Unit
Self-Management Playwriting
Created by Lindsay Price
6 lessons
playwriting
In this unit, students will decide on a topic they care about and write a short play within a designated time frame. They will mostly write on their own, using class to discuss and share how they are managing their time, monitoring their progress, and adapting their writing plan of action. The goal of this unit is not the final product but rather the self-management skills they apply throughout.
In this unit, students will demonstrate their self-management skills by setting a goal, identifying a strategy to achieve the goal, creating a plan of action, monitoring their process, reflecting on what is working and what’s not working, taking personality responsibility throughout as they write on their own, and demonstrating an ownership mindset through self-assessment.
Start here
The overview sets out the objectives and goals of the unit, gives an outline of the lessons, time management, and assessment strategies.
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1Lesson 1IntroductionIn this introduction lesson, students will discuss the challenges of writing a play. They will learn the definition of self-management and discuss how they use self-management in their day-to-day lives. Students will then choose a topic that they care about and identify what they know about it, what questions they have, and how they’re going to answer those questions.
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2Lesson 2Strategy/Plan/ProcessStudents will officially set their goal and discuss the differences between a strategy, action plan, and process. By the end of the lesson, students will have created a strategy paragraph, developed a framework for writing their play through a plan of action, and identified specific playwriting exercises to use.
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3Lesson 3Maintain Focus and EngagementStudents have a goal, a strategy, a plan of action, and processes. It’s now time to start writing. Students will have one class period to start writing their play, and then they’re going to be on their own. Will students be able to maintain focus and engagement with their writing to get done what needs to be done without someone overseeing their work?
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4Lesson 4Midway ReflectionIn this lesson, which happens after students have spent some time on their own writing their plays, students will discuss their strategies and plans of action, identify any changes, discuss how they’re feeling about their writing, and complete a Midway Reflection.
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5Lesson 5Maintain Focus and EngagementThis lesson provides students with class time to work on their plays. Will students be able to maintain focus and engagement with their writing to get done what needs to be done without someone overseeing their work?
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6Lesson 6Post-Writing ReflectionStudents will discuss and reflect on how they successfully or less-than-successfully engaged with writing a play using self-management skills. Were they able to write independently? Did they use the tools and actions they laid out in their plans of action? Students will then complete a Unit Reflection and a Self-Assessment worksheet.
Standards Addressed
Grade 6 - Creating and Presenting
Grade 7 - Creating and Presenting
- B1.1 engage actively in drama exploration and role play, with a focus on examining multiple perspectives related to current issues, themes, and relationships from a wide variety of sources and diverse communities
- B1.2 demonstrate an understanding of the elements of drama by selecting and combining several elements and conventions to create dramatic effects
Grade 8 - Reflecting, Responding and Analyzing
Grades 9 & 10 - Foundations - Responsible Practices
Grades 9 & 10 - Foundations - Context and Influences
Grades 9 & 10 - Foundations - Concepts and Terminology
- C.1.1 identify the drama forms, elements, conventions, and techniques used in their own and others’ drama works, and explain how the various components are used, or can be used, to achieve specific effects, with a focus on ensemble drama works (e.g., how a comic drama form can be used to convey a serious message, how setting and time period can be used to sharpen the focus on a moral dilemma, how characters can be used to vary the mood within a drama)
- C.1.2 demonstrate an understanding of and use correct terminology to refer to the forms, elements, conventions, and techniques of drama, with a focus on ensemble drama works (e.g., chorus, protagonist, ingénue, supporting role, act, scene, climax, resolution, improvisation, mask, freeze-frame image)
- C.1.3 demonstrate an understanding of production roles, practices, and terminology when planning and presenting drama works (e.g., set design, costume design, lighting plot, light cue sheet, sound cue sheet, prompt book, set sketch, set model)
Grades 9 & 10 - Reflecting, Responding and Analyzing - Drama and Society
- B.2.1 identify different types of drama and explain their function in diverse communities and cultures from the past and present (e.g., the function of television, film, or video game dramas with predictable plot lines and stock or stereotypical characters in today’s society; the function of theatre in ancient Greece, liturgical drama in medieval Europe, Shakespearean drama in Elizabethan England, and/or “social problem” dramas today)
- B.2.2 explain how dramatic exploration helps develop awareness of different roles and identities people have in society (e.g., explain what they learned through role playing characters from different socio-economic groups)
- B.2.4 identify ways in which dramatic exploration contributes to their understanding of diverse cultures and traditions (e.g., identify insights they gained through exploring the role of ritual in Greek theatre and/or Aboriginal ceremonies)
Grades 9 & 10 - Reflecting, Responding and Analyzing - The Critical Analysis Process
Grades 9 & 10 - Creating and Presenting - Elements and Conventions
- A.2.1 select and combine the elements of drama to achieve a variety of purposes in ensemble presentations (e.g., use the elements of character, time, and place in a drama about making a difficult choice; use the elements of time and place to clarify the focus in a drama about a historical event)
- A.2.2 use a variety of conventions to create a distinct voice that reflects a particular global, social, or personal perspective (e.g., use voices in the head, role on the wall, and hot seating to create a complex character from another region or country)
Grades 9 & 10 - Creating and Presenting - The Creative Process
- A.1.1 develop interpretations of issues from contemporary or historical sources (e.g., photographs, videos, music, newspaper/magazine articles, an eyewitness account of a historical event) as the basis for drama
- A.1.2 select and use appropriate forms to present identified issues from a variety of perspectives (e.g., use a radio play, improvisation, or series of tableaux to present two opposing views about a political, social, or environmental issue)
- A.1.3 use role play and characterization to explore personal and social issues (e.g., with a partner, create or assume a role that explores an issue such as bullying; create a scenario that reveals details about a character’s motivation)
Grade 11 - Foundations - Responsible Practices
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