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Displaying items 41-60 of 183 in total

Script Writing for Forum Theatre Scene

by Lindsay Johnson

Students will take the scene outline created last class and use it to create a more detailed script that includes scene-setting notes, movement notes, and dialogue for the characters. Students will evaluate a peer’s script for errors in grammar or script writing conventions. They will then turn in their scripts for an assessment grade at the end of class.
Attachments

Microphones Part 2

Practical Technical Theatre

AUDIO FOR THEATRE: SOUND REINFORCEMENT LESSON 4, VIDEO 1 Many people think that a microphone reaches out to capture sound. The truth is the diaphragm of a mic only catches the sound waves that actually get to the mic. If the audience is going to hear the actors clearly, the...

Designing a Period Set

Practical Technical Theatre

SET DESIGN LESSON 12, VIDEO 1 Were extremely fortunate to have award-winning set designer Scott Neale join us to examine how to approach designing period sets. Scott has designed sets at the Shakespeare Festival St. Louis, The Goodman Theatre, Opera Theatre of St. Louis, Steppenwolf Theatre Company, The Repertory Theatre...

Musical Theatre

by Anna Porter

Musical Theatre has two components that separate it from straight plays: song and dance. This unit gives students the opportunity to try out both. In musical theatre, music signifies heightened emotion. We can’t express ourselves with just words, we need music (and through extension, song and dance) to take it further. This unit includes three lesson plans: 1. Acting the Song - “Musical Tactics” 2. Acting the Song - “Textual Analysis” 3. Introduction to Dance A solo performance assignment is also included, and the unit includes assessment tools - rubrics, reflections, and self-evaluations.

Final Project

by Anna Porter

This unit includes the opportunity for students to choose and perform a musical theatre piece using the oral techniques and textual analysis that they learned in the lesson.

Japanese Theatre

by Karen Loftus

This unit will enable students to identify, compare, and contrast three different styles of Japanese theatre: Noh, Bunraku, and Kabuki. There are three proposed projects in this unit: a research assignment where groups delve into further detail about one of the three styles; a performance project where students utilize what they’ve learned by enacting a scene from a Kyogen (comedic) play; and a Bunraku puppet play.

Give My Regards to Broadway

by Annie Dragoo

By viewing this documentary, students explore Broadway’s history from the vaudeville shows and operettas of the 20th century to 21st-century extravaganzas such as Hairspray and Wicked. In this lesson, students will view, discuss, and reflect on Episode 1.

Scripted Scene Performance Assessment

by Lindsay Johnson

In this lesson, students will perform their final partner scene for assessment in front of the class. They will also complete an audience feedback sheet where they give their peers feedback on rubric skills.
Attachments

Final Revision Rehearsal

by Lindsay Johnson

In this lesson, students will revise their set designs and scripts to achieve “Meets” or “Exceeds” on the rubrics. They will also give peer feedback and rehearse their scenes for vocal clarity, expression, and open body.
Attachments

Compare and Contrast: "To Be or Not To Be" on Film

by Lindsay Price

In this lesson plan, students will compare four different film versions of Hamlet, Prince of Denmark using the same scene: Hamlet’s “To be or not to be” speech. How do the four versions tackle the same text? Film is a visual medium – what visuals do they use to tell the story? Do they cut or adapt any of the text? Students will discuss their findings and write a Reflection. A slide deck is provided as part of the materials for this lesson.
Attachments

Sound Effectiveness

by Josh Hatt

Students will explore how sound can affect the mood of a scene. They are then given a sound assignment to apply sound and music to a blank scene using a specific format.

How to Create a Budget When You've Never Done it Before

by Kerry Hishon

In this lesson plan, students will take on the role of a producer. They have had their show approved, but, before they get started, they must create a budget to track the money coming and going. Budgeting is a job that must be completed by the producer for every show. What’s involved? What does a budget look like?

Headline Characters Exercise

Use this exercise to practice creating characters and then writing the first few lines of a monologue. Students will use a headline as a jumping off point.

Culminating Project

by Karen Loftus

In this culminating project, students are put into groups to create the stage management elements for a new “production” of Jabberwocky, the poem by Lewis Carroll.
Attachments

Commedia Dell'Arte

by Karen Loftus

Students will discover, analyze, and explore the history, characters, and style of commedia dell’arte. Commedia dell’arte is a theatre history unit mixed with improvisation, physicalization, and exploring specific characters. In this unit, we’re going to focus on three main aspects: 1. Causes and Effects of Commedia (History) 2. Stock Characters 3. Commedia Performance Practices

Musicals

Use these trivia questions as part of unit review, or as an introduction to material.

Our Town Unit

by Lindsay Price

This is a read, discuss, and apply literature unit. Students will study the play Our Town by Thornton Wilder. Our Town is often referred to as “nostalgic.” It’s seen as an antiquated look at a moment in time. But this play is called Our Town, not My Town. What’s happening in Grover’s Corners happened in the past, the distant past, in our present, and even in the future. The themes of the play—the ordinary versus universality, the concept of time, the cycle of life, the ignorance of humanity to the eternal—these are just as relevant in the twenty-first century as they were when the play was written. The purpose of the unit is not to have students recall knowledge about the play. Students will be able to identify, articulate, and dramatize text themes and concepts and compare/contrast these concepts to their own experiences.

Commedia dell'Arte

by Todd Espeland

Commedia dell’arte is a 16th century masked acting form. It is the basis of all comedy, including all tv sitcoms. This form is characterized by masked types and archetypical characters and a specific way of playing comedy. To that end, this unit is divided into two parts. Part One focuses on the foundations of commedia - playing comedy. These principles will be important to learn when it comes to developing commedia characters, specifically the physicality of the characters. Part Two will cover lazzi. Note: there are links to video demos in many of the lessons of this unit.

End of Semester: Fill the Gap Ideas

A complication of ideas from DTA members - how to fill the gap at the end of the semester.
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