The Canterbury Tales
adapted by Lindsay Price from Chaucer
Chaucer's classic collection of tales comes to life in a lively adaptation. Great characters, lots of humour, strong ensemble work. Text uses modern English.
Average Producer Rating:
About 70 minutes
Act 1: 40 minutes, Act 2: 30 minutes
Times given are approximate and do not include intermissions/scene changes/breaks
8
4 M | 4 W, Easily Expandable
Simple Set
69 pages
Reviews from Past Producers
In addition to traditional live stage performance rights, The Canterbury Tales can also be performed under the following scenarios.
Virtual Performance
A Virtual Performance is a performance on an online web conferencing platform such as Zoom, Microsoft Teams, Skype, or Google Meets where performers are geographically isolated from one another and not together on a stage.
No audience is physically present with the performers. The audience is logged in to the same web conferencing platform as the performers.
Each time the play is performed for a virtual audience of any size (whether or not admission is charged) constitutes one performance.
Livestream Performance
Productions of The Canterbury Tales may be Livestreamed.
All Livestream Performances must be conducted through our Authorized Streaming Partner, BookTix. Please contact BookTix at info@booktix.com for more information about Livestreaming.
A Livestream Performance is a traditional performance that is livestreamed to the Internet as the actors are performing. Instead of watching the show live in the theatre, the audience watches virtually from their home or other location.
All Livestream Performances must be conducted through our Authorized Streaming Partner, BookTix. Please contact BookTix at info@booktix.com for more information about Livestreaming.
A Livestream Performance may be pre-recorded. Recordings for pre-recorded Livestreams may be made if the recording is destroyed at the conclusion of the production. Should the producing organization want to retain the recording for archival purposes, they must purchase a separate Videorecording License from Theatrefolk.
Theatrefolk charges no additional fees for permission to Livestream. However, BookTix will charge nominal fees to the producing organization. Theatrefolk does not have any financial interest in BookTix and does not receive any commission or fees from BookTix.
Theatrefolk cannot be held responsible for any issues, technical, financial, legal, or otherwise, arising from the producing organization’s relationship with BookTix.
Each time the show is Livestreamed (whether performed live or pre-recorded) constitutes one performance.
One license, three ways to use it
Each royalty you purchase can be used as a Traditional Live Stage Performance, Virtual Performance, or Livestream Performance. How you choose to use your performance license is up to you! Performances need not all be of the same type so long as the total number of performances given does not exceed the total number of performances ordered.
How to Order
Click on the red "Add to Cart" button, then select "A Production"
"What if the story is so long that time drags on and on and on and I have to leave the group and cry by the side of the road and I never get to Canterbury?!"
Chaucer's classic collection of tales comes to life in a brilliant full-length adaptation.
A group of travelers set out for Canterbury on a pilgrimage. To pass the time they entertain each other with a storytelling contest. Best story wins a prize.
Each and every performer gets a chance to shine in this spirited, charming script.
Great characters, lots of humour, and strong ensemble work. Text uses modern English.
Click here to read production tips for this play.
