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who are we, who we are

by Forrest Musselman

Addresses anxiety and depression in teens.

 About 30 minutes

Times given are approximate and do not include intermissions/scene changes/breaks


 17
3 M | 14 W


Simple set

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In addition to traditional live stage performance rights, who are we, who we are can also be performed under the following scenarios.

Virtual Performance

A Virtual Performance is a performance on an online web conferencing platform such as Zoom, Microsoft Teams, Skype, or Google Meets where performers are geographically isolated from one another and not together on a stage.

No audience is physically present with the performers. The audience is logged in to the same web conferencing platform as the performers.

Each time the play is performed for a virtual audience of any size (whether or not admission is charged) constitutes one performance.

Livestream Performance

Productions of who are we, who we are may be Livestreamed.

All Livestream Performances must be conducted through our Authorized Streaming Partner, BookTix. Please contact BookTix at info@booktix.com for more information about Livestreaming.

A Livestream Performance is a traditional performance that is livestreamed to the Internet as the actors are performing. Instead of watching the show live in the theatre, the audience watches virtually from their home or other location.

All Livestream Performances must be conducted through our Authorized Streaming Partner, BookTix. Please contact BookTix at info@booktix.com for more information about Livestreaming.

A Livestream Performance may be pre-recorded. Recordings for pre-recorded Livestreams may be made if the recording is destroyed at the conclusion of the production. Should the producing organization want to retain the recording for archival purposes, they must purchase a separate Videorecording License from Theatrefolk.

Theatrefolk charges no additional fees for permission to Livestream. However, BookTix will charge nominal fees to the producing organization. Theatrefolk does not have any financial interest in BookTix and does not receive any commission or fees from BookTix.

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Each time the show is Livestreamed (whether performed live or pre-recorded) constitutes one performance.

One license, three ways to use it

Each royalty you purchase can be used as a Traditional Live Stage Performance, Virtual Performance, or Livestream Performance. How you choose to use your performance license is up to you! Performances need not all be of the same type so long as the total number of performances given does not exceed the total number of performances ordered.

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who are we, who we are addresses anxiety and depression in teens. Clay is having issues because of his mother’s failing health. At the beginning of the play he finds himself inside his own brain, where he meets other teens from his school who are also suffering. Clay learns to listen and ask for help as the first step on his road to recovery.

An excellent ensemble piece with a variety of movement and staging opportunities.


Characters

 17
3 Men, 14 Women

ANNIE [W]
52 lines
SHE’s dealing with depression and Clay’s best friend.
NORA [W]
19 lines
SHE is dealing with death of father’s suicide.
ANGEL [W]
9 lines
SHE has an eating disorder.
MARY [W]
15 lines
SHE’s addicted to social media.
MOLLY [W]
15 lines
SHE’s depressed and can’t find the right medication.
WANDA [W]
16 lines
SHE worries too much.
BRENDA [W]
14 lines
SHE has OCD.
MISSY [W]
14 lines
SHE has anxiety due to bullying.
SOPHIE [W]
9 lines
SHE’s busy and worried about her grades.
CLAY [M]
59 lines
HE’s got some issues.
NORA'S DAD [M]
9 lines
HE’s a farmer and depressed.
BULLY [W]
12 lines
SHE’s a bully.
ANNIE’S MOM [W]
7 lines
SHE’s supportive and understanding.
WANDA’S MOM [W]
4 lines
SHE’s a good hugger.
MARY'S DAD [M]
6 lines
HE’s a frustrated parent.
THERAPIST [W]
7 lines
SHE’s a good listener.
GIRL [W]
1 line
SHE’s in her brain.


Related Titles

Purchase Orders accepted from US and Canadian Schools.
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All others must pay at the time of ordering.

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Royalty fees apply to all performances whether or not admission is charged. Any performance in front of an audience (e.g. an invited dress rehearsal) is considered a performance for royalty purposes.

Exemption details for scenes and monologues for competition.

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 About 30 minutes

Times given are approximate and do not include intermissions/scene changes/breaks


 17
3 M | 14 W


Simple set

Free Sample Pages

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Pricing Info