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Horror Movie 102: Failing Just Got Deadlier

Horror Movie 102: Failing Just Got Deadlier

by Steven Stack

It’s Halloween and a new collection of teens are about to discover the perils of growing up in St. Claire while violating the rules of horror movies in Horror Movie 102: Failing Just Got Deadlier. These fast-paced scenes will frighten you, make you laugh out loud, shock you, hurt your heart and ultimately make you thankful that you don’t live in St. Claire, Minnesota, where the killing of teens in a traditional horror movie style is far too common.

All scenes can be done as standalone pieces or performed together. Easy to stage with few set, sound, or light requirements. The scares are completely theatrical and the ghosts are all in your imagination. Or are they…

Comedy
Enjoyed this play? You might also like Horror Movie 101: Failing Can Be Deadly.

Recommended for High Schools and Middle Schools

Running Time
About 60 minutes (for the full collection)
Approximate; excludes intermissions and scene changes
Cast
22 Characters
7 M | 14 F | 1 Any Gender
Set
Simple set
Free Excerpt

This Book is a Collection of 5 Plays

License the entire book, or license individual plays separately. To license a single play, click its title below.

1 M, 1 F · Approx. 10 minutes

Bean attempts to convince her boyfriend Travis to remove the ribbon around his neck. But it turns out the ribbon is more than just decorative.

5 F, 1 Any Gender · Approx. 10 minutes

A group of teens gather in a cabin where something horrible happened. As in, in the past. It's all fun and games until Kevin, a cow's head, appears.

2 M, 2 F · Approx. 10 minutes

Chris is about to go on his first date. He’s practiced the steps for success, he has his best friends as a dating model, what could go wrong? Only everything. Demons on a date are never good.

2 M, 4 F · Approx. 10 minutes

Pippa is destined to be a horror movie-style serial killer, but she could really use some help developing her skillset.

2 M, 2 F · Approx. 10 minutes

Dane is a zombie but prefers you use the term "zoman." And even though he's a zoman, he doesn't have to eat like one. You can make tofu taste like anything these days...

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Performance Royalty Fees

Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.

Exemption details for scenes and monologues for competition.

22 Characters
7 M, 14 F, 1 Any Gender

Characters in this play are currently identified as male or female. Directors are welcome to assign any gender (binary or non-binary) to any character and modify pronouns accordingly.


The Ascot Ribbon
TRAVIS [M] 53 lines
16, and has an affinity for his looks, Bean, his mother, and his ascot ribbon.
BEAN [F] 54 lines
Also 16, a somewhat normal teen except for her name (and the story behind it) and her odd affection for Travis.

Slash, Slash!!!
MARVIN [M] 59 lines
16, the studious, kind of dorky one, a fan of horror movies. Recently started dating Sasha.
BROOKE [F] 38 lines
18, the jock who’s good at everything she does. Is dating Nate because he’s quite attractive. Not one for feelings.
SASHA [F] 68 lines
Brooke’s best friend, dating Marvin, also a fan of horror movies, and clearly would be the “last girl” in horror movies because she is the least threatening and most likable.
NATE [M] 36 lines
17, the traditional heartthrob with nothing else to offer; dating Brooke and is Erika’s brother, though he has his doubts about this.
ERIKA [F] 28 lines
The friend who’s the least likable and most expendable of the group. Also, Nate’s sister.
PIPPA VANDERWAY [F] 93 lines
A serial killer, reminiscent of 80’s Slasher films. Well, except for the fact that she’s British, wears paint-splattered overalls, has pigtails, and is terrible at it.

The Cow’s Head
SAGE [F] 37 lines
14, Very headstrong and in denial due to her older brother’s death and her parents’ inability to love the one they still have. The leader of the group.
LANDRY [F] 27 lines
14, the logical one of the friend group who tries to be the bridge between Sage and Kendra. Is also protective of Sage because she doesn’t seem to want to protect herself.
KENDRA [F] 33 lines
13, lives her life in fairy tales because her real life is clearly no fairy tale.
KEVIN [A] 27 lines
The Cow’s Head, the star of a Ukrainian urban legend, oddly similar to Cinderella.
KAREN [F] 1 line
Was the older sister of Cassie, but now is merely a vessel for a virus that is keeping her alive.
CASSIE [F] 1 line
Was the younger sister of Karen, but now is merely a vessel for a virus that is keeping her alive.