Awards and Accolades
Characters
8
4 Men, 4 Women, Easily Expandable
Woman One
-
The Hostess
[W]
47 lines
- The owner of the Tabard Inn, where the pilgrims stay. She travels with them to Canterbury. With doubling also plays:
-
Fox (Prioress' Tale)
[W]
27 lines
-
Queen (Wife of Bath's Tale)
[W]
16 lines
-
Eveline (Franklin's Tale)
[W]
3 lines
-
Agnes (Pardoner's Tale)
[W]
30 lines
Woman Two
-
The Wife of Bath
[W]
64 lines
- She has been married five times and is searching for number six. She is from Bath. With doubling also plays:
-
Hilde (Reeve's Tale)
[W]
0 lines
-
Bertha (Wife of Bath's Tale)
[W]
30 lines
-
Avaline (Franklin's Tale)
[W]
2 lines
-
Waitress (Pardoner's Tale)
[W]
14 lines
Woman Three
-
The Cook
[W]
43 lines
- The cook at the Tabard Inn. With doubling also plays:
-
Pertelote (Prioress' Tale)
[W]
40 lines
-
Maude (Reeve's Tale)
[W]
18 lines
-
Eve (Wife of Bath's Tale)
[W]
68 lines
-
Joanne (Franklin's Tale)
[W]
4 lines
Woman Four
-
The Prioress
[W]
49 lines
- The prioress is in charge of a priory (a monastery). With doubling also plays:
-
Allison (Miller's Tale),
[W]
15 lines
-
Mary (Wife of Bath's Tale),
[W]
11 lines
-
Dorigen (Franklin's Tale)
[W]
26 lines
-
Old Woman (Pardoner's Tale)
[W]
10 lines
Man One
-
The Reeve
[M]
57 lines
- The manager of a manor in the later medieval period. With doubling also plays:
-
John (Miller's Tale)
[M]
33 lines
-
Arviragus (Franklin's Tale)
[M]
8 lines
-
Jacob (Pardoner's Tale)
[M]
46 lines
Man Two
-
The Pardoner
[M]
55 lines
- The Pardoner sells religious forgiveness and relics for a fee. With doubling also plays:
-
Nicholas (Miller's Tale)
[M]
40 lines
-
Simekin (Reeve's Tale)
[M]
30 lines
-
Aurelius (Franklin's Tale)
[M]
17 lines
Man Three
-
The Miller
[M]
73 lines
- The miller operates a mill, which grinds grain (corn or wheat) into flour. With doubling also plays:
- Knight (Wife of Bath's Tale) [M]
- Astrologer (Franklin's Tale) [M]
Man Four
-
The Franklin
[M]
58 lines
- A Franklin is a property-owner, but not of noble birth. With doubling also plays:
- Chanticleer (Prioress' Tale) [M]
- Allain (Reeve's Tale) [M]
- King (Wife of Bath's Tale) [M]
- Harold (Pardoner's Tale) [M]
Other
-
The Voice of Chaucer
[M]
7 lines
- This should be taped by one of the other men in the cast.
- Subgenres
- Fables/Folktales Adaptation
- Settings
- Medieval
- Dress
- Contemporary costumes Period costumes
- Audience
- All audiences Pre-teen Teen
- Set
- Simple set
- Cautions
- Adult themes Alcohol
- Themes
- Death Friendship Love Memory
- Cross-Curricular Uses
- English History
- Other uses
- Competition Audition material Class work Scene work
- Awards & Accolades
- Plays with Awards & Accolades
Production Photos
Multimedia
Related Titles
Customer Comments
I recently saw your shout out to BCHS on your blog, as well as the podcast where you spoke to some of my classmates and fellow castmembers of Stroke Static. I played Ruthie in Stroke Static and The Prioress in The Canterbury Tales. I would like to take the time to let you know just how much that performance meant to me.
Participating in Stroke Static was by far one of the best, most rewarding, and life-changing experiences of my life so far. But even past that, the fact that we touched so many people in our performance really affected me. I sincerely wish that you could have been there to see it. It was truly magical.
I would like to thank you from the very bottom of my heart for the work you put into this play. I hope we made you proud!
I have thoroughly enjoyed directing my last three shows - The Canterbury Tales, Will and Whimsy, and Circus Olympus. They are excellent adaptations, creatively conceived and written and classically based, all characteristics I look for in a high school show.
I am retiring this year after directing 63 high school shows over 38 years, but I will encourage my successor to check out your cataglogue of plays.
The cast for Canterbury Tales is composed of 4 native English speakers and 4 English Language Learners (all have high proficiency in English).We are very excited to deal with such a 21st century theatre company! The ability to preview and purchase digitally is an amazing thing for us here in Ecuador! The ability to purchase video production rights is also a very big deal for us. It is not common with most of our shows and a disappointment to all of the international family members that can't see our performances live.
Purchase Orders accepted from US and Canadian Schools.
Info for your purchasing department.
All others must pay at the time of ordering.
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Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.
Exemption details for scenes and monologues for competition.
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About 70 minutes
Act 1: 40 minutes, Act 2: 30 minutes
Times given are approximate and do not include intermissions/scene changes/breaks
8
4 M | 4 W, Easily Expandable
Simple Set
69 pages