Realism and Naturalism
Created by Drama Teacher Academy
- 6 lessons
This unit looks at the origins of realism and naturalism. The Realism/Naturalism movements in Europe came about as a response to the artificiality of the Romantic Movement. Realism/Naturalism strove for real-life characters and situations. This unit looks at early realist playwrights and their plays as well as the Independent Theatre Movement, which provided venues for the new forms when established theatres refused to produce these plays. In America, this became the Little Theatre Movement, where groups experimented with theatre away from the strictures of the syndicated houses. In the meantime, professional theatre was developing on Broadway, including early Black performers. Realism finally came to the American stage with the plays of Eugene O’Neill.
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1Lesson 1Set the Stage for Realism and NaturalismIn this lesson, students will be introduced to the precursors of Realism/Naturalism. Students will complete a research project on the sociopolitical and STEM background of the era to set the stage for Realism/Naturalism.
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2Lesson 2Early Realism and NaturalismIn this lesson, we will define realism and naturalism. Students will then participate in a number of activities to apply the definitions. In the second class, students will read scenes from a Realism play and a Naturalism play and then contrast and compare. Finally students will create a theatrical moment to bring to life their interpretation of either “ism.”
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3Lesson 3Independent Theatre MovementAt the time, Realistic and Naturalistic plays were not welcome at established theatres. Other venues had to be found, which led to the Independent Theatre Movement. Students are introduced to the movement and do their own activity “making theatre happen.” They will then be introduced to more playwrights of the time and read scenes. Finally, students will adapt a scene into the 21st century and apply modern social issues into the scene’s framework.
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4Lesson 4StanislavskiIn this lesson, students will learn about Constantin Stanislavski, an actor and theatre director who profoundly affected modern realistic theatre with his system of actor training specifically for realistic plays. Students will participate in exercises from the Stanislavski system.
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5Lesson 5Meanwhile, in AmericaIn this lesson, we will review what was happening in America during this era: vaudeville and Broadway in its early days. Students will try out a vaudeville routine and read a scene from a 1920 Broadway play. This lesson also highlights Black performers of the time. Then we’ll follow Eugene O’Neill as he brings realism to the American stage.
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6Lesson 6Culminating ActivitiesDecide how students will demonstrate their knowledge of the unit. You can choose to have all your students do the same activity or allow students to choose from the provided activities to demonstrate their knowledge. You could also give students the choice to create their own assignment to demonstrate how they have mastered the content.
Standards Addressed
Select, analyze, and interpret artistic work for presentation - Grade 6
Select, analyze, and interpret artistic work for presentation - Grade 7
Generate and conceptualize artistic ideas and work - High School Proficient
Generate and conceptualize artistic ideas and work - High School Accomplished
Generate and conceptualize artistic ideas and work - High School Advanced
Perceive and analyze artistic work - Grade HS Advanced
Interpret intent and meaning in artistic work - Grade 6
Interpret intent and meaning in artistic work - Grade 7
Interpret intent and meaning in artistic work - Grade 8
Organize and develop artistic ideas and work - Grade HS Proficient
Relate artistic ideas and works with societal, cultural, and historical context to deepen understanding - Grade HS Proficient
Organize and develop artistic ideas and work - Grade HS Accomplished
Organize and develop artistic ideas and work - Grade HS Advanced
- TH:Cr2.1.HSIII.a Develop and synthesize original ideas in a drama/theatre work utilizing critical analysis, historical and cultural context, research, and western or non-western theatre traditions.
- TH:Cr2.1.HSIII.b Collaborate as a creative team to discover artistic solutions and make interpretive choices in a devised or scripted drama/theatre work.
Convey meaning through the presentation of artistic work - Grade 6
Relate artistic ideas and works with societal, cultural, and historical context to deepen understanding - Grade 6
Refine new work through play, drama processes and theatre experiences using critical analysis and experimentation - Grade 7
Convey meaning through the presentation of artistic work - Grade 7
Relate artistic ideas and works with societal, cultural, and historical context to deepen understanding - Grade 7
Convey meaning through the presentation of artistic work - Grade 8
Convey meaning through the presentation of artistic work - Grade HS Proficient
Apply criteria to evaluate artistic work - Grade HS Proficient
Relate artistic ideas and works with societal, cultural, and historical context to deepen understanding - Grade HS Proficient
Apply criteria to evaluate artistic work - Grade HS Advanced
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