Storied
by Bradley Walton
In a magical dimension, three teenagers are pulled into a conflict between Good and Bad Ideas from classic tales. Who is to blame for the bad idea?
About 77 minutes
Act 1: 47 minutes, Act 2: 30 minutes
Times given are approximate and do not include intermissions/scene changes/breaks
20
6 M | 9 W | 5 Any Gender, Doubling Possible
Unit Set
70 pages
In addition to traditional live stage performance rights, Storied can also be performed under the following scenarios.
Virtual Performance
A Virtual Performance is a performance on an online web conferencing platform such as Zoom, Microsoft Teams, Skype, or Google Meets where performers are geographically isolated from one another and not together on a stage.
No audience is physically present with the performers. The audience is logged in to the same web conferencing platform as the performers.
Each time the play is performed for a virtual audience of any size (whether or not admission is charged) constitutes one performance.
Livestream Performance
Productions of Storied may be Livestreamed.
All Livestream Performances must be conducted through our Authorized Streaming Partner, BookTix. Please contact BookTix at info@booktix.com for more information about Livestreaming.
A Livestream Performance is a traditional performance that is livestreamed to the Internet as the actors are performing. Instead of watching the show live in the theatre, the audience watches virtually from their home or other location.
All Livestream Performances must be conducted through our Authorized Streaming Partner, BookTix. Please contact BookTix at info@booktix.com for more information about Livestreaming.
A Livestream Performance may be pre-recorded. Recordings for pre-recorded Livestreams may be made if the recording is destroyed at the conclusion of the production. Should the producing organization want to retain the recording for archival purposes, they must purchase a separate Videorecording License from Theatrefolk.
Theatrefolk charges no additional fees for permission to Livestream. However, BookTix will charge nominal fees to the producing organization. Theatrefolk does not have any financial interest in BookTix and does not receive any commission or fees from BookTix.
Theatrefolk cannot be held responsible for any issues, technical, financial, legal, or otherwise, arising from the producing organization’s relationship with BookTix.
Each time the show is Livestreamed (whether performed live or pre-recorded) constitutes one performance.
One license, three ways to use it
Each royalty you purchase can be used as a Traditional Live Stage Performance, Virtual Performance, or Livestream Performance. How you choose to use your performance license is up to you! Performances need not all be of the same type so long as the total number of performances given does not exceed the total number of performances ordered.
How to Order
Click on the red "Add to Cart" button, then select "A Production"
“What if it’s impossible for us to go home because we don’t belong there anymore? For that matter, what if we were never real people to begin with and we’re really just fictional characters who think they’re real people?”
After being mysteriously transported to a magical dimension inhabited by characters from fictional stories, three teenagers are pulled into a conflict between Good Ideas from classic tales and Bad Ideas, which have proliferated with the rise of online publishing.
Over the course of their adventure, they encounter Alice and the White Rabbit from Alice’s Adventures in Wonderland, Snow White’s formerly evil stepmother, the witch from Hansel and Gretel, Lady Macbeth, Elizabeth Bennett from Pride and Prejudice, Santa Claus, and others.
In an exploration of the nature of stories, characters, and the responsibilities of creators to their creations, the trio begins to wonder… could they be characters in a story themselves?
Characters
20
6 Men, 9 Women, 5 Any Gender, Doubling Possible
-
TATUM
[W]
311 lines
- A teenage girl
-
BECKY
[W]
344 lines
- A teenage girl
-
KEVIN
[M]
256 lines
- A teenage boy
-
BIG METAL THING
[A]
65 lines
- A big thing made out of metal
-
JAVERT
[M]
5 lines
- A French policeman from Victor Hugo’s Les Misérables
-
ELIZABETH BENNETT
[W]
3 lines
- A young lady from Jane Austen’s Pride and Prejudice
-
HESTER PRYNNE
[W]
2 lines
- A woman from Nathaniel Hawthorne’s The Scarlet Letter
-
ANCIENT MARINER
[M]
16 lines
- An old seafarer from Samuel Taylor Coleridge’s The Rime of the Ancient Mariner
-
WHITE RABBIT
[A]
3 lines
- The White Rabbit from Lewis Carroll’s Alice’s Adventures in Wonderland
-
BRITTANY
[W]
77 lines
- The witch from the Brothers Grimm’s Hansel and Gretel
-
COLLEEN
[W]
50 lines
- The evil queen from the Brothers Grimm’s Snow White and the Seven Dwarfs
-
HAWKEYE
[M]
25 lines
- An American frontiersman from James Fenimore Cooper’s The Last of the Mohicans
-
SANTA CLAUS
[M]
10 lines
-
MRS. CLAUS
[W]
8 lines
- Santa’s wife
-
LADY MACBETH
[W]
10 lines
- From William Shakespeare’s Macbeth
-
ALICE
[W]
16 lines
- From Lewis Carroll’s Alice’s Adventures in Wonderland
-
BIGFOOT
[A]
3 lines
- A hairy creature who inhabits the forests of the Pacific Northwest
-
SHORT GREEN ALIEN WITH BIG EARS
[A]
16 lines
-
SNIPER IN A TUTU
[M]
14 lines
-
TOILET, DESTROYER OF WORLDS
[A]
18 lines
- Voice
- Subgenres
- Fantasy Adventure Adaptation Fairy tales
- Settings
- Abstract setting Present day
- Dress
- Contemporary costumes Fantasy costumes Period costumes
- Audience
- Pre-teen Teen
- Features
- Opportunity for spectacle Character study
- Set
- Multiple sets
- Cautions
- Gun shots Adult themes Onstage murder
- Themes
- Adolescence Death Friendship Memory Relationships Self-image Theatre
- Cross-Curricular Uses
- English
- Other uses
- Competition Monologues Audition material Class work Scene work
Prop List
Purse – TATUM, Cellphone – TATUM, Purse – BECKY, Cellphone – BECKY, Mirror – COLLEEN, Kentucky rifle – HAWKEYE, Pack of gum – MRS. CLAUS, Rifle with scope OR knife - SNIPER
Production Photos
Related Titles
Purchase Orders accepted from US and Canadian Schools.
Info for your purchasing department.
All others must pay at the time of ordering.
Not sure what you need to order? Check out our pricing and ordering guide.
Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.
Exemption details for scenes and monologues for competition.
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About 77 minutes
Act 1: 47 minutes, Act 2: 30 minutes
Times given are approximate and do not include intermissions/scene changes/breaks
20
6 M | 9 W | 5 Any Gender, Doubling Possible
Unit Set
70 pages