is on the groups demonstrating a knowledge of lighting effectiveness.
Lesson 5 of 5 in Lighting Unit

Reflection

by Josh Hatt

Students watch the scenes from the previous class and reflect as a group on the process.
Lesson 1 of 5 in Sound Unit

Introduction to Sound

by Josh Hatt

Students are introduced to sound through video demonstration, discuss the impact of sound on a scene, and complete a vocabulary activity.
Lesson 3 of 5 in Sound Unit

Sound Assignment

by Josh Hatt

Students continue to work on their sound assignment. They will rehearse their scenes, continue to discuss sound effectiveness and reflect on their work in class.
Lesson 4 of 5 in Sound Unit

Tech Rehearsal and Performance

by Josh Hatt

Students are given time for a tech rehearsal and then perform their scenes. The emphasis is on the groups demonstrating a knowledge of sound effectiveness.
Lesson 1 of 5 in Costuming Unit

Introduction to Costuming

by Josh Hatt

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Students are introduced to costuming through a tableau exercise, discuss the role of costumes in a performance and the impact of colour in costumes. The lesson concludes with a costume research assignment.
Lesson 2 of 5 in Costuming Unit

Costume Effectiveness

by Josh Hatt

Students give their research presentations from the previous class. They then discuss costume design and the impact of colour on costumes. How can colour communicate mood in a costume? Students complete a reflection on what they’ve learned so far.
Lesson 3 of 5 in Costuming Unit

Costume Sales Pitch Assignment

by Josh Hatt

Students are given a Costume Sales Pitch Assignment. They will work in pairs to pitch costumes for a Blank Scene in which they must articulate mood, setting, the characters, and costume colours.
Lesson 4 of 5 in Costuming Unit

Costume Sales Pitch Presentations

by Josh Hatt

Students are given time to prepare and then give their Costume Pitch Presentations. The emphasis is on the pairs demonstrating a knowledge of costume effectiveness.