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betweenity

betweenity

by Lindsay Price

We’ve all been there. The awkward pause. The silence where you just can’t think of something to say. The space in-between words where nothing is said and yet so much is spoken. The state of being between.

This vignette play explores the beats, pauses, and never-ending silences in conversation. The girl who tries to tell her best friend she wants to date him. The boy who creates the wrong kind of pause. The sister who is dealing with the silent treatment. The guy who wants to confess but can’t open his mouth. The daughter who doesn’t want to talk because talking makes her remember.

An excellent class project play with parts for everyone at all levels with a great technique exploration. How do you act in a pause?

Comedy Choral Work Vignettes

Average Producer Rating:

This is a vignette play! What is a Vignette Play?

Recommended for High Schools and Middle Schools

About 30 minutes
Times given are approximate and do not include intermissions/scene changes/breaks
12 Characters
4 M | 4 F | 4 Any Gender, Easily Expandable
Simple Set
29 pages
Production Tips
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Performance Royalty Fees

Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.

Exemption details for scenes and monologues for competition.

Praise for betweenity

Lisa Brown
McKenzie Highlands School - Calgary Board of Education
My students enjoyed putting this play on. There is lots of opportunity to expand the cast, or cut it down. It was also easy to have a student director take small groups of actors to work while I worked with another group.
Rebecca Alosi
International School of Tianjin
This play was a great challenge for my students who do not enjoy uncomfortable silences. We also experimented with outdoor performances, using different parts of the school play areas for different scenes. This was highly effective, creating a traveling performance for the audience to follow.

From the Drama Teacher Learning Centre

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