Playwriting: Part 1
Created by Lindsay Price
Every drama program should have a playwriting unit. Playwriting applies creative thinking skills and, through feedback and revision, critical thinking skills. Playwriting also allows students to engage in self-expression. It is a powerful act to take one’s thoughts, give them to a character, and have them said aloud.
Playwriting can be a practical task-driven process that any student can accomplish, given the right parameters. This playwriting unit is broken into two parts. This unit is Part 1.
Part 1 is a standalone playwriting unit for beginning writers. Students go step by step through the elements of the playwriting process, which culminates in a short scene, monologue, and character profile. All the exercises can be done synchronously in your class sessions or small groups through breakout rooms.
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1Lesson 1What is a Playwright?Students write on their preconceived notions about playwriting, their expectations and fears, and identify actions: What does a playwright do?
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2Lesson 2Where Do Ideas Come From?In this lesson, students will explore different methods of gathering ideas.
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3Lesson 3MonologueIn this lesson, students will analyze existing monologues, identify the criteria for a good monologue, and write their own monologues in the practice session.
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4Lesson 4DialogueIn this lesson, students will write two-character, one-location, ten-line scenes to practice getting to the heart of effective and efficient scene writing.
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5Lesson 5CharacterCharacter is one of the backbone elements of a good play. In this lesson, students will work on a character profile.
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6Lesson 6ConflictAlong with character, conflict is one of the backbone elements of a good play. In this lesson, students will work on a conflict profile.
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7Lesson 7Unit ProjectThe final project for Part 1 of this unit is for students to write examples of what has been explored so far in the following way: • A two-person, one-location, one-page scene. • Each character has a want, there is an obstacle to their want, and they apply tactics to get what they want. • A separate (ie: not included in the scene) half-page monologue for one of the characters in the scene. • A character profile for each of the characters. The objective is for students to apply all the elements they’ve learned so far in dramatic writing.
Standards Addressed
Generate and conceptualize artistic ideas and work - Grade 6
Generate and conceptualize artistic ideas and work - Grade 7
Synthesize and relate knowledge and personal experiences to make art - Grade 7
Generate and conceptualize artistic ideas and work - Grade 8
Perceive and analyze artistic work - Grade 8
Synthesize and relate knowledge and personal experiences to make art - Grade 8
Synthesize and relate knowledge and personal experiences to make art - Grade HS Proficient
Synthesize and relate knowledge and personal experiences to make art - Grade HS Accomplished
Organize and develop artistic ideas and work - Grade 6
Interpret intent and meaning in artistic work - Grade 6
- TH:Re8.1.6.a Explain how artists make choices based on personal experience in a drama/theatre work.
- TH:Re8.1.6.b Identify cultural perspectives that may influence the evaluation of a drama/theatre work.
- TH:Re8.1.6.c Identify personal aesthetics, preferences, and beliefs through participation in or observation of drama/ theatre work.
Organize and develop artistic ideas and work - Grade 7
Organize and develop artistic ideas and work - Grade HS Proficient
Refine new work through play, drama processes and theatre experiences using critical analysis and experimentation - Grade 6
Refine new work through play, drama processes and theatre experiences using critical analysis and experimentation - Grade 8
Apply criteria to evaluate artistic work - Grade HS Accomplished
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