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Treasure Island (One Act Version)

Treasure Island (One Act Version)

adapted by Todd Espeland from Robert Louis Stevenson

Fifteen men on the dead man’s chest… Pirates sponging for rum, treasure maps filled with pieces of eight!

Join Jim, Long John Silver and the rest of his scurvy crew for this classic pirate adventure. Easy staging (including Silver’s peg leg) gender flexible options, and a thrilling journey to Skeleton Island.

Yo, ho, ho!

Drama Classical Adaptation

Average Producer Rating:

Also available in a full-length version here.

Recommended for High Schools and Middle Schools

Running Time
About 35 minutes
Approximate; excludes intermissions and scene changes
Cast
20 Characters
12 M | 8 F, Plus patrons & pirates, gender flexible
Set
Simple set
Length
39 pages
Free Excerpt

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Performance Royalty Fees

Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.

Exemption details for scenes and monologues for competition.

20 Characters
12 M, 8 F, Plus patrons & pirates, gender flexible
Older Jim Hawkins [M] 33 lines
Male, adult Jim who recounts the tale
Jim Hawkins [M] 61 lines
Male, young and unsure of himself
Billie Bones [F] 12 lines
Female, bold, brash and hiding a secret
Mrs. Hawkins [F] 18 lines
Female, Jim’s mother, a tough no-nonsense woman who runs the Bennbow Inn
Dr. Livesey [M] 26 lines
Male, honorable and honest
Squire Trelawney [M] 24 lines
Male, impulsive side kick to Dr. Livesey
Blind Pew [F] 12 lines
Female, bitter and angry
Long John Silver [M] 58 lines
Male, friendly and warm but with a harsh dark side
Captain Smollett [F] 18 lines
Female, Captain of the Hispaniola, sharp and dry personality.
Benn Gunn [F] 18 lines
Female, marooned on Skeleton Island for 3 years, a little crazy from all the time alone
Johnny [F] 6 lines
Female pirate in Long John Silver’s crew
Black Dog [M] 11 lines
Male pirate in Long John Silver’s crew
Dirk [F] 6 lines
Female pirate in Long John Silver’s crew
Bilge [F] 9 lines
Female pirate in Long John Silver’s crew
Dungbee [M] 8 lines
Male pirate in Long John Silver’s crew
Scuttle [M] 7 lines
Male pirate in Long John Silver’s crew
Israel Hands [M] 9 lines
Male pirate in Long John Silver’s crew
Dick [M] 4 lines
Male crew member of the Hispaniola who is convinced to join Silver’s crew
Tom [M]
Male crew member of the Hispaniola
Hunter [M] 1 line
Male crew member of the Hispaniola
Various Inn Patrons and Sailors [A]

Praise for Treasure Island (One Act Version)

Rylie Patrick
Brenham Junior High School
This was a great experience! The kids had a lot of fun with this show and allowed them to be pushed.
Jonathan McHaney
La Vega ISD Central Warehouse (La Vega High School)
It was great. The play is fun and easy for students capture the essence of the piece.

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From the Drama Teacher Learning Centre

A Swashbuckling Student Success: Treasure Island
Featured Plays

A Swashbuckling Student Success: Treasure Island

Treasure Island by Todd Espeland is a theatrical, character-driven adaptation that’s worth it’s weight in gold – or in this case, a treasure chest full of ‘pieces of eight’! Fifteen men on the dead man’s chest… Pirates sponging for rum, treasure maps filled with pieces of eight! Join Jim, Long John Silver and the rest of his scurvy crew for this classic pirate adventure. Easy staging (including Silver’s peg leg) gender flexible options, and a thrilling journey to Skeleton Island. Yo, ho, ho! Under the direction of Richard Martin, the student performers at Lusher Charter School in New Orleans, LA had all hands on deck with their production of Treasure Island. Their experience was both a theatrical and a technical success – and that’s the real treasure: “I recently closed Todd Espeland’s Treasure Island with my middle school students at Lusher Charter School in New Orleans. The production was such a success! The kids had a blast portraying pirates. They especially liked including scars and wrinkles in their makeup designs for the characters. My stage crew were very inventive, tackling the challenges of turning trunks into different scenic locations. I would highly recommend this script to any middle school teacher. The language was meaty enough to be a challenge for my actors and the linear plot allowed me to teach story elements in depth. Thanks for a great script!”
Theatrefolk Featured Play – Treasure Island by Todd Espeland
Featured Plays

Theatrefolk Featured Play – Treasure Island by Todd Espeland

Welcome to our Featured Play Spotlight. Adapted by Todd Espeland, Treasure Island is a thrilling journey to Skeleton Island, complete with easy staging (including Silver’s peg leg) and gender flexible options. Fifteen men on the dead man’s chest… Pirates sponging for rum, treasure maps filled with pieces of eight! Join Jim, Long John Silver and the rest of his scurvy crew for this classic pirate adventure. Available in full-length and one-act versions. Yo, ho, ho! Why did we publish this play? A good adaptation is worth it’s weight in gold – or in this case, a treasure chest full of ‘pieces of eight’! Todd Espeland has put together a theatrical, character-driven adventure out of Robert Lewis Stevenson’s classic novel. I loved every moment. Add to that is Todd’s fabulous solve of Long John Silver’s peg leg! Let’s hear from the author! 1. Why did you write this play? I was hired to be the new Executive/Artistic Director of the Fort Wayne Youtheatre and was asked if I had ever written a play because someone needed to do an adaptation of it. It was getting thrown into the deep end of the pool. It was a great time. I like the adventure story aspect of it and I got a chance to craft some very theatrical moments in it. 2. Describe the theme in one or two sentences. There is a strong theme of moral ambiguity in the story. The characters often find themselves in situations where there is no clear distinction of good and evil and many characters in the story have both good and evil traits, like Long John Silver. 3. What’s the most important visual for you in this play? I like the visual of Jim, near the end of the play, standing up to the group of pirates. I love the image of this small kid, facing down this group of men who want to do him harm. 4. If you could give one piece of advice for those producing the play, what would it be? You don’t have to be literal. You don’t need to have a ship on stage, or an island. You can create set and atmosphere with light and a few well selected set pieces and items. Youtheatre produced this play on a minuscule budget in a black box. We transformed the space each scene with some well selected set pieces and light. Use your imagination. Transform your set pieces. We used several old trunks in the show that we transformed from seating in the Benbow Inn, into boxes aboard ship by opening them and pulling ropes out and them made them into hills on the island by covering them with fabric and jute. 5. Why is this play great for student performers? The characters are accessible. Their needs are very clear. Plus they get to stretch as actors because they have to find the dual natures in each character. Silver is a bad guy who is capable of doing evil things but he genuinely like Jim. Benn Gunn might seem like a guy crazy from being on the island but he is the smartest person in the play. This is also a great play for female performers. We deliberately played with the gender of some of the characters so that women would get a chance to play these strong characters. There were women pirates. Ann Bonny was one. So why not mix it up a bit and let everyone play these powerful characters.
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