The Date
CHRIS [M] 89 lines
15, best friends with Ray and Felicia, who are dating. Speaking of dating, Chris has never been on a date. Until tonight.
FELICIA [F] 63 lines
16, dating Ray. Likes to research the odd happenings in St. Claire. Very loyal and direct.
RAY [M] 52 lines
16, dating Felicia. Sees Chris as a little brother even though he’s only a few months older. Seems to have it all together.
JINNY [F] 89 lines
Probably 15. A girl who is inhumanely attractive and mysterious. Started school at St. Claire three weeks ago and is very attracted to Chris, for reasons unknown.

Tofuman
DANE [M] 51 lines
17, dating Tara, died last year and is now a Zoman, half-zombie/half-human. Tends to place lots of things in his “denial box.”
BLOOD-DAY MA-RAY [F] 37 lines
The urban legend Bloody Mary, only here she rips out hearts and sings about her love of ripping out hearts.
TARA [F] 34 lines
17, died last year with Dane, her boyfriend, when she gave Hook Hand back her hook. Is really embracing this Zoman thing, including the eating human part.
PHILLIP [M] 14 lines
18, went on a date with Tara, rather dumb, loves playing the ukulele and being found edible.

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From the Drama Teacher Learning Centre

Creeptastic Plays and Macabre Musicals for Fall
Teaching Drama

Creeptastic Plays and Macabre Musicals for Fall

It’s spooky season, and if you’re looking for plays and musicals to frighten, horrify, and creep you out, you’re in the right place. Below you’ll find 10 scary plays from our own Theatrefolk library and 10 terrifying Broadway and off-Broadway musicals featuring scary creatures of all sorts, including ghosts, aliens, demons, and mutants. Introduce these plays and musicals to your students, read them as a class, and check out performances of them (many have filmed or movie versions to stream or purchase, or promotional clips to view on YouTube). You can also use the reading response worksheet as a resource, found at the bottom of this page. Have fun… if you dare! Plays from Theatrefolk that will scare the living daylights out of youFrom our own Theatrefolk catalogue, here is a selection of plays that are perfect for middle and high school students to study and perform. Livestream and Zoom options are available for most productions, and there are tons of opportunities for diverse casting choices. Whether you’re looking for a classic tale, a murder mystery, a scary comedy, or an all-out gorefest, we’ve got what you need! 1. Ashland Falls by Steven Stack A creepy, challenging play-within-a-play filled with twists, turns, drama, and intrigue. A mysterious new play director comes to Herbert Hoover High, where the on and offstage drama is about to make way for real-life revenge. Each student actor plays two vastly different roles, which makes this a great choice for senior drama students. 2. The Bottom of the Lake by Steven Stack The only thing that goes better together than chocolate, graham crackers, and marshmallows is summer camp and ghost stories. This play combines ghost stories, urban legends, comedy, and more, and has tons of great roles for female-presenting student actors. 3. Close Encounters of the Undead Kind by Jeffrey Harr A creepy collection of three plays that can be performed together or separately, featuring a terrifying teen support group, a Halloween that proves to be anything but boring, and a teen with an… unusual boyfriend. 4. Gothic Ghost Stories by Lindsay Price You’ve arrived early at Peveril House for the annual New Year’s Ball, and the family is eager to tell you some stories. Of course, with all the spiritual energy in Peveril House, the stories of choice are always ghost stories. With 49 characters, there are roles for everyone in your drama department, with doubling and tripling options for a smaller cast production. 5. Grim and Gruesome Grimm, adapted by Mrs. Evelyn Merritt from Jacob and Wilhelm Grimm A flexible and bloody adaptation of the classic Grimms’ fairy tales. Featuring decapitation, dismemberment, cannibalism, and a body count that keeps on growing. Lots of options for flexible casting and cast size, and various show lengths. 6. Hamlet, Zombie Killer of Denmark by Chris Stiles King Claudius plans to turn Denmark into the land of the undead and Hamlet must stop him! This adaptation blends the classic Shakespearean text with new lines written in iambic pentameter. 7. The Haunting of Chip Lake Lodge by J. Robert Wilkins A group of teens show up to the wrong location for their prom and things get worse from there, including mysteries, hauntings, curses, and giant rats. A spooky play for a small group of student actors. 8. Horror Movie 101: Failing Can Be Deadly and Horror Movie 102: Failing Just Got Deadlier by Steven Stack Two hour-long plays that are horrifying and hilarious. The teens in St. Claire keep getting killed while violating the rules of horror movies — so much so that a second play had to be written! Opportunities for double and triple casting, and the scenes can be performed together or as standalone pieces. 9. The Legend of Sleepy Hollow, adapted by Lindsay Price from Washington Irving This is the classic tale of Ichabod Crane and the Headless Horseman in a 30-minute run time, perfect for large groups of student actors. 