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The Art of Rejection: Two One Act Plays

Chaired

by Christian Kiley

Potential sits centre stage in a chair. At times Potential is forced to remain seated by family, teachers and friends. At other times Potential will do anything not to stand. It's better to stay in place, not move, not reach out. Sometimes the hardest thing to do is just stand up…

Comedy Black Comedy Character Study Experimental Form Issue-Based

Recommended for High Schools

Running Time
About 20 minutes
Approximate; excludes intermissions and scene changes
Cast
13 Characters
13 Any Gender
Set
Simple Set
Source
Part of The Art of Rejection: Two One Act Plays, a collection of 2 plays
Free Excerpt

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Performance Royalty Fees

Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.

Exemption details for scenes and monologues for competition.

13 Characters
13 Any Gender

Characters in this play are currently identified as male or female. Directors are welcome to assign any gender (binary or non-binary) to any character and modify pronouns accordingly.

Potential [A] 70 lines
Afraid to stand up.
Older Sibling [A] 11 lines
Bossy and controlling.
Teacher [A] 11 lines
Never gives Potential a chance.
Perfect [A] 5 lines
Can do no wrong.
Coach [A]
Doesn’t trust Potential.
Friend [A] 8 lines
Wants to help if it is convenient.
Critic [A] 6 lines
Disagrees with everything.
Panicked Person [A] 7 lines
Scared of everything.
Offstage Monster [A]
The monster’s voice. Assorted growls.
Offstage Voice [A] 5 lines
A bully with a short attention span.
Person in Need [A] 6 lines
Needs to make a “critical” phone call.
Motivator [A] 114 lines
A mediocre motivator.
Thought [A] 10 lines
The compassionate supporter.

From the Drama Teacher Learning Centre

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