Search the Drama Teacher Academy

Displaying items 281-300 of 2384 in total

Where Did Drama Begin?

by Ruth Richards

Students will explore the origins of drama through ritual and chant. After discussing modern versions, students will create a ritualistic chant using choral speaking, and synchronized movements. Lesson Plan comes with an evaluation sheet and a rubric.

Introduction to Medieval Theatre

by Ruth Richards

Students will explore Medieval Theatre by role playing what it would be like to perform at the time. Students form trade guilds, create a medieval market scene, and then work on a morality scenario. Lesson plan comes with a written assignment to be completed after the practical assignment.

Introduction to Melodrama

by Ruth Richards

Students are introduced to the basic theory of Melodrama and its characteristics; predictable plots, stock characters, and exaggeration. Students will role play the stock characters of melodrama both physically and vocally. They will rehearse and perform a Melodrama scenario and as a written assignment be asked to write their own melodrama scenario. Lesson Plan comes with practical assessment and written assignment rubric.

Introduction to Expressionism

by Ruth Richards

Students will be introduced to the basic theory of Expressionism including expression of emotion, rapid disjointed dialogue, and stylistic movement. Students will practice moving and expressing emotion in an Expressionistic style. They will create a scene based on a nightmare using the principals of Expressionism. An oral presentation assignment is provided as follow up to this practical work. Lesson Plan comes with a practical task evaluation, assignment checklist, and rubric.

Pirate Ship Stage Directions

by Ruth Richards

Students will learn the basics of stage positioning through this fun, interactive game. Comes with guide to positioning and all "Pirate Ship" terms!

Character Improv

by Marisa Peck

Students will choose a character and become that character (physically and vocally). They will then collaborate with other characters in the classroom to create and perform an improvised scene. Students explore known characters, characters based on traits, and non-human characters both physically and vocally before choosing their own. Lesson also explores the principle of "Yes...And."

Inflection in Naked Scenes

by Marisa Peck

To identify and interpret inflection in a dialogue and be able to translate that into a script. Students work with a partner to interpret inflection in a "naked scene" and translate that inflection adding stage directions to the script. Students have to clarify their stage directions so that another pair can pick up the scene and deliver the intended intention.

Stage Direction Tic-Tac-Toe

by Marisa Peck

To identify and physically locate the nine areas of the stage. Students play a life-sized game of tic-tac-toe on the stage using stage directions to navigate the different squares. Lesson Plan comes with a stage positioning template for assessment.

Ensemble Community Building

by Dustin Loehr

To begin establishing an Ensemble by creating opportunities for students to: 1. Collaborate 2. Trust each other Students will work together in small groups or in pairs to solve various challenges. Challenges involve using their non- verbal skills to communicate, working together through movement and support of weight and trust. Students will complete the following activities in this order: 1. Human Knott 2. Body to Body 3. Weight Sharing 4. Circle Trust

Introduction to Pantomime

by Bethany Kennedy

Students will learn and practice pantomime skills by developing, communicating and sustaining the size and shape of mimed objects.

Introduction to Children's Theatre

by Bethany Kennedy

Students will learn about and then demonstrate their understanding of the Children’s Theatre audience through role play and writing a scene.

Creating Motivated and Believable Stage Movement in Pantomime

by Bethany Kennedy

Students demonstrate comprehension of how to present physical activities through pantomime. The focus of the pantomime is using the five senses, using whole body, and incorporating the principles of maintaining a mimed object.

Examining the Pause

by Lindsay Price

Students write a scene with five pauses. Students will rehearse the scene where the length of the pause varies. How does the scene change when longer and longer pauses are implemented?

Staging the Location Exercise

by Lindsay Price

Students will stage locations using only a finite number of props and pieces. The goal is to show the location using action and imagination (as we often must do in the theatre) without a reliance on exact realism.

Shakespearean Language: Match the Quotes

by Lindsay Price

Students will identify unfamiliar words on a page of Shakespeare quotes, translate those quotes into modern English, and act out the quotes to identify character/play clues. Students will then complete a quotes assignment and reflection. Plus! Bonus assignment.

Constantin Stanislavsky

by Lindsay Price

Students will read an information sheet on Constantin Stanislavsky. They will then apply their knowledge in exercises and a topic quiz. Bonus exercise! A Reflection.

The Globe Theatre

by Lindsay Price

Students will read The Globe Theatre Handout. Based on the given information, students will re-create the experience of going to The Globe and complete a compare and contrast assignment.

Create A Playbill

by Lindsay Price

Students create a play program for a curriculum text based on their knowledge of the text and given criteria. This can be done physically in class using markers and magazine pictures, and online resources such as pixabay.com and canva.com.

Tactics

by Elisabeth Oppelt

Tactics are how characters get what they want from other people on stage. They are verbs used to describe how a character behaves to get others to do what they want. In this lesson students will learn what tactics are and be able to create a list of possible tactics.

Objectives

by Elisabeth Oppelt

A character’s objective is what a character wants. It is based in what they want from another person, using the formula “I want [person] to do [thing I want them to do.]” The objective is what drives all of their action while on stage. In this lesson students will learn what objectives are and how to write one for a character.
© Copyright 2015-2025 Theatrefolk