10. Shuddersome: Tales of Poe, adapted by Lindsay Price from Edgar Allen Poe (Free Classroom Study Guide available!) Ghosts. Ghouls. Soul Suckers. Spectres. Shudders. Who better to bring the classic tales of Edgar Allen Poe to life… or death? This play has lots of opportunities for creative movement, costuming, and theatricality, and can be customized to fit the running time and casting choices you need. If you don’t see what you need here, there are lots more in our online catalogue. Just search for terms like “scary,” “horror,” “Halloween,” or “ghost” and you’ll find a plethora of plays to haunt you! Or reach out to our Play Concierge for specific recommendations! Macabre Musicals from Broadway and Off-BroadwayThe following shows have appeared either on or off Broadway, many of them also appearing on the West End. Many of these musicals now offer youth editions, written especially for high school students to perform. Some of these shows are based on films, books, and comics, which can be interesting to compare and contrast with clips from the musical. 1. The Addams Family: A New Musical, book by Marshall Brickman and Rick Ellis, music and lyrics by Andrew Lippa Charles Addams’ creepy, kooky, and altogether ooky family comes back to life onstage. When Wednesday Addams falls in love with Lucas, a “normal” guy, she begs her father Gomez to keep it a secret from his wife, Morticia. When the Addamses and Lucas’ family come together for a family dinner, chaos ensues. 2. Beetlejuice, book by Scott Brown and Anthony King, music and lyrics by Eddie Perfect Lydia Deetz and her father Charles move into a new house that is haunted by the previous owners, Adam and Barbara Maitland, who aren’t ready to give up their home despite being newly deceased. The Maitlands enlist the help of the bio-exorcist ghost Beetlejuice to help them get rid of the Deetzes; however, Beetlejuice has his own agenda. Based on the 1988 film starring Michael Keaton. 3. Carrie: The Musical, book by Lawrence D. Cohen (based on the novel by Stephen King), music by Michael Gore, lyrics by Dean Pitchford Carrie White has been bullied by practically everyone in her life, from the popular kids at school to her fanatically religious mother. When she is pushed too far (pig’s blood, anyone?), Carrie gets her revenge. The musical version of Carrie has an interesting history, originally premiering in 1988 and becoming a Broadway flop, then being revamped for off-Broadway in 2012. 4. Evil Dead: The Musical, book and lyrics by George Reinblatt, music by Christopher Bond, Frank Cipolla, Melissa Morris, and George Reinblatt Based on the Evil Dead movie franchise, this rock musical was first performed in Toronto before moving to an off-Broadway run at New World Stages. Five college students discover an evil book in the basement of an abandoned cabin in the woods and read it, unleashing unspeakable horror that turns everyone into demons one by one. Productions often feature a “splatter zone” where audience members get doused in stage blood. 5. Jekyll & Hyde, book by Leslie Bricusse (based on the novel by Robert Louis Stevenson), music by Frank Wildhorn, lyrics by Frank Wildhorn, Leslie Bricusse, and Steve Cuden Brilliant Dr. Jekyll attempts to cure his father’s mental illness, but inadvertently creates himself an evil alternate personality named Mr. Hyde. Mr. Hyde terrorizes London, and Dr. Jekyll must find a cure to control him before he takes over permanently. 6. Little Shop of Horrors, book by Howard Ashman, music and lyrics by Alan Menken Shy floral shop worker Seymour finds a mysterious plant that looks like a Venus flytrap. He names it Audrey II after his co-worker Audrey, who Seymour is secretly in love with. Seymour discovers that his plant feeds on blood, and as Audrey II quickly grows, it demands to be fed more and more. Based on the 1960 film The Little Shop of Horrors. 7. The Phantom of the Opera, libretto by Andrew Lloyd Webber and Richard Stilgoe (based on the novel by Gaston Leroux), music by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe A series of increasingly frightening incidents occur at the Paris Opéra House, which are blamed on the “opera ghost” or “O.G.” The opera ghost is revealed to be a mysterious, disfigured musical genius living in the catacombs under the theatre. He falls in love with soprano Christine Daaé and as his love turns to obsession, will stop at nothing to make her his forever. As of 2023, Phantom is the longest-running show on Broadway, opening in 1988 and closing in 2023. 8. The Rocky Horror Show, book, music, and lyrics by Richard O’Brien The stage musical came first! The film version has achieved cult status, but the stage version premiered in 1973 on the West End and has been revived all over the world ever since. Newlyweds Brad and Janet take shelter from a rainstorm in the home of mad scientist Dr. Frank-N-Furter. With catchy songs like “Time Warp,” the show feels like a light-hearted homage to vintage sci-fi and B movies. However, the “horror” aspect of the title is appropriate as mysterious and murderous events occur throughout the night. 9. Sweeney Todd: The Demon Barber of Fleet Street, book by Hugh Wheeler, music and lyrics by Steven Sondheim Benjamin Barker is transported to Australia for a crime he did not commit. Fifteen years later, he returns to England, and vows revenge. Reinventing himself as barber Sweeney Todd, he kills his customers with his shaving razor and sends their bodies to his downstairs neighbour Mrs. Lovett, who disposes of them in a most sinister fashion. Based on the 1970 play Sweeney Todd by Christopher Bond. 10. The Toxic Avenger, book and lyrics by Joe DiPietro, music and lyrics by David Bryan Tromaville, New Jersey has been turned into a toxic waste dump. Nerdy Melvin Ferd the Third vows to clean it up and put a stop to whoever is responsible for leaving the drums of toxic goo everywhere. Melvin is attacked by goons, who toss him into a vat of toxic waste and leave him for dead. What they didn’t anticipate was Melvin transforming into a huge green mutant with a melted face, muscled body, and monstrous determination to save New Jersey. Based on the 1984 film of the same name.
Theatrefolk Featured Play – Horror Movie 102: Failing Just Got Deadlier by Steven Stack
Featured Plays

Theatrefolk Featured Play – Horror Movie 102: Failing Just Got Deadlier by Steven Stack

*Welcome to our Featured Play Spotlight. * Did you survive the spookiness and scares of Horror Movie 101: Failing Can Be Deadly? Then hold tight… the spine-tingling horror (and humour) continues with Horror Movie 102: Failing Just Got Deadlier by Steven Stack! It’s Halloween and a new collection of teens are about to discover the perils of growing up in St. Claire while violating the rules of horror movies in Horror Movie 102: Failing Just Got Deadlier. These fast-paced scenes will frighten you, make you laugh out loud, shock you, hurt your heart and ultimately make you thankful that you don’t live in St. Claire, Minnesota, where the killing of teens in a traditional horror movie style is far too common. All scenes can be done as standalone pieces or performed together. Easy to stage with few set, sound, or light requirements. The scares are completely theatrical and the ghosts are all in your imagination. Or are they… Why did we publish this play? There aren’t a lot of horror plays out there. I love how Steven approaches this genre and makes it theatrical. His work is easily stageable regardless of your situation. Something else Steven does is write great characters with specific personalities – which you don’t often find in the horror genre. And while Horror Movie 102, takes place in the same unlucky horror ridden town as Horror Movie 101, it has it’s own stories. You don’t need to have read or experienced the first play to enjoy producing this one. And enjoy it you will! Let’s hear from the author!1. Why did you write this play? I had so much fun writing Horror Movie 101 and I knew that there were more odd happenings to explore in St. Claire. I was totally right. ? 2. Describe the theme in one or two sentences. In life, all you can do is your best while realizing that, sometimes, life will decide to do something really messed up to you. Like having your head falling off. 3. What’s the most important visual for you in this play? When Travis’s head falls off and he continues having a delightful conversation with Bean, his beloved. At that point, since it’s the first scene, the audience knows that there is absolutely nothing that can’t happen in St. Claire. 4. If you could give one piece of advice for those producing the play, what would it be? Avoid playing the jokes or focusing on the ridiculousness aspects of each scene. The humor comes from the fact that what is happening in the scenes is the characters’ reality and something they don’t see as funny. 5. Why is this play great for student performers? Because it mixes horror, humor, and characters that are complicated and quirky and want to make the right decisions but just can’t for some reason. Which, to be honest, is what students and all of us deal with on a daily basis. 6. Do you have any tips for those who are performing this play online? Focus on internalizing the characters so that your face will respond to what’s happening to your character. Writing character bios is vital here so that you have an in-depth knowledge of your characters and the others in their world. To do the show online allows the focus to be on the story and the characters instead of the set or the blocking. Get your copy of Horror Movie 101: Failing Just Got Deadlier right here, right now!Not right for your group right now? Search our play catalogue to find one that your performers will love!